Iran Ẹ̀gbà ọwọ́ láti ọwọ́ Mersa Habibi - Taj Gold

Iran Ẹ̀gbà ọwọ́ láti ọwọ́ Mersa Habibi - Taj Gold jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun Ọ̀ṣọ́ Ara.

FàdákàOhun Ọ̀ṣọ́ Ara· 2026

Iran Ẹ̀gbà ọwọ́

látọ̀wọ́ Mersa Habibi - Taj Gold

Oníbàárà: Taj

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ohun Ọ̀ṣọ́ Ara

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

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Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Iran Ẹ̀gbà ọwọ́

Iran jẹ́ ẹ̀gbà ọwọ́ tí a rí ìmísí rẹ̀ láti inú ogún iṣẹ́ àwòkọ́lé ti orílẹ̀-èdè Iran. Àwọn ibi ìrántí mẹ́tàdínlógún láti oríṣiríṣi ìlú àti sáà ni a ṣe ní ọ̀nà àfojúfọ̀rọ̀, tí a sì so pọ̀ di apẹrẹ kan ṣoṣo tí ó tẹ̀síwájú láìdábọ̀. A fi wúrà aláwọ̀ ofeefee tí ó dán ṣe ẹ̀gbà náà, a sì ṣe é ní ìwọ̀n mẹ́ta ọ̀tọ̀ọ̀tọ̀. Àkọ́mọ́ra tí ó ní ahọ́n oníṣíbírì pẹ̀lú ihò méjì ni a fi pamọ́ sínú àwòrán ilé Shahrdari ní ìlú Rasht, nígbà tí a gbé kọ́rọ̀ọ́kọ̀ rẹ̀ sí inú Odi Ìlú Karim Khan ní ìlú Shiraz. Títẹ̀ ilé kékeré náà ni yóò tú àkọ́mọ́ra rẹ̀ sílẹ̀. A gbé ìwọ̀n rẹ̀ kalẹ̀ fún ìtura àti ìdọ́gba, kí a lè máa wọ ìrántí àṣà lójoojúmọ́.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Iran Ẹ̀gbà ọwọ́ jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Iran Ẹ̀gbà ọwọ́ yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Iran Ẹ̀gbà ọwọ́ jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: The “Iran Bracelet” embodies the timeless grandeur of Iran, a legacy unchanged from the Achaemenids to modern icons. Seventeen monuments from different eras and cities reflect the authentic vision of unity in diversity under the greater identity of Iran. Hidden clasps and hinges ensure strength, comfort, and seamless beauty. By merging cultural storytelling with refined engineering, the bracelet becomes a wearable emblem of heritage, identity, and pride.
Ìwọ̀n àti Àpò: The Iran Bracelet is produced in three sizes: Small, Medium, and Large. The Medium size has the following dimensions: internal major diameter 60 mm, internal minor diameter 50 mm, and bracelet width 14 mm. These proportions were carefully defined to ensure ergonomic comfort and aesthetic balance.
Àwọn Àkọlé: Iran bracelet, Persian jewelry, narrative design, cultural heritage design, unity in diversity, Iranian monuments, gold bracelet, hidden clasp jewelry, symbolic jewelry, contemporary heritage
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The Iran Bracelet was created through a synthesis of extensive cultural research and design innovation. Architectural references from seventeen monuments across different eras and cities were abstracted and unified in a single form. Initial sketches were transformed into precise 3D CAD models to ensure balance and proportion. Special attention was given to ergonomics so the piece remains both elegant and comfortable. Crafted in solid yellow gold, it reflects durability, refinement, and respect for heritage.
Ìpèníjà Àpèsè: The greatest challenge of the Iran Bracelet was transforming a vast cultural narrative and monumental architecture into a unified, wearable form without losing authenticity. Balancing the symbolic richness of seventeen monuments with minimal contemporary aesthetics demanded extensive research. Technically, the most difficult task was miniaturizing these structures and hiding clasps and hinges within them while preserving strength and usability. Achieving harmony between meaning, ergonomics, and engineering precision was the main obstacle overcome.
Ìwádìí: The research was cultural-historical, aiming to translate Iran’s architectural diversity into a unified jewelry form. Methods combined literature review, archival study, and site analysis. Data came from 17 monuments, processed with sketches and 3D CAD tools. Designers and engineers collaborated in modeling and prototyping. Results proved the feasibility of miniaturizing architecture. Insights showed cultural symbolism enhances identity and emotional value, impacting both society and market acceptance.
Ìmísí: The “Iran Bracelet” is inspired by the timeless heritage of Persia and the authentic vision: while preserving the differences and identities of its peoples, we remain united and compassionate under the greater identity of Iran. Seventeen monuments from different eras and cities embody this message of continuity from ancient to modern times. The design aims to create a wearable symbol of cultural memory, supported by research on Iranian architecture and hidden clasp engineering for seamless
Àkókò Iṣẹ́ Àkànṣe: The Iran Bracelet project started in March 2024 in Tehran, Iran, and was completed in June 2025. The process included multiple ideation phases, extensive cultural research, initial sketches, 3D CAD modeling, and technical refinements to ensure ergonomic comfort and flawless engineering.
Ìlànà Ìṣiṣẹ́: The bracelet uses a concealed spring-loaded tongue clasp with double grooves for security. The clasp is hidden in the Shahrdari building (Rasht) and the hinge in the Karim Khan Citadel (Shiraz). To open, the user presses the Shahrdari building, releasing the latch. After wearing, the tongue is inserted into the housing and with slight pressure locks smoothly, ensuring ergonomic comfort, uninterrupted flow, and cultural symbolism.