Jinglan Bay Art Ilé-iṣẹ́ Títà by Nic Lee is a highly esteemed winner of the very prestigious 2024 Àmì-ẹ̀yẹ Fàdákà A' Design Award in Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn Competition Category.
FàdákàInú Ilé· 2024
Jinglan Bay Art Ilé-iṣẹ́ Títà
by Nic Lee
Client: China Resources Land South China Guangxi Co.
Àmì-ẹ̀yẹ Fàdákà A' Design Award Winner in Inú Ilé Category
Verified Award Winner
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About Jinglan Bay Art Ilé-iṣẹ́ Títà
Jinglan Bay Art jẹ́ ètò inú ilé-iṣẹ́ títà tí ó wà ní Liuzhou, agbègbè olókè tí omi ń yíká. Inú ilé náà bo mítà onígun mẹ́rin 1705, ó sì ní àwọn ibi ìgbàlejò, títà, ìfihàn, ẹ̀rọ oní-nọ́ńbà àti àwọn ibi fún àwọn àlejò pàtàkì (VIP). Dípò kí wọ́n ṣe àdàkọ ilẹ̀-ayé àyíká nípasẹ̀ àwọn ìrísí, ìmọ́lẹ̀ àti òjìji ni wọ́n lò láti dá àwòrán àwọn òkè gíga àti omi jíjìn sílẹ̀ nínú ọkàn. Wọ́n dán terrazzo dúdú títí ó fi dàbí dígí, tó bẹ́ẹ̀ tí ìran ìta gbangba àti ìrìn àwọn àlejò fi ń hàn nínú rẹ̀. Òkúta àìgbẹ́ ní ẹnu-ọ̀nà ń dá ìjìnlẹ̀ àfonífojì sílẹ̀. Àwọn ohun èlò mìíràn ní marble tí a gbẹ́, kun aláwọ̀ ohun alumọ́ni, igi dúdú àti igi oaku.
The Recognition
About the Àmì-ẹ̀yẹ Fàdákà A' Design Award
Jinglan Bay Art Ilé-iṣẹ́ Títà jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Jinglan Bay Art Ilé-iṣẹ́ Títà yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Jinglan Bay Art Ilé-iṣẹ́ Títà jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- The project is located in Liuzhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, we think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures.
- Dimensions & Packaging
- Location：Liuzhou
Area：1705 m2
Layout： Reception area. Sales area. Display area. Digital media area. VIP area. Office. Toilet
Material：polished terrazzo. chiseled marble. mineral paint. red paint. black wood. oak - Tags
- sales center, landscape, museum, indoor architecture, interior design
- Production Technology
- In addition to abstracting nature through volumetric forms, we also attempt to bring nature indoors from a different perspective. By polishing black terrazzo to a mirror-like finish, we create a deep and tranquil ambiance that constantly reflects the seasonal scenery and human movement outside the windows. Viewing from different heights within the space resembles the ever-changing landscapes experienced while hiking or walking in the mountains.
- Design Challenge
- By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.
- Research
- Liuzhou is famous for its wonderful stones, which include mountain stones, water stones, earth stones, cave stones, and rocks. Each of which has its own beauty. Taking this as our inspiration, we built the entrance with raw stones to create the depth of a valley. The deep cut stone surface of the counter is not only used as the facade of the building but also as a display of the mountain wall, transforming the natural stone gestures into an emotional turn when experiencing nature.
- Inspiration
- The focus of the landscape in paintings is expressions, but how does architecture become a narrative tool to record nature? We imagine that walking through the interior of the building is like a mountain climbing practice, passing through a tunnel covered by branches and leaves with the sky hidden behind boulders or looking up at the mountain peaks under the cliff, feeling the personal transformation of the mind and the tranquility of not clinging to material things.
- Project Duration
- The project started in November 2021 and finished in July 2022, and was exhibited in Liuzhou in August 2022.
- Operation Flow
- Giving up persistence, we withdraw ourselves from the environment to maintain the clarity of non-stagnation. Therefore, we do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor.
- Image Credits
- Image #1: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #2: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #3: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #4: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #5: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
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