The Realm of Ink Iṣẹ Pataki: Ìṣàpẹrẹ Inú Ilé fún Ibùgbé láti ọwọ́ Yun Hsien Chuang jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2024 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IrinInú Ilé· 2024
The Realm of Ink Iṣẹ Pataki: Ìṣàpẹrẹ Inú Ilé fún Ibùgbé
látọ̀wọ́ Yun Hsien Chuang
Oníbàárà: Shezing Design
Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #152712Àpẹrẹ Náà
Nípa The Realm of Ink Iṣẹ Pataki: Ìṣàpẹrẹ Inú Ilé fún Ibùgbé
Ọ̀rọ̀ Ìwé: Realm of Ink jẹ́ ìṣàpẹrẹ inú ilé fún ibùgbé kan tí ó ní mítà onígun mẹ́rin 166. Ìtòsí náà ní ẹnu-ọ̀nà, yàrá àlejò, yàrá jíjẹun, ilé ìdáná, yàrá sùn méjì, yàrá ìkẹ́kọ̀ọ́ tí ó jẹ́ ìdajì-ṣíṣí àti yàrá ìwẹ̀ méjì. Àwọn ẹ̀ka igi àti àwòrán òkúta fún àyè náà ní ìwà tí ó dúró jẹ́ẹ́ àti tí ó ṣúwọ̀n láìsí àwọn ìyàtọ̀ àwọ̀ tí ó díjú. Ètò tí ó jẹ́ ìdajì-ṣíṣí náà jẹ́ kí ìmọ́lẹ̀ ọ̀sán lè dé inú ilé náà nígbà tí ó sì ń pa yàrá jíjẹun àti àwọn àyè àṣírí mọ́ ní pípamọ́. Yàrá jíjẹun so àwọn agbègbè tí ó yàtọ̀ pọ̀ àti pé ó mú àwọn ọmọ ẹbí súnmọ́ ara wọn. Àwọn èlò tí a lò ni àwọn àwo quartz Ítálì àti ọ̀nà igi líle àdánidá tí a fi ṣe àwòrán.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Irin A' Design Award
The Realm of Ink Iṣẹ Pataki: Ìṣàpẹrẹ Inú Ilé fún Ibùgbé jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé The Realm of Ink Iṣẹ Pataki: Ìṣàpẹrẹ Inú Ilé fún Ibùgbé yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún The Realm of Ink Iṣẹ Pataki: Ìṣàpẹrẹ Inú Ilé fún Ibùgbé nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Without complicated color variations, the space is filled with the stability of the wood accents and the calmness of the stone patterns. Besides, sunlight flows over the space widely, creating a warm and elegant living environment. In the residence, the semi-open layout not only allows natural light to flow throughout the interior space, but also offers privacy to the dining room and private space. The dining room is the hub of the abode, linking different fields and imperceptibly bringing family members closer.
- Ìwọ̀n àti Àpò
- In the space of 166 square meters, there are an entrance, one living room, one dining room, one kitchen, two bedrooms, one semi-open study room, and two bathrooms.
- Àwọn Àkọlé
- Interior Design, Residential, Wood, Less is more, Curved surface, Tranquil beauty
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Italian quartz tile, iron parts, natural solid wood veneer, modeling panels, custom-made wooden floors, wallpapers, system cabinets
- Ìpèníjà Àpèsè
- Different from the bright living room, the low-lit dining room and study room exude a sense of tranquil beauty. Woods accents spread extensively on the ceiling, wall, and flooring. The subdued atmosphere allows one to appreciate the five senses and helps to slow down and live for the moment. The space is transformed into a place of stability to keep the mind and body at peace. Instead of a monochromatic color scheme, the mix of different wood tones on the large book wall injects delicate details into the mellow space.
- Ìwádìí
- The bedroom continues the clarity of the public space to create a comfortable sleeping atmosphere. In the secondary bedroom, a smooth curved surface above the bedhead wraps the low beam, reducing the sense of oppression and adding an elegant charm to the square frame. Along with white daylight, neutral shades of gray create a laid-back atmosphere.
- Ìmísí
- The striking simplicity is established through a neat, pure minimalistic interior. The abode is an exclusive getaway from a city where everything seems to be fast-paced and stressful. Since interior design should reflect the essence of the individuals, this human-centered approach focuses on the needs and habits of the residents. The concept of "less is more" isn’t about creating sparse, bare rooms. It’s about using less to achieve more as well as cultivating neat, and practical spaces. "Less is more" embodies clarity that the house owner longs for by emphasizing simplicity and eliminating superfluous elements.
- Àkókò Iṣẹ́ Àkànṣe
- The project is finished in August 2022 in New Taipei City, Taiwan.
- Ìlànà Ìṣiṣẹ́
- Upon opening the door, the cabinet forms a warm vista view made of wood. The calm atmosphere gradually unwinds the mind. The flooring materials change as you walk into the living room. The main wall is painted the same color as the shoe cabinet, with an increased intensity of textures. The rustic pattern of cracked ice adds a delicate layer to the cold gray tone. The horizontal extension of the table top and the vertical dividing lines provide orderly geometric divisions to the space with seemingly random in its nature, creating a balance between rationality and sensibility. On the wall behind the sofa, a see-through open display shelf is embedded in the middle to visually expand the space and also connect the living room and dining room. For the cabinets leading to the dining room, the same approach integrates storage and display functions to create a neat look and eliminate the sense of monotony brought by large volumes.
- Àwọn Ọmọ Ẹgbẹ́
- Yun Hsien Chuang
- Ìfọwọ́sí Àwòrán
- SHEZING DESIGN
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