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Villa in Clouds Ilé-iṣẹ́ Títà láti ọwọ́ Wang Weidong and Han Fang

Villa in Clouds Ilé-iṣẹ́ Títà láti ọwọ́ Wang Weidong and Han Fang jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2024 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.


FàdákàInú Ilé· 2024

Villa in Clouds Ilé-iṣẹ́ Títà

látọ̀wọ́ Wang Weidong and Han Fang

Oníbàárà: Donghe Design

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Inú Ilé

19,685

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #154357

Àwọ̀

Àpẹrẹ Náà

Nípa Villa in Clouds Ilé-iṣẹ́ Títà

Nínú ilé kan tí ó ní ìmọ̀-ẹ̀rọ àti iṣẹ́-ọnà, ẹgbẹ́ àgbékalẹ̀ lo agbára ìmọ̀-ẹ̀rọ láti ṣàpèjúwe àpẹẹrẹ ìgbésí ayé ọjọ́ iwájú tí ó dára, tí wọ́n sì ṣẹ̀dá àwọn ìpele àyè tí ó lọ́rọ̀ pẹ̀lú ìrírí ìmọ̀lára jinlẹ̀, èyí tí ó ń pèsè ìfihan ojú tí ó lágbára, àwọn ipá àyè oníyàtọ̀, àti ìrílára ìtùnú àti ìsinmi tí ó ga jùlọ fún àwọn àlejò. Ní àkókò kan náà, àgbékalẹ̀ oye yìí ní èrò láti mú kí àwọn ènìyàn, ìmọ̀-ẹ̀rọ, àti àwọn ilé sún mọ́ ara wọn. Nípa ṣíṣe ìwọ̀ntúnwọ̀nsì láàrín àìṣedédé àti kíkédéré, àgbékalẹ̀ náà ń ṣàfihàn ìṣesí ènìyàn tí ó sì ń ṣàfihàn ìrètí àwọn ènìyàn fún ìgbésí ayé ọjọ́ iwájú tí ó dára jùlọ.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Villa in Clouds Ilé-iṣẹ́ Títà jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Villa in Clouds Ilé-iṣẹ́ Títà yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Villa in Clouds Ilé-iṣẹ́ Títà jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
An hourglass-shaped art installation is embedded in the ceiling of the reception foyer where the arc layers reveal a rhythmic 3D sense. The white and dark green create a balance between calmness and vibrancy, while the sofas enclose a private negotiation area. The curves and lines, as well as dark green and tranquil plain colors, create a flexible and flowing space. The children's area is themed with a "time capsule", featuring light and flexible geometric elements that add life to the space.
Ìwọ̀n àti Àpò
The use of vertical lines in the 1,000-square-meter space creates an expanded visual experience, enhancing the depth and tension of the area. The visual perspective guides the flow of the space, giving it a natural and charming appeal. The connection between the first and second floors adds a sense of liveliness. The choice of simple and calming colors establishes a pure and relaxing atmosphere, providing visitors with a feeling of abundance, satisfaction, and relaxation.
Àwọn Àkọlé
Diversified space, orderly structural aesthetic, futuristic sense of technology, humanity and nature, quality living
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
The reception foyer boasts a cohesive matte texture, creating a natural and pure tone. A circular installation featuring white curved screen elements defines the property models display area, creating a futuristic ambiance. The harmonious colors, materials, lighting, and artwork blend to create the meeting space. The circular columns extend upwards, complementing the spiral cantilever suspended from above. The functional area features gray hues, intertwining the spatial temperament and sentiment.
Ìpèníjà Àpèsè
"Design involves continuously pushing the limits of one's own cognition." There is no fixed business model; instead, the aim of design is to constantly challenge design boundaries in order to create new perceptions and visual impacts that stimulate business cognition. This mindset is crucial for any creative designer.
Ìwádìí
Following a strict spatial order, the designers used curved surfaces to reconstruct the dimensions of time and space. They superimposed and combined materials, colors, and shapes to create spatial levels that offer an immersive sensory experience. This thoughtful approach aims to bring people, technology, and building closer together. By striking a balance between abstraction and concreteness, the design exhibits a "humanistic nature" and reflects people's aspirations for a better future life.
Ìmísí
The sales center is designed with a focus on creating a dynamic experience using lines and arc shapes in the overall visual arrangement. The walls and ceilings are restrainedly designed, lending to an elegant and bright presence. This project showcases a vision of future lifestyle, incorporating a sense of technology into the experiential space. The result is a space that offers a strong visual impression, diverse spatial effects, and an upscale sense of comfort and relaxation.
Àkókò Iṣẹ́ Àkànṣe
Project start time: June 2022
Project completion time: October 2022
Location: Shijiazhuang, Hebei province, China
Ìlànà Ìṣiṣẹ́
The interior spaces are designed with interconnected areas that maintain an appropriate distance from each other. The arc-shaped geometric structures on the walls and ceiling create a visually stunning spatial order and structural aesthetic. The space is arranged in a rhythmic manner, with each area layered and divided to meet the functional needs of different scenes. The circulation throughout the space is consistent and flowing, providing seamless transitions and uninterrupted views.
Àwọn Ọmọ Ẹgbẹ́
Wang Weidong and Han Fang
Ìfọwọ́sí Àwòrán
Model

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