Origins Brooch Ati Ẹgba láti ọwọ́ Paloma Sanchez

Origins Brooch Ati Ẹgba láti ọwọ́ Paloma Sanchez jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2023 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun Ọ̀ṣọ́ Ara.

FàdákàOhun Ọ̀ṣọ́ Ara· 2023

Origins Brooch Ati Ẹgba

látọ̀wọ́ Paloma Sanchez

Oníbàárà: Paloma Sanchez The Art of Jewelry

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ohun Ọ̀ṣọ́ Ara

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #147765

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Origins Brooch Ati Ẹgba

Ti a ṣe lati goolu 18kt nipa lilo ilana simẹnti epo-eti, ẹgba naa ṣogo ori Anishinaabe Harpoon kan 1000 AD ti a rii ni agbegbe Awọn adagun Nla, ni pipe ni pipe nipasẹ awọn okuta iyebiye Akoya Japanese ati awọn okuta iyebiye. Ni akọkọ ti a lo bi aaye harpoon, ege idẹ iyalẹnu yii jẹ apẹrẹ ti o ṣọwọn nigbagbogbo ti a rii ni awọn ile musiọmu. Pẹlu ibọwọ jinlẹ fun itan-akọọlẹ, nkan ohun-ọṣọ yii nmi igbesi aye tuntun sinu awọn iṣura atijọ. Nipasẹ iṣẹ-ọnà ti awọn ohun-ọṣọ-ọṣọ, apẹrẹ ṣe afihan ifẹ ati igbagbọ ni fifun idi titun si awọn ohun-ọṣọ ti o niyelori.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Origins Brooch Ati Ẹgba jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Origins Brooch Ati Ẹgba yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Origins Brooch Ati Ẹgba jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: This piece pays tribute to the Anishinaabe, the first inhabitants of the Great Lakes area, and their rich history. The centerpiece of the design is a 3,000-year-old copper spear point fishing tool, which has been transformed into a piece of art jewelry.

Through the lens of jewelry-making, this design represents our will and belief in giving new life and purpose to ancient treasures. The combination of textures - the roughness of the old copper, the warm smoothness of the pearls, and the cold fire of the diamonds - creates a truly unique and captivating piece.

This committed art jewelry also celebrates the importance of our shared history and the importance of repurposing antique treasures to create something new and inspiring. It is a tribute to the resilience of humankind, the power of nature, and the artistry of those who came before us.
Ìwọ̀n àti Àpò: Gold: 6,85g
Diamonds: 40 x 0.008cts round brilliant cut VVS diamonds Total weight of diamonds: 0.32cts
Pearls: 2 Akoya pearls, 6mm, and 5.5mm
Brooch: 10cm x 1,3cm to 2mm
Àwọn Àkọlé: jewelry, gold, brooch, necklace, First Nations, Anishinaabe, Necklace, Brooch, Unique, One of a Kind, Design, Repurpose, Museum piece, Antique, Art, Jewelry, Gold,
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The brooch is hand-crafted in 18kt gold using a casting technique. The Anishinaabe Harpoon head (1000 B.C.) was found in the Great Lakes area and is married with Japanese Akoya pearls and Diamonds. It is important to note that this copper piece was initially used as a harpoon point (harpoons were made of wood and, therefore, would break easily. The copper point was meant to harden the end of the harpoon. The Anishinaabe did not know the iron, only copper, as there was a considerable copper source in the Great Lakes area.) such specimens tend to be found in museums.
As the cooper spear point has a cylindrical body, we designed the back of the brooch with two needles in order to guarantee complete stability, making sure that the face of the brooch always looks forward when worn, avoiding it rolling towards one side or the other. We managed to keep these two needles completely invisible when worn.
Ìpèníjà Àpèsè: The production of this piece presented two main challenges. Firstly, we aimed to maximize its utility while still conveying the Anishinaabe worldview in a contemporary context. This required a creative approach rather than just technical expertise. The brooch had to be comfortable to wear, visually appealing, and function as both a necklace and brooch, all while portraying the connection with nature and refinement of the First Nations.

During the early stages of the design, our challenge was primarily centered around how to ensure that the harpoon sat straight on the collar of a blouse or the lapel of a jacket, while keeping the functional structure invisible and comfortable to wear as a necklace. To achieve this, we developed a two-needle system that runs along 50% of the harpoon, with an invisible clasp at the top to allow a chain to pass through and use the harpoon point as a necklace. With the clasp centered and the two needles acting as counterweights and stoppers, the harpoon remains in a forward-facing position, whether worn as a necklace or a brooch.
The second challenge arose during the manufacturing process, as the harpoon is a delicate museum piece that cannot be subjected to high pressures or temperatures, or its texture and color could change. Furthermore, to respect its bond with nature, we had to ensure zero waste during production. To achieve this, we first hand-sculpted a wax mold that was then fitted precisely to the harpoon. We used this mold to cast the 18kts gold front enhancements in which the future diamonds would be set, as well as the brooch needles and the back adorns. Finally, the dorsal 18k gold structure was delicately adjusted to the harpoon to create the final product.

To showcase the piece´s deep connection to nature and portray the Anishinaabe’s skilled craftsmanship, we chose to incorporate natural gems with contrasting textures. The smooth, white spheres of the pearls beautifully contrast with the oxidized roughness of the copper, while the diamonds add a luminous quality to the piece that allows it to radiate its own light.
We believe these contrasting textures reflect the Anishinaabe worldview, which values the complementary nature of all things in the natural world. The smoothness of the pearls represents the calmness and tranquility found in nature, while the roughness of the copper represents the strength and resilience required to thrive in the natural world. The diamonds, with their brilliant radiance, represent the beauty and wonder of nature.
Through our design, we sought to pay homage to the Anishinaabe's sophisticated craftsmanship and their deep reverence for nature. The result is a piece that exudes luxurious allure while remaining faithful to the Anishinaabe worldview.
Ìmísí: This piece is inspired by human history and diversity, as well as the importance of giving a new life to antique tools.
Àkókò Iṣẹ́ Àkànṣe: The project started in Michigan, USA, in January 2020 and was finished in our Beijing Atelier by the end of October 2020. It was exhibited at the Beijing Art and Design Fair in May 2021.
Ìlànà Ìṣiṣẹ́: The piece is a brooch that can be used as a necklace with the addition of a chain.
Àwọn Ọmọ Ẹgbẹ́: Paloma Sanchez
Ìfọwọ́sí Àwòrán: Image #1: Creator Paloma Sanchez The Art of Jewelry, Origins, 2021.
Image #2: Creator Paloma Sanchez The Art of Jewelry, Origins model necklace, 2021.
Image #3: Creator Paloma Sanchez The Art of Jewelry, Origins model brooch, 2021.
Video Credits: Creator Paloma Sanchez The Art of Jewelry, Origins, 2021.