Clay Moulded Àpẹrẹ Ìṣàrà Inú Ilé Ìtàgé láti ọwọ́ Marius Mateika jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2025 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
WúràInú Ilé· 2025
Clay Moulded Àpẹrẹ Ìṣàrà Inú Ilé Ìtàgé
látọ̀wọ́ Marius Mateika
Oníbàárà: Mama architects
Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #171457Àpẹrẹ Náà
Nípa Clay Moulded Àpẹrẹ Ìṣàrà Inú Ilé Ìtàgé
Clay Moulded jẹ́ àpẹrẹ ìṣàrà inú ilé ìtàgé orin kan ní Klaipeda, orílẹ̀-èdè Lithuania. Amọ̀ ni wọ́n fi bo àwọn ògiri àti àjà ilé, wọ́n sì fi ọwọ́ lo ju ọ̀ọ́dúnrún tọ́ọ̀nù mẹ́ta lọ nínú ohun èlò náà. Àpẹrẹ ọ̀nà ìṣọ̀ṣọ́ gbọ̀ngàn ńlá náà ń tẹ̀síwájú láìdáwọ́dúró, ó sì ń ṣàn láti orígun kan sí orígun kejì àyè náà. Wọ́n ṣe àgbékalẹ̀ ìlànà ìbòmọ́lẹ̀ oníṣẹ̀lẹ̀ méje fún iṣẹ́ àgbékalẹ̀ yìí, tí ó ní nínú fífọ́n, ṣíṣe àpẹrẹ ọ̀nà, gbígbẹ, fífọ́, dídán àti ìtọ́jú. Àwọn ògiri àti àjà ilé lè ṣí kí wọ́n sì tì láti darí ìpadàbọ̀ ìró, nítorí náà àyè náà lè bá eré orin, eré ìtàgé àti àwọn ìpàdé mu. Gbọ̀ngàn eré náà ní àyè ìjókòó fún ẹ̀ẹ́dẹ́gbẹ̀rin ènìyàn.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award
Clay Moulded Àpẹrẹ Ìṣàrà Inú Ilé Ìtàgé jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Clay Moulded Àpẹrẹ Ìṣàrà Inú Ilé Ìtàgé yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Clay Moulded Àpẹrẹ Ìṣàrà Inú Ilé Ìtàgé ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
- Ìwọ̀n àti Àpò
- The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
- Àwọn Àkọlé
- Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
- Ìpèníjà Àpèsè
- The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
- Ìwádìí
- Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved. - Ìmísí
- The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
- Àkókò Iṣẹ́ Àkànṣe
- The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
- Ìlànà Ìṣiṣẹ́
- This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event). - Àwọn Ọmọ Ẹgbẹ́
- Architects: Marius Mateika
- Ìfọwọ́sí Àwòrán
- Photographer: Leonas Garbačauskas
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