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Silhouette Alaga Oniyipada láti ọwọ́ Jonah Rappaport

Silhouette Alaga Oniyipada láti ọwọ́ Jonah Rappaport jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.


FàdákàOhun-èlò Ilé· 2026

Silhouette Alaga Oniyipada

látọ̀wọ́ Jonah Rappaport

Oníbàárà: Jonah Rappaport

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #177693

Àwọ̀

Àpẹrẹ Náà

Nípa Silhouette Alaga Oniyipada

Silhouette jẹ alaga oniyipada tí ó ń yí padà láàrin alaga onibaba, alaga isinmi, àti alaga ìnàra nípasẹ̀ àtúntò àwọn èròjà pàtàkì rẹ̀. Dípò gbígbáralé àwọn ẹ̀rọ tí ó hàn tàbí àwọn ohun èlò tí ó fara sin lábẹ́ ọ̀já ìbora, ó ń yí padà nípasẹ̀ àtúnyàwòrán àwọn ipa àwọn èròjà tí ó hàn kan náà tí ó ń ṣàpèjúwe alaga náà ní ipò kọ̀ọ̀kan. Pẹ̀lú ìrísí rẹ̀ tí ó rẹwà, tí ó dàbí ère, àti ìfihàn ètò tí ó ṣe kedere, Silhouette ń pèsè àṣàyàn òde-òní fún ijókòó oniyipada tí ó wọ́pọ̀.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Silhouette Alaga Oniyipada jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Silhouette Alaga Oniyipada yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Silhouette Alaga Oniyipada jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
Silhouette is a transformable chair that shifts between an armchair, lounge chair and chaise lounge. Its defining feature is that the structure itself performs the transformation. In the chaise, the suspended headrest and legrest rotate to become load-bearing supports in the armchair, and vice versa. The chair changes function through structural reconfiguration rather than added mechanisms, and in each state the form reads as complete and resolved.
Ìwọ̀n àti Àpò
Approx. 545 mm x 900 mm x 860 mm (armchair configuration) and 545 mm x 1400 mm x 780 mm (chaise lounge configuration).

Materials: Baltic birch plywood; steel sheet metal; steel rods; aluminum tubing; custom mechanical locking components; rubber gaskets; black powder-coated steel washers and elongated hex nuts; and leather-upholstered cushions.

Finished with a true black stain and clear polyurethane coating.

All moving connections are metal to metal, with no glue or permanent bonds between joints, allowing the chair to be fully disassembled, repaired, and reassembled without degrading the wood elements.
Àwọn Àkọlé
convertible chair, transformable furniture, adaptive design, experimental furniture, contemporary chair design, multifunctional seating, sculptural minimalism, craftsmanship, human-centered design
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
Developed through multiple full-scale prototypes, the geometry, proportions, and biomechanics were refined so that each configuration provides appropriate seat depth, height, and support, rather than functioning as a compromise between positions. After extensive hand drawings and scale models, a precise digital twin was developed before fabrication. The chair’s wood components were laser-cut, hand-routed, sanded, and stained, while custom sheet-metal components and steel rods were cut, manually threaded, welded and finished by hand.
Ìpèníjà Àpèsè
Three main challenges defined the project. Conceptually, the chair had to function and appear resolved in multiple configurations while allowing elements such as the headrest and legrest to shift structural roles. Mechanically, suspended components required the development of a concealed locking system capable of resisting human load without visible hardware or auxiliary mechanisms. Fabrication demanded precise tolerances, extensive prototyping and iterative refinement to reconcile structural performance with formal clarity.
Ìwádìí
This project is an experimental study on adaptable seating. The objective was to create a single chair that can be transformed to support multiple postures without relying on exposed mechanisms or hiding them beneath upholstery. The methodology combined precedent analysis, including measuring and cataloguing existing chairs and chaise lounges, with hand drawing, digital and physical modeling, and full-scale prototyping. Peers participated in use tests of successive prototypes to analyse and help improve comfort, balance and proportion. The research demonstrates that adaptability in furniture can be achieved without compromising structural clarity or formal integrity, expanding the possibilities for how seating is conceived and produced.
Ìmísí
Silhouette emerged from a long-standing interest in transformation in furniture: how an object might adapt to different ways of sitting without compromising formal clarity. It was inspired by the tension between movement and structure, and by the question of whether transformation could emerge from the form itself rather than from added mechanisms. Formally, it draws from the disciplined geometries and material restraint of modernist design while pursuing a distinctly contemporary expression.
Àkókò Iṣẹ́ Àkànṣe
The project was conceived at the Yale School of Architecture in New Haven, Connecticut, USA. Designed and fabricated entirely in the school’s wood and metal shops, the chair was completed in June 2024 following a four-month independent design-and-build process.
Ìlànà Ìṣiṣẹ́
The chair transforms through a fluid rotation of its headrest and legrest: when shifting from chaise lounge to armchair, the headrest becomes the rear legs and the legrest the front legs. Concealed locking mechanisms within the base guide and secure each movement, allowing each position to be locked or released smoothly as needed. Adjustable armrests and an infinitely variable backrest support natural transitions in posture, from reclined to upright, with minimal effort and no external tools.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
United Kingdom Design Registration Nos. 6450716, 6450717, 6450718.
European Union Design Registration Nos. 015106528-0001, 015106528-0002, 015106528-0003.
Canadian Design Application No. 241084.
United States Design Patent Application No. 29/979,089.
United States Utility Patent Application No. 19/419,859.
Ìfọwọ́sí Àwòrán
All photography, video, and images by Jonah Rappaport, 2024-26.

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