The Allegory Ìfisọ́lẹ̀ Iṣẹ́ Ọnà láti ọwọ́ FunDesign.tv - Tomoko Nagao jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2024 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ọnà Dídára àti Iṣẹ́ Ọnà Ìgbékalẹ̀.
FàdákàIṣẹ́ Ọnà Dídára· 2024
The Allegory Ìfisọ́lẹ̀ Iṣẹ́ Ọnà
látọ̀wọ́ FunDesign.tv - Tomoko Nagao
Oníbàárà: FunDesign.tv
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Iṣẹ́ Ọnà Dídára
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #159053Àpẹrẹ Náà
Nípa The Allegory Ìfisọ́lẹ̀ Iṣẹ́ Ọnà
Allegory jẹ́ ìfisọ́lẹ̀ iṣẹ́ ọnà gbogbogbò tí ó dúró títí láé, tí a gbé kalẹ̀ sí àárín gbàgede ọgbà ìdárayá eré ìmárale kan ní Taipei. Àgbékalẹ̀ rẹ̀ fa ìmísí láti ara àwọn àwòrán fresco ti àjà ilé ní àṣà Baroque àti Rococo, ó sì so wọ́n pọ̀ mọ́ àwọn àmì pápá ìṣeré baseball, àwọn ọjà oníbàárà àti eré ìnàjú. Ìwọ̀n àkópọ̀ iṣẹ́ náà jẹ́ mítà 11.4 sí 11.4, ó sì ní àwọn pátákó irin dídà 37, àwọn ère ángẹ́lì 10 àti àwọn àwo aláwòrán òdòdó 50. A fi ẹ̀rọ gbẹ́ àwọn mọ́ọ̀lù onígi, a fi ọ̀nà dídà iyanrìn dà wọ́n sínú irin, lẹ́yìn náà a sì fi ọwọ́ kún wọn pẹ̀lú epoxy resin aláwọ̀. Bí a ti gbé e kalẹ̀ ní ìbámu pẹ̀lú ilẹ̀, àwọn ọ̀nà mẹ́rẹ̀ẹ̀rin iṣẹ́ náà ń tọ́ àwọn ènìyàn sọ́nà kọjá gbàgede náà.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
The Allegory Ìfisọ́lẹ̀ Iṣẹ́ Ọnà jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé The Allegory Ìfisọ́lẹ̀ Iṣẹ́ Ọnà yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. The Allegory Ìfisọ́lẹ̀ Iṣẹ́ Ọnà jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- "The Allegory" of the Taipei Big Dome unfolds across multiple layers, drawing inspiration from the iconic ceiling fresco by Italian artist Giovanni Battista Tiepolo, whose Baroque legacy transcended into the early 17th century. Visually, the classic Rococo is intricately woven into the canvas. The fusion of Rococo aesthetics with symbols such as baseball stadiums, consumer goods, and entertainment forms a rich tapestry of diverse beliefs.
- Ìwọ̀n àti Àpò
- The composition comprises 37 panels forming the main dome fresco, 10 standalone angel figures, and 50 smaller flower-shaped cast iron plates. The dimensions measure 11.4 meters by 11.4 meters, occupying a total area of 129.96 square meters. The artwork is seamlessly embedded, flush with the existing floor, creating a harmonious integration with the surroundings.
- Àwọn Àkọlé
- tomoko, arte, Japan, Milano, fundesign, Taipei, Dome, Taiwan
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The artwork is composed of a set of panels, each initially carved into a wooden mold through mechanical processes. Subsequently, the sand-casting technique is employed to create a molded metal version through metal pouring. After applying a rust-resistant primer, skilled artisans then meticulously hand-fill the concave surfaces of the panels with colored epoxy resin, resulting in exquisite, vibrant, and durable covers. To prevent rapid hardening of the epoxy resin pigments, only one color can be applied at a time during the process, and a dust-free environment must be maintained throughout.
- Ìpèníjà Àpèsè
- In the beginning, they explored the sports park's historical context, uncovering insights from archives. The sports park's origins date back to Taiwan's Japanese era when it functioned as a tobacco factory. The installation's site was previously a sports field for factory workers, featuring a baseball field. This historical background enriched the artwork with numerous baseball symbols, aligning with the park's current role of hosting world-class baseball games. Situated in a popular plaza, the installation's four directions are intentionally oriented, acting as functional guides for individuals moving toward their destinations.
- Ìwádìí
- Manholes, originating in Japan in the 1950s as standard features weighing approximately 80 pounds, have evolved beyond their utilitarian roots. Since the 1980s, a creative transformation has taken place, with many covers featuring artistic designs that depict the unique scenery and native flora of each town. Recognizing the potential to turn this functional element into a form of urban art, we leverage the durability and visual appeal of these covers. Our innovative approach involves crafting them into captivating landscape art installations, seamlessly integrating them into the bustling squares where people predominantly traverse. This enhances the aesthetic appeal of public spaces and showcases the fusion of utility and artistry in urban design.
- Ìmísí
- As the central plaza within the commercial architectural ensemble of Taipei Big Dome Sports Park, this public art installation not only bears the responsibility of artistic expression but also embodies the functional aspect of guiding people in their directions. The artist's uniquely flattened painting style is seamlessly integrated into the molded cast iron flooring of the plaza, with detailed coloring applied using epoxy resin, laid across the walkways.
- Àkókò Iṣẹ́ Àkànṣe
- The artwork successfully passed inspection on February 6, 2024, and is set to be publicly displayed this summer. As a permanent public art piece, it will stand as an iconic landmark coexisting with the Taipei Big Dome Sports Park, symbolizing a harmonious integration within the surroundings.
- Ìlànà Ìṣiṣẹ́
- The artwork employs a diverse palette, standing out in the predominantly gray-toned ambiance of the sports park. Amidst the overall grayscale setting, it swiftly captures attention with its vivid colors. The various baseball-themed details within the artwork actively resonate with the park's primary function of hosting baseball games. Stepping into the piece, individuals not only experience a visual spectacle of artistic style but also gain a deeper understanding of this public art as an interpretive element within the sports park.
- Àwọn Ọmọ Ẹgbẹ́
- Artist: Tomoko Nagao
Designer: FunDesign.tv
Carrie Chang
SK Chen
Clara Kao - Ìfọwọ́sí Àwòrán
- FunDesign.tv
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