Insinuations Àkójọpọ̀ Ohun Ọ̀ṣọ́ láti ọwọ́ Barbara D'Ambra

Insinuations Àkójọpọ̀ Ohun Ọ̀ṣọ́ láti ọwọ́ Barbara D'Ambra jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2023 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun Ọ̀ṣọ́ Ara.

FàdákàOhun Ọ̀ṣọ́ Ara· 2023

Insinuations Àkójọpọ̀ Ohun Ọ̀ṣọ́

látọ̀wọ́ Barbara D'Ambra

Oníbàárà: Bárbara D'Ambra

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ohun Ọ̀ṣọ́ Ara

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #150266

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Insinuations Àkójọpọ̀ Ohun Ọ̀ṣọ́

Insinuations jẹ́ àkójọpọ̀ ohun ọ̀ṣọ́ ìgbàlódé tí a ṣe láti wọ̀ gẹ́gẹ́ bí iṣẹ́ ọnà. Àkójọpọ̀ náà ní àwọn òrùka, ẹ̀gbà ọwọ́ àti ẹ̀gbà ọrùn. A ṣe àgbékalẹ̀ ẹ̀yà kọ̀ọ̀kan pẹ̀lú sọ́fítíwéè parametric onípẹ̀tẹ́lẹ̀-mẹ́ta, lẹ́yìn náà àwọn ọ̀jọ̀gbọ́n alágbẹ̀dẹ wúrà fi ọwọ́ ṣe é ní fàdákà. A dán gbogbo ojú rẹ̀ dáradára títí ó fi ní ìparí tó mọ́ tí ó sì péye. Àwọn ìrísí tí ó rọrùn tẹ̀lé ara ènìyàn, wọ́n sì dà bí ẹni pé wọ́n ń ṣàn jẹ́jẹ́ lórí awọ ara. Àkójọpọ̀ náà ṣàwárí àyè ara ẹni, ìsúnmọ́ra àti àìní ènìyàn fún ìbáṣepọ̀ tímọ́tímọ́. Iye iṣẹ́ ọnà àti èrò-ìjìnlẹ̀ ni a so pọ̀ mọ́ lílò ojoojúmọ́.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Insinuations Àkójọpọ̀ Ohun Ọ̀ṣọ́ jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Insinuations Àkójọpọ̀ Ohun Ọ̀ṣọ́ yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Insinuations Àkójọpọ̀ Ohun Ọ̀ṣọ́ jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: Insinuations Art-to-Wear strikes a balance between a piece with artistic and conceptual value and, at the same time, one that is also functional and usable. Insinuations Art-to-Wear strikes a balance between a piece with artistic and conceptual value and, at the same time, one that is also functional and usable. As a designer, I strive to create an intimate connection between each piece and the wearer. Through meticulous design, I achieve the ideal morphology that sensually flows and spills over the body, creating a unique and personal experience for each individual.
Ìwọ̀n àti Àpò: Drop Ring
Long Drop Ring
Rosary Ring
Oxytocin Ring 45 x 20 X 20
Drop Bracelet
Drop Necklace
Àwọn Àkọlé: jewelry, jewellery, silver, art, ring, necklace
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: As an independent art-to-wear designer, I focus on designing and producing unique and high-quality jewelry. Each piece is made by hand by expert manufacturers. Jewelry craftsmanship is a skill that takes many years to perfect, and care, patience and passion are essential in every step of our process.
It is a enormous satisfaction to merge my profession as an Industrial Designer with an ancient trade, such as goldsmithing, to create these pieces that I call "Art to Wear", which finds the balance between a piece with artistic and conceptual value and, at the same time, functional and usable.
Ìpèníjà Àpèsè: The design, created in a parametric way through 3D programs, challenged the production to realize all the details to achieve the perfect final result.
The relationship with the proffesionals in charge of production is very important. Maintaining respectful and assertive communication when planting and launching the project is key to get an optimal final product.
Each piece is handcrafted in silver and polished to perfection, thus making a unique piece with a surreal image.
Ìwádìí: My work focuses on creating pieces with a minimalist and pure aesthetic, using clean forms and neutral materials to highlight the form. I strive to tell an idea through the minimum expression. I try to save resources and reduce them as much as possible to focus on purely formal issues. I use materials in the most neutral and precise way possible to generate immaculate surfaces.
I like to make use of abstraction and reduction to suggest an idea without completely defining it, and in doing so, I offer the viewer a sense of doubt that can sometimes lead to complicity or curiosity, but also uncertainty.

I would like to push the boundaries of the concepts I have been working on, taking Haptics and Proxemics as main concepts. I am interested in generating reflection and questioning about the employment and perception that human beings make of their physical space, their personal privacy, how and with whom they use it. I am exploring the need for intimacy, which can be understood not only as sexual intimacy, but also as a sense of closeness. I believe that sensitivity is important in topics such as sensuality, erotism, curiosity, desire, freedom, and empowerment.
Ìmísí: Insinuations Art-to-Wear is born from encounter the depths of intimacy. The sensuality of shapes arouses curiosity, provokes and invites us to perceive them. How far do we allow ourselves to explore our own sensitivity?

Insinuations Art-to-Wear sparks questions about the use and perception that humans have of their physical space, their personal privacy, and how and with whom they share it. It highlights the need for intimacy, which is not limited to sexual intimacy but also encompasses closeness and emotional connection.
Àkókò Iṣẹ́ Àkànṣe: In 2016, I created Insinuations, a contemporary jewelry line, as a result of my university work. The line quickly gained recognition beyond the academic sphere. In 2018 and 2019, my work was selected to be exhibited at Schmuck, one of the world's most prominent international fairs for jewelry. I was also a notable finalist for the Metropolitan Design Center Award and received two Creation Grants from the National Fund for the Arts in 2018 and 2021. In addition, I received the Good Argentine Design Hallmark recognition in 2018, 2019, 2021, and 2022. These recognitions have had a significant impact on my career and have allowed me to continue exploring and expanding the boundaries of contemporary jewelry design.
Ìlànà Ìṣiṣẹ́: Each piece is meticulously designes and crafted to achieve the perfect morphology that slides and spills softly on the body, creating a unique and sensual experience for the wearer.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀: Bárbara D'Ambra Arte Para Usar

Arte para Usar
Àwọn Ọmọ Ẹgbẹ́: Industrial Designer Bárbara D'Ambra
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