Waterfall Yeti Etí láti ọwọ́ Gergo Futo jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun Ọ̀ṣọ́ Ara.

WúràOhun Ọ̀ṣọ́ Ara· 2026

Waterfall Yeti Etí

látọ̀wọ́ Gergo Futo

Oníbàárà: Viverté Jewellery

Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ohun Ọ̀ṣọ́ Ara

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #178753

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Waterfall Yeti Etí

Waterfall jẹ́ yeti etí kan láti inú àkójọpọ̀ Lady of the Lake. Ìrísí ère rẹ̀ tẹ̀lé ìtẹ̀ àdánidá ti etí fún bíbá ara mu dáadáa. Àwọn ìlà irin tí ń ṣàn yí àwọn òkúta iyebíye ká, wọ́n sì rán ni létí ìṣíkiri omi tí ń ṣubú. A ṣe iṣẹ́ ọnà yìí pẹ̀lú wúrà funfun 14k, a sì fi àwọn dáyámọ́ńdì tí a hù ní yàrá ìwádìí àti àwọn péálì omi tútù sí i. A kọ́kọ́ fi ọwọ́ gbẹ́ ìrísí rẹ̀ nínú ẹ̀dà, lẹ́yìn náà a sì dà á pẹ̀lú ọ̀nà ìdàrọ̀ ẹ̀dà-tí-ó-nù. Gbogbo àwọn òkúta ni a gbé kalẹ̀ lábẹ́ ẹ̀rọ awò-nǹkan-kékeré. Bí ẹni tí ó wọ̀ ọ́ bá ń mira, àwọn dáyámọ́ńdì náà ń tan ìmọ́lẹ̀ padà, ìtànṣán rẹ̀ sì ń yí padà.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award

Waterfall Yeti Etí jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Waterfall Yeti Etí yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Waterfall Yeti Etí ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: Part of the Lady of the Lake collection, the Waterfall earring is a sculptural piece shaped to follow the natural curve of the ear. Its fluid metal lines frame the diamonds to evoke the shimmer of falling water. The design stands out for its anatomical fit, light-responsive movement and refined minimalism, offering a contemporary interpretation of elegance inspired by natural motion.
Ìwọ̀n àti Àpò: Width 35 mm x 15 Depth mm x 115 Height mm
Àwọn Àkọlé: Water, freedom, flow, nature, liquid motion
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The piece is crafted in 14k white gold, set with lab-grown diamonds and freshwater pearls. Its flowing, water-like form was first sculpted by hand in wax, then cast using the lost-wax technique. The organic lines were refined with precision, and all stones were set under a microscope to ensure accuracy and exceptional craftsmanship
Ìpèníjà Àpèsè: The main challenge was avoiding a heavy, jewel-dominated look. I chose not to rely on many diamonds, seeking lightness instead of density. Early experiments included pouring molten metal into water to capture natural splashes, but this led to uncontrolled forms. Studying slow motion water imagery helped refine the direction. Balancing fluidity with anatomical fit was complex. The final piece expresses feminine strength through flowing movement rather than mass.
Ìwádìí: Artistic and practice based research. The goal was to understand how water moves, shines and carries strength, and to translate this into a form that fits the ear naturally. The process included extensive sketching, observation of real water movement and repeated redesign. Several early ideas were abandoned during testing. The final piece was hand-carved to preserve a natural flow. The research improved design clarity and created a stronger emotional and brand connection.
Ìmísí: My work is shaped by a lifelong connection to water. Growing up beside an oxbow and later returning to swimming, I was deeply influenced by the quiet weightlessness and shifting light beneath the surface. Because water surrounds us from birth and sustains both the body and the Earth, this collection seeks to honour its purity, fluidity and quiet strength through forms that echo its natural movement.
Àkókò Iṣẹ́ Àkànṣe: The design and development of Lady of the Lake took approximately four months, from August 2023 to November 2023. The piece was conceived and completed in the designer’s atelier in Szeged, Hungary. The nearby waterfront environment served as an early source of inspiration during the conceptual phase.
Ìlànà Ìṣiṣẹ́: The diamonds reflect light like the surface of deep water, while metal waves flow naturally along the shape of the ear, as if formed by the body itself. As the wearer moves, the piece responds — light shifts and shimmer appears. It transforms from a static object into a living presence, creating a strong, mythical impression that feels fluid and powerful.
Àwọn Ọmọ Ẹgbẹ́: Gergő Futó
Erneszt Szabó Tönki