Drift Ibo Ogiri Amọ Ajẹpakokoroarun láti ọwọ́ Nikolaos Karintzaidis

Drift Ibo Ogiri Amọ Ajẹpakokoroarun láti ọwọ́ Nikolaos Karintzaidis jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2024 Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ìkọ́lé àti Ẹ̀ka Ìmọ́lé.

Pílátínọ́mùẸ̀ka Ìkọ́lé· 2024

Drift Ibo Ogiri Amọ Ajẹpakokoroarun

látọ̀wọ́ Nikolaos Karintzaidis

Oníbàárà: Iris Ceramica Group

Aṣẹ́gun Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award nínú Ẹ̀ka Ẹ̀ka Ìkọ́lé

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Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Drift Ibo Ogiri Amọ Ajẹpakokoroarun

Awọn paneeli ogiri amọ le duro fun ara wọn ṣugbọn o tun dagbasoke awọn ilana itẹsiwaju ojuran nipasẹ iyipada, ilana ti ko ni opin ti o tọka si awọn aami Islam ti n fẹ lai lopin. Apapọ wọn n ṣẹda awọn apẹẹrẹ jiometirik nipasẹ yiyi rọrun ti alapata, lati ṣaṣeyọri iwọn giga julọ ti akanṣe pẹlu lilo kekere ti awọn eroja ikole. Modulu naa ṣe iwọntunwọnsi laarin jiometirik ati abstracti lati baamu awọn agbegbe oriṣiriṣi ati afẹfẹ, pẹlu awọn lilo lati iwọn kekere si iwọn nla.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award

Drift Ibo Ogiri Amọ Ajẹpakokoroarun jẹ́ olùborí Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó jẹ́ àrà ọ̀tọ̀ nítòótọ́, tó dára tó sì lọ́lá. Àwọn olùborí Pílátínọ́mù jẹ́ ìyanu ẹ̀dá, ẹ̀rí ààlà ìmọ̀ ẹ̀dá ọgbọ́n orí, wọ́n sì ń fi ìjáfáfá àti ọgbọ́n àìlẹ́gbẹ́ àwọn olùṣàwòṣe wọn hàn. A retí pé àwọn àwòṣe wọ̀nyí yóò jẹ́ àwọn iṣẹ́ tó lókìkí jùlọ tó ń ṣàlàyé ẹwà àkókò, tó ń ṣe àfikún sí ìlera àwùjọ tí wọ́n sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Drift Ibo Ogiri Amọ Ajẹpakokoroarun ń fi ìpele ìjáfáfá tó kọjá ààlà hàn, ó sì ń sọ ayé di ibi tó dára jù láìsí iyèméjì nípasẹ̀ àwọn ànímọ́ rẹ̀ tó ṣàǹfààní tó sì ṣeyebíye. Drift Ibo Ogiri Amọ Ajẹpakokoroarun jẹ́ iṣẹ́ tó borí Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award tó ń jí ìfẹ́ inú, tó ń fún ní ìmísí, tó ń mú láyọ̀ tó sì ń bí ayọ̀ ńlá.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: Ceramic wall panels can stand on their own but also develop patterns of visual continuity through modulation, an open ended process referring to Islamic motifs expanding infinitely. Their combination generates geometric patterns by simple rotation of slab, in order to achieve maximum degree of customisation with minimum use of construction elements. Module balances between geometric and abstract to fit different environments and ambience, with applications ranging from small to large scale.
Ìwọ̀n àti Àpò: Active Surfaces natural materials combine science and design to improve wellbeing in spaces people live in. Active Surfaces turn ceramic slabs into an ecoactive material with four superior properties which are antibacterial and antiviral, antipollution, antiodour and selfcleaning certified to ISO standards. These materials can degrade bacteria and viruses including SARS CoV2, polluting particles and molecules responsible for bad odours. Ecoactive surface is also more resistant to dirt making it easier to clean.
Àwọn Àkọlé: innovation, sustainability, ceramics, heritage, environment
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: DYS is a versatile on demand decoration service patented by Iris Ceramica, making possible to produce any kind of decoration on ceramic surfaces. The result is a unique customisation that turns ceramics into an authentic art form. Taking advantage of innovative printing possibilities, a dynamic dialogue with technology and progress is materialised combining abstract with geometric. Continuous ripples add plasticity to flat surfaces, reflecting continuity of printing process and technical features behind manufacture of ceramic slabs.
Ìpèníjà Àpèsè: Underscoring the relation among the conformation and the medium that is composed of, craft becomes a visual expression of the making activity as configuration seizes the memory of raw matter in the finished product. Converting impressions to physicality, place and memory are captured and preserved in space. Interplay of reflections and patterns reveals different textures in pools, spas and wellness centres. A visual reflection of people’s circulation in stations, shopping centres and public areas, flow is converted to spatial experience.
Ìwádìí: With reference to traditional ceramics illustrating long history of building with earth, pottery lines highlight our common roots and deep connection with earth. Converting environment to artefact by combining natural and humanmade, project strengthens the correlation between material and final product through a conceptual process which underscores links among form and substance. Through visual and physical linkages, ceramic slabs design forges a strong link with what is made of, matter extracted from earth.
Ìmísí: Inspired by natural landscape of Emirates the ceramic wall panels capture essence of place while bringing physical scenery in the manufactured. Linear pattern mimics sand ridges as curved and parabolic lines formed by interaction with wind engraving land are translated to fluid geometry, taking cues from landscape topographical contouring. Referring to unique local geography, desert dunes and terrain contours shaped by the wind illustrate how human trace intersects with the trace of time.
Àkókò Iṣẹ́ Àkànṣe: The project was completed in 2023.
Ìlànà Ìṣiṣẹ́: Encountering movement and plasticity, vibrations and pulses activate surfaces complementing ceramic slab texture and tactility. Employing metallic inks and tonal adjustments in combination with the wide range of Iris Ceramica slabs, users can add personality and distinctiveness in domestic habitat. Applied as cladding in building envelopes, geometric combinations form a dialogue with mutability of topography and urban environment.
Ìfọwọ́sí Àwòrán: Studio Niko Kapa