Looping Flower Aaye Asa Ikebana láti ọwọ́ Ni Jie Guo jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2024 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IdẹInú Ilé· 2024
Looping Flower Aaye Asa Ikebana
látọ̀wọ́ Ni Jie Guo
Oníbàárà: Blankspace
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #151842Àpẹrẹ Náà
Nípa Looping Flower Aaye Asa Ikebana
Iṣẹ́-ọnà Ikebana jẹ́ ìṣàrokò lórí ìgbésí ayé nínú ṣíṣàn àwọn ìgbà mẹ́rin ọdún, pẹ̀lú gbígba àwọn àkókò díẹ̀ nínú ẹwà Japanì, àtúnṣe ìgbésí ayé òdòdó àti ẹ̀ka, àti ìkọlu àbálágbèé ti ẹ̀ka àti ẹwà. Àpẹrẹ gbogbo àyè náà dá lórí ẹ̀mí Kusatsuki-ryu, ó ń yọ àwọn eroja láti inú ilé-ayé ìbílẹ̀ Japanì tí ó sì yí wọn padà sí èdè ilé-ayé ìgbàlódé, ń ṣàwárí ìbátan láàrín ìkọ́lé ìgbàlódé àti ẹwà pẹ̀lú àwọn eroja Japanì alailakòrí.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
Looping Flower Aaye Asa Ikebana jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Looping Flower Aaye Asa Ikebana yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Looping Flower Aaye Asa Ikebana ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- This art space is located in Fuzhou City, Fujian Province, with a total area of about 105 sqm. The owner hopes that this space will be able to hold experimental art exhibitions on a regular basis as a place to focus on outside the flower show classroom and as an exchange.
- Ìwọ̀n àti Àpò
- Aiming at the disadvantage that the project is located along the river and has high humidity. At the spatial level, we raised the ground at three levels, raising the first level of the ground to reduce moisture infiltration, and then setting a movable dark grid in the hollow position and placing charcoal to reduce humidity, so as to improve the problem of dampness near the river and enrich the space. In addition, the three gradual elevations also indicate the transition of the nature of space from public to private, and enhance the sense of spatial experience.
- Àwọn Àkọlé
- Ikebana, Japanese Aesthetics, Natural Features, Relaxed
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- In terms of the organization of the plan, the exterior of the building uses semi high stone walls as its front stage and cobbles as its transition point. Our work has opened up a third realm in the external environment and internal space, reinterpreting the traditional material media of Japanese architecture, the edge. Allowing the noisy atmosphere of the street to form a strong contrast to the tranquil atmosphere of the interior. This eliminates the sense of the rigid boundary of the building.
- Ìpèníjà Àpèsè
- Being the space of flower paths, there is a large storage demand, and we must solve these problems in the limited space. In order to create the possibility of acceptance in the space to a greater extent, we use the alley and other space to perform boundary computation, in order to ensure a clean and tidy image in the hall of flower paths.
- Ìwádìí
- The proportion of the door is obtained after the traditional Japanese style house frame has been calculated, in the design deliberately control the height, so that the visual external door is relatively small, but after entering the interior it will be felt that the longitudinal stretching of the space is very strong. This is similar to the traditional Japanese space. In the style of oriental classical architecture, it stands in contrast to the modern material form, highlighting infinitely qualitative spatial narrative techniques.
- Ìmísí
- In designing the entire space, we dismantle the design based on the spirit of the flow of grass and moon: extracting elements from traditional Japanese architecture and transforming them into the modern architectural language, and exploring the relationship between structure and contemporary aesthetics with abstract Japanese features. So that it is not necessarily a traditional depiction but has a Japanese temper.
- Àkókò Iṣẹ́ Àkànṣe
- The project started in August 2022 and finished in December 2022 in China .
- Ìlànà Ìṣiṣẹ́
- To make it more ceremonial to enter the flower room, we will extend the line of movement to enter the room, using internal push processing to create a unique entrance to the space, increasing the time it takes to enter the building, and hoping visitors will change their state from body to mind and become immersed in the ambience. entering the flower path to study. Floor-to-ceiling glass windows enter the room and bring enough natural light into the entire space, and the open and brightly lit lecture area and exhibition area welcomes visitors. Causing visitors to temporarily forget the impetuousness of outer life and find a corner to rest in.
- Àwọn Ọmọ Ẹgbẹ́
- NI JIE GUO
- Ìfọwọ́sí Àwòrán
- BLANKSPACE
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