Beauty of Orient Iṣẹ Akọkọ: Apẹrẹ Inu Ọfiisi láti ọwọ́ Chun-Cheng Lee, Tzu-Chien Huang and Chih-Chih Chung jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2024 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IrinInú Ilé· 2024
Beauty of Orient Iṣẹ Akọkọ: Apẹrẹ Inu Ọfiisi
látọ̀wọ́ Chun-Cheng Lee, Tzu-Chien Huang and Chih-Chih Chung
Oníbàárà: Dangli Design+SC Architects
Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #154424Àpẹrẹ Náà
Nípa Beauty of Orient Iṣẹ Akọkọ: Apẹrẹ Inu Ọfiisi
Ọrọ Iwe: Beauty of Orient jẹ apẹrẹ inu ọfiisi ti a ṣẹda ninu ile ọdun-àádọ́ta kan ni Taiwan. Agbegbe inu ile jẹ mita mọ́nrán 99.1 lakoko ti àgbàlá naa jẹ mita mọ́nrán 49.5. Àwọn àwọ dúdú, funfun, àti eérú tí kò kan mọ́ pọ̀ jinlẹ̀ ń dá ojú-ìwòye tí ó dákẹ́ jẹ́ẹ́ tí ó sì ní ìwà àtọwọ́dọ́wọ́ àdáyébá. Àwọn ìlà tí ó rí bí èyí tí a rí ní ìṣẹ̀dá ni a lo láti ṣe àwòṣe orí-ilẹ̀ àti ilé-ìpamọ́ tí ó wà ní ẹnu-ọ̀nà, nígbà tí ìlà aláìdọ́gba kan ṣe àmì fún ilẹ̀ kejì. A yọ ọ̀pọ̀lọpọ̀ ìpín-nà kúrò, a sì fi ìbòjú dígí aláìmọ́lẹ̀ kún un láti rí i dájú pé ìrìnàjò inú ilé wà ní ṣíṣí àti mímọ́lẹ̀. A lo pákó-ilẹ̀ laminate, iṣẹ́ igi, kikun tí a yan, àti aṣọ tí ó ní àwòrán òkúta.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Irin A' Design Award
Beauty of Orient Iṣẹ Akọkọ: Apẹrẹ Inu Ọfiisi jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Beauty of Orient Iṣẹ Akọkọ: Apẹrẹ Inu Ọfiisi yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Beauty of Orient Iṣẹ Akọkọ: Apẹrẹ Inu Ọfiisi nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- 1. Low-saturation black, white, and gray: Neutral colors of black, white, and grey cover the entire office to make it classic and intellectual. The low-saturation color scheme achieves a relaxing atmosphere.
2. Organic Curves: The ceiling and storage cabinet at the entrance have curves to dissolve the sharpness of the border and embellish softness in the minimalism. The asymmetrical curve on the second floor is the focal point, and the grey wall with a moon pattern creates an avant-garde style, shaping an image of modernity and efficiency. - Ìwọ̀n àti Àpò
- The site is a 50-year-old house with a total of 99.1 square meters of indoor area and 49.5 square meters of yard. The design team fine-tuned the layout. The center wall of the first floor is replaced by a matte glass partition to preserve transparency, while the wall on the second floor is removed to serve as a building materials display area and meeting area. By reducing the partitions, the design team realized unobstructed circulation, which in turn increased the spaciousness and brightness. Furthermore, during their breaks, staff can sunbathe in the yard, and enjoy the outdoor greenery.
- Àwọn Àkọlé
- Modern Minimalist, Office, Old House, Curves, Multiple Materials, Grille.
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Materials: laminate flooring, woodwork, baked paint, stone pattern fabric.
Extending the classic earthy tone, the grey color scheme is combined with wood and stone patterns to form the base. The first floor is covered with wood grain flooring, while the second floor is covered with architectural concrete style flooring. The mixing and matching of various materials increase the variability of details, natural texture, and depth of view, and is easy to clean and maintain, making it suitable for the office. Finally, plants are placed as decoration. - Ìpèníjà Àpèsè
- Due to the unsatisfactory condition of the old house, the foundation work took about three months, including door and window renovation, floor leveling, roof waterproofing, fence wall repair, and painting. Considering the practicality and safety, the design team re-planned the interior wiring and restored the basic functions of the house. Converting the house into an office, the core issues were to make the function fit the work needs, to present a quiet and refreshing atmosphere, and to improve the happiness, work efficiency, and concentration of the staff.
- Ìwádìí
- 'The Beauty of the Orient: Grey Modern Design Studio' is a renovation project of an old house. The design team gave the old building a new look. The classic black, white, and grey form a timeless style, outlining the modern minimalist office silhouette. The first floor is an open plan, removing partitions to create a wide view. The design team placed the partitioned kitchen against the wall to provide flexibility and maintain circulation. Standing at the viewpoint of staff or visitors, no matter walking around or discussing work matters, they are unrestricted.
- Ìmísí
- A 50-year-old residence is transformed into a modern minimalist design studio. The 'Whitecore Style' uses white as the base to enhance the spaciousness and brightness of the experience and is embellished with greyish black. The curves are the highlights of the project. The asymmetrical, organic curves and the rhythmic sense of the curves demonstrate the aesthetics of the blend and make the office more human-oriented.
- Àkókò Iṣẹ́ Àkànṣe
- The project finished in April 2022 in Taiwan.
- Ìlànà Ìṣiṣẹ́
- The space was crowded and dilapidated. The design team removed the partitions to make the interior more open and well-lit. The comfortable and pleasant space enhances work efficiency and reduces stress and fatigue. Indirect lighting is installed in the mirrors, the screen also has curves, and the tiles are the final touch, creating a functional and artistic bathroom, which becomes the most impressive part of the interior for visitors. Visitors and staff alike can feel relaxed and at ease here. The inclusive and flexible planning embodies the Chinese culture of the golden mean.
- Àwọn Ọmọ Ẹgbẹ́
- Tzu-Chien Huang, Sherry Zhong
- Ìfọwọ́sí Àwòrán
- Dangli Design+SC Architects
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