Fàdákà Àpẹẹrẹ Aṣọ Àṣà · 2024
Turandot Armor Aṣọ Eré
- Àmì-ẹ̀yẹ Fàdákà A' Design Award 2024 in Àpẹẹrẹ Aṣọ Àṣà
- CLIENT: Cynthia Gomez
- Estimated Number of Design Views: 87,071
- Verification code 8F4FA1E119 · Verify this award
Colors
About Turandot Armor Aṣọ Eré
Ilé-iṣẹ́ aṣọ eré máa ń ṣe àwọn aṣọ tí wọ́n máa ń di aláìwúlò nígbà tí àkókò rẹ̀ bá parí, nítorí pé ó ṣọ̀wọ́n láti tún wọn lò. Nítorí ìṣòro yìí ni a fi gbé iṣẹ́-àkànṣe aṣọ eré aládúróṣinṣin kalẹ̀, èyí tí ó ṣe àpèjúwe àpẹẹrẹ fún aṣọ òpéra kan nípa lílo àwọn ìlànà aládúróṣinṣin bíi ìtúnṣe-ìmúdára pẹ̀lú àwọn aṣọ híhun tí ó ṣẹ́kù àti ṣíṣẹ̀dá àwọn ohun èlò bio láti inú ìdọ̀tí ọsàn tí ó dá lórí ẹ̀tọ́ ìyíká. Iṣẹ́-àkànṣe yìí ń wá láti tún àwọn ohun èlò tí ó wà lò àti ṣe ìdàgbàsókè àwọn ohun èlò tuntun láti takò ìbàjẹ́ àyíká nínú iṣẹ́ aṣọ.
About the Àmì-ẹ̀yẹ Fàdákà A' Design Award
Turandot Armor Aṣọ Eré jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Turandot Armor Aṣọ Eré yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Turandot Armor Aṣọ Eré jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Press Kit
- Unique Properties
- In each production the costume industry generates pieces for each character and at the end these become obsolete because they can rarely be used again
It was from this problem that this sustainable costume project emerged, which proposes the design of an operatic outfit using sustainable techniques such as upcycling and the creation of biomaterials made from orange waste
The project seeks to reuse existing materials and develop new materials in order to counteract pollution in fashion - Dimensions & Packaging
- the dress knitting mesure 80mm x 10mm x 180mm
the armor biomaterial mesure 60 mm x 5mm x 50mm - Tags
- biomaterial, upcycling, deadstock, sustainability, costume design
- Production Technology
- For the armor, the circular economy theory was used, taking advantage of orange peel waste for the production of biomaterials, made with gelatin, glycerin and the orange substrate.
The dress was made from reusing deadstock knitted fabric, using the quilting technique to generate the patches and color gradient in the piece, everything was handmade. - Design Challenge
- the hardest part of the design was the funcionality of the project, with the upcycling tecnique using knitting deadstock, and the elaboration of the formula with the orange sustrat in the biomaterial.
- Research
- We sought to impact the costume industry through sustainability and innovation, the piece was for an opera singer which implied movement and comfort. We use design thinking for our research, doing interviews, searching for sustainable materials and technology that would help us
Regarding biomaterials we experimented with many fruit substrates up to orange peel, which has the best properties.
As for the dress, we had many fittings to see the feasibility in terms of weight, structure and comfort so that she could perform. - Inspiration
- The costume is inspired by Giacomo Puccini's Turandot opera, which symbolizes the princess's self-confinement in the face of interpersonal relationships, which is why her face is covered with an immense neck that protects her from love. An Upcycling tecnique was used with the patch-working, reusing textile waste to give it a second life.
In the same way, an armor made with substrate biomaterials from the orange waste, represents the sentimental barriers of Princess Turandot. - Project Duration
- started en january 2022 in Mexico City and finished in july 2022
- Operation Flow
- is a costume so it can be exhibit in a display maniqui.
- Image Credits
- Image #1: Opcional Image #1: Opcional Image #2: Opcional Image #3: Opcional Image #4: photographer Silvetre García, hairdesigner Ignazio Muñoz, makeup artist Enrique Santana
Video Credits: Cynthia Gómez
