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Silhouette Àga Oúnjẹ láti ọwọ́ Joana Santos Barbosa

Silhouette Àga Oúnjẹ láti ọwọ́ Joana Santos Barbosa jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2024 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.


IrinOhun-èlò Ilé· 2024

Silhouette Àga Oúnjẹ

látọ̀wọ́ Joana Santos Barbosa

Oníbàárà: InsidherLand

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé

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Àwọ̀

Àpẹrẹ Náà

Nípa Silhouette Àga Oúnjẹ

Ayàwòrán ilé Joana Santos Barbosa ni ó ṣe àpẹẹrẹ rẹ̀, Silhouette jẹ́ àga oúnjẹ tí ó fàyọ tí ó ń rántí àwọn ìwọ̀n ara obìnrin tó mọ́ra. Àwọn oníṣọ́nà ọ̀rúndún ogún tí wọ́n ya àwọn òtítọ́ púpọ̀ sínú àyè kan ṣoṣo ní ipa lórí rẹ̀, bíi àwọn akórin tí àwọn ohun èlò orin di apá ara wọn, Joana kó àyè ìsopọ̀ yìí sínú àpẹẹrẹ tó rẹwà láìrotẹ́lẹ̀. Ètò dúdú náà ń fi ìgbésẹ̀ ìdí obìnrin tí ó jókòó lórí rẹ̀ hàn, nígbà tí ibùjókòó tí ó wọ̀ náà ń ya ẹ̀rín ìpè. Silhouette kó ìtàn àti àmì-àròsọ papọ̀, ó sì fàyọ gaan-an.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

Silhouette Àga Oúnjẹ jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Silhouette Àga Oúnjẹ yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Silhouette Àga Oúnjẹ nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
Silhouette is a surreal reminiscence of a woman's sensual curves that arise designed in an eye catching dining chair.
The slightly curved seat draws an inviting smile that harmonizes with the structure, revealing the movement of the hips, as parts of a female body. Silhouette shows contours of a mysterious profile and presents the observer with feminine sensuality.
Ìwọ̀n àti Àpò
Height 87cm
Width 46cm
Depth 53cm
Seat Height 48cm
Àwọn Àkọlé
diningchair, chair, silhouette, luxurychair, organicdesign, modernchair, moderndesign, luxuryfurniture
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
Beech wood structure frame with translucent dark brown finish in high gloss varnish and luxury soft fabric with gold accents.
Ìpèníjà Àpèsè
The creative process of this chair was one of the most "suffered" among the pieces in Joana Santos Barbosa's portfolio. In fact, the design of this chair took more than two years to be completed between back and forth in the process because it carries such a strong symbolism that she wanted to transform it into a clean and sensual design.
The beech wood structure was hand crafted and carved to bring to mind the profile of a female body and was given a translucent brown finish that naturally stands out on the soft beige upholstery with fine golden threads that represent the delicacy of the female personality.
Ìwádìí
The design of the Silhouette dining chair was influenced by the sensuality of a woman's curves. Both the woman and the functional object seem to merge naturally. It is thus possible to admire this integration in the surrounding perspectives of the chair, with special focus on the back, in which we identify parts of a body that seem to be living in the object.

The creative process was based on some works by twentieth century painters who applied the same technique of representing people and objects in a single dimension. However, working on the design of the chair in three dimensions, its development was carried out in full-scale prototypes, in order to get a functional and sensual final design that conveyed all its inspiration in an elegant look.
Ìmísí
The representation of several realities seen simultaneously from a single point of view has become fascinating for several twentieth century artists like Paul Klee who drawn musicians and fragments of their musical instruments as an integral part of their own bodies.
The joint dimension of people and objects strongly influenced the Silhouette dining chair, whose elegant wooden structure uncovers parts of a woman’s body who sits on it.
Àkókò Iṣẹ́ Àkànṣe
Since the first sketch, the design took more than two years to be fully developed. The production is entirely made in the city of Porto, located in the north of Portugal.
Ìlànà Ìṣiṣẹ́
Being a chair made of a single structure in solid wood, the object cannot be manipulated to acquire other forms. This chair was specially designed for dining spaces that appreciate the high quality of manual manufacturing processes and luxurious finishes.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
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Ìfọwọ́sí Àwòrán
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