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Kashmir Òrùka láti ọwọ́ Eleonora Federici

Kashmir Òrùka láti ọwọ́ Eleonora Federici jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2024 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun Ọ̀ṣọ́ Ara.


IrinOhun Ọ̀ṣọ́ Ara· 2024

Kashmir Òrùka

látọ̀wọ́ Eleonora Federici

Oníbàárà: Eleonora Federici Jewelry

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ohun Ọ̀ṣọ́ Ara

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #157239

Àwọ̀

Àpẹrẹ Náà

Nípa Kashmir Òrùka

Tí ó ní àmúláwòrán láti inú àpẹẹrẹ paisley Kashmir, tí ó ń ṣàfihàn àwọn aṣọ aláràbarà Ìlà Àárín Ilẹ̀, pàápàá jùlọ ní India. A ṣe é láti fi idán àti ẹ̀mí ìwà ẹ̀mí India hàn, ó ní ẹ̀mí pàtàkì aṣọ ìbòrá Kashmir ní ìrísí oníhò mẹ́ta. Bí ó tilẹ̀ wà nínú ẹ̀ka òrùka dome, àpẹẹrẹ rẹ̀ ń ṣe ìwọ̀ntúnwọ̀nsí àyè rere àti àyè òdì, tí ó dá ìdọ́gba tútù láàrin ìdàrúdàpọ̀ àti ìrọ̀rùn. Pẹ̀lú ìwọ̀n rẹ̀, ìwúwo àti pínpín ìpọ̀niwọ̀n rẹ̀ tó péye ń ṣe ìdánilójú pé ó rọrùn láti wọ̀ ọ́ fún àwọn àǹfààní ojoojúmọ́. Àwọn ohun èlò: wúrà 18K, òkúta iyebíye diamond, safaya aláwọ̀ búlúù, citrine, àti garnet pupa.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

Kashmir Òrùka jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Kashmir Òrùka yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Kashmir Òrùka nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
While this ring generally falls into the category of domed rings, it displays an unusual interplay of positive and negative spaces, where the void becomes an integral part of the design, creating a decoration that balances complexity and simplicity in a delicate equilibrium. Despite its size, the ring is perfectly wearable and comfortable. The design ensures that the sides of the shank are not too thick or uncomfortable. It was created for the modern, strong woman looking for a statement ring.
Ìwọ̀n àti Àpò
The ring can be housed in a box measuring 26.30mm x 28.30mm x 39.40 mm. The ring is made of 18 Kt yellow gold set with the following gemstones: 1 oval Sapphire, 11 round brilliant cut diamonds, 1 round orange Topaz, 1 emerald cut red Garnet. Total weight: 28 grams.
Àwọn Àkọlé
jewelry design, high-end jewelry, Kashmir, italian jewelry design, unique jewelry, one-of-a-kind jewelry, custom made jewelry, made in Italy, eleonora federici, award winning jewelry designer
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
This model was born out of inspiration and literally grew while carving wax with my own hands. The design flowed naturally, each curve leading seamlessly to the next. While the idea existed in my head, the handwork clarified my vision. It was made using the traditional lost wax technique: the original wax prototype is encased and then melted, leaving a hollow mould that is filled with 18Kt yellow gold. The pure design challenge was to seamlessly translate the elegance of Kashmir fabric into a three dimensional version, avoiding chaos, monotony or predictability.
Ìpèníjà Àpèsè
Technically speaking, making the wax model was the most arduous task. The voluminous wax model with an average thin thickness and empty spaces made handling and maintaining its integrity a challenge. The model was then cast in 18K yellow gold using the lost wax technique. Finally, I recreated the model in CAD to produce the video, which gives anyone who cannot see it in person the opportunity to get a better 3D understanding of it.
Ìwádìí
My aim was to create a design that is rooted in a traditional form but stands out from all other rings of its kind. Using the golden ratio as a guide to achieve harmony and complexity, I wanted to create a bold yet elegant piece of jewelry. I subtly adjusted the exact measurements of the golden ratio to achieve a more seamless and cohesive connection between the shank and the head.
Ìmísí
The inspiration came from the paisley pattern, whose original Persian name was Boteh and which adorned the characteristic fabrics of the Middle East, especially India. In making this ring, my aim was to reflect the magic and spiritual charm of India and its culture and to create a piece that could embody the essence of a voluminous and elegant Kashmir shawl. The natural connection with jewelry arises because Kashmir has historically been synonymous with prestige.
Àkókò Iṣẹ́ Àkànṣe
The project started in Pavia in January 2020 and concluded in Pavia in December 2020.
Ìlànà Ìṣiṣẹ́
This ring possesses a distinctive feature not commonly found in statement or cocktail rings: its ease of wear, proper weight and volume distribution, all while maintaining the necessary thickness for durability, making it a wearable piece throughout the day and for any occasion. Additionally, it is highly comfortable, as the design ensures that the shank's sides are neither excessively thick nor bulging. In fact, an important aspect of my design is always the anatomic-like fit.
Ìfọwọ́sí Àwòrán
Image #1: Stefano Negri
Image #2: Stefano Negri
Image #3: Stefano Negri
Image #4: Stefano Negri
Image #5: Stefano Negri
Video: Eleonora Federici
Video credits: Eleonora Federici, Paolo Argento (music)

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