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Vessel of Time Àwòṣe Inú Ilé Gbígbé láti ọwọ́ Wu Pei-Hsuan and Hsieh Tsung-Hsuan

Vessel of Time Àwòṣe Inú Ilé Gbígbé láti ọwọ́ Wu Pei-Hsuan and Hsieh Tsung-Hsuan jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.


IdẹInú Ilé· 2026

Vessel of Time Àwòṣe Inú Ilé Gbígbé

látọ̀wọ́ Wu Pei-Hsuan and Hsieh Tsung-Hsuan

Oníbàárà: Christy Hsieh

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #177120

Àwọ̀

Àpẹrẹ Náà

Nípa Vessel of Time Àwòṣe Inú Ilé Gbígbé

Vessel of Time jẹ́ àwòṣe inú ilé gbígbé tí a dá sílẹ̀ fún olùtẹ̀ dùùrù kan àti ẹbí ẹlẹ́ni mẹ́ta. Ilé náà gba tó ìwọ̀n mítà onígun mẹ́rin 231 ní Taiwan. Gbàgede àbáwọlé tí a fi igi ṣe lọ́ṣọ̀ọ́ dá ààlà pẹ̀lẹ́ sílẹ̀ láàrin ìlú àti inú ilé. Àwọn ilẹ̀kùn gíláàsì gíga tí ó ní ìlà ọ̀gangan àti aṣọ ìbòjú fẹ́lẹ́fẹ́lẹ́ ń ṣí ìmọ́lẹ̀ ọ̀sán wọ inú ààyè gbígbé. Dùùrù náà dúró láàrin àárín gbùngbùn tí gbogbo ẹbí ń pín, níbi tí orin, ìwé kíkà àti ìjíròrò ti ń pàdé. Igi aláwọ̀ fẹ́ẹ́rẹ́, àwọn ìrísí ojú ilẹ̀ onírúurú àti kùn àkànṣe tí ó ní àmì fẹ́lẹ̀ ń dá àyíká tí ó parọ́rọ́ tí àwọ̀ rẹ̀ kò pọ̀jù sílẹ̀. Ètò ìgbékalẹ̀ ṣíṣí sílẹ̀ so àwọn ààyè gbígbé pọ̀, ó sì ń ṣe àtìlẹ́yìn fún ìgbé ayé ojoojúmọ́ tí ó lọ́ra díẹ̀.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Vessel of Time Àwòṣe Inú Ilé Gbígbé jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Vessel of Time Àwòṣe Inú Ilé Gbígbé yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Vessel of Time Àwòṣe Inú Ilé Gbígbé ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
This project takes time and sound as its spatial genesis, that employs simple materials and the shifting interplay of light and shadow to cultivate a sense of tranquility throughout the space. As time passes, it brings a gentler understanding and deeper appreciation of life. The intention is to create a home that is warm, profound, and elegant—one that encourages a slower, more reflective pace of living. The spatial narrative unfolds through openness, release, and serenity. Under soft, diffused light, the interior immerses itself in gradual transitions, portraying a quiet theater of life where reality and romance subtly intertwine.
Ìwọ̀n àti Àpò
The office interior spaces measures about 231 square meters.
Àwọn Àkọlé
Continuum, Soundscape, Restraint,Temporality
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
The design incorporates special paint with brush marks to complement the layers of wood tones, balancing the intensity of the space with structure and color. In this low-saturation ambiance, the colors of life become richer and more vivid, allowing for the delicate appreciation of every moving moment. As time changes, the warmth of light and shadow deepens, and the space immerses in the gradual transitions under soft light, portraying a life theater where reality and romance blend.
Ìpèníjà Àpèsè
Real company is not doing the same thing in the same space, but rather, for this family of three, it means setting up the context through which each can fulfill their own private and shared needs in different corners. Re-spacing is the game-changing idea, as it is all about having fun, creating a new lifestyle for the family to build familial relationships anew.
Ìwádìí
Upon returning home, one enters a wood-wrapped foyer where the city’s noise gently fades. At the center of the living room, the piano is integrated rather than isolated, its music blending with reading, conversation, and shared meals. Light moves softly across timber surfaces from morning to evening, filtered through sheer curtains that create a calm, breathable atmosphere.

Circulation becomes part of daily life instead of a corridor, allowing pauses between music and books. An once-empty bookshelf gradually fills, marking the family’s growth. With light timber and mineral textures as a quiet backdrop, the home lets life, light, and sound take the lead—becoming a vessel shaped by time and memory.
Ìmísí
The aim is for home to be a source of tranquility, providing a refuge from the relentless pace of urban life. The design advocates for an open-plan layout where living areas are interconnected, promoting harmony between spaces and encouraging a sense of freedom and flow within the family. This makes it an ideal place for a modern lifestyle.
Àkókò Iṣẹ́ Àkànṣe
The project started in July 2020 and finished in February 2021 in Taiwan.
Ìlànà Ìṣiṣẹ́
Designed for a pianist and a family of three, this home is defined by light-toned timber and a quiet architectural language. A wood-lined foyer forms a gentle threshold from city to interior, leading to tall fluted glass doors that softly filter daylight into the living space.

The music and living areas share a central core where piano, conversation, and daily rituals converge. Expansive windows and sheer curtains shape the atmosphere through shifting light, while subtle ceiling shifts and axial walls guide the transition from public to private. Rooted in a Wabi-Sabi sensibility, the design embraces simplicity, light, and the passage of time.
Àwọn Ọmọ Ẹgbẹ́
Architect : Wu,Pei-Hsuan
Architect: Hsieh,Tsung-Hsuan
Ìfọwọ́sí Àwòrán
Image #1: Yi-Hsien Lee, 2021,Image #2: Yi-Hsien Lee, 2021,Image #3: Yi-Hsien Lee, 2021, #4: Yi-Hsien Lee, 2021, #3: Yi-Hsien Lee, 2021, #5: Yi-Hsien Lee, 2021,

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