Red Brick Àpẹrẹ Inú Ilé Hotẹ́ẹ̀lì láti ọwọ́ Gong Xu jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
FàdákàInú Ilé· 2026
Red Brick Àpẹrẹ Inú Ilé Hotẹ́ẹ̀lì
látọ̀wọ́ Gong Xu
Oníbàárà: Gong Xu
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #180110Àpẹrẹ Náà
Nípa Red Brick Àpẹrẹ Inú Ilé Hotẹ́ẹ̀lì
Red Brick jẹ́ àpẹrẹ inú hotẹ́ẹ̀lì kan ní Òkè Qinglong, tí a dá sílẹ̀ nípasẹ̀ àtúnlò tí ó bá àyíká mu ti èbúté àtijọ́ kan. Àwọn bíríkì amọ̀ pupa tí a tún gbà padà ni a fi ṣe ìbòjú tí ó jẹ́ kí ìmọ́lẹ̀ gba kọjá dípò ògiri tí ó le pátápátá. A lu ihò sí àwọn bíríkì náà, a sì fi ètò irin aláìlábàwọ́n tí ó fara sin dì wọ́n mú, nítorí náà kò sí àmọ̀ tútù kankan tí a lò lára ojú ilé náà. Ìmọ́lẹ̀ ọ̀sán ń gba àwọn ihò kékeré náà kọjá, ó sì ń da àwọn àwòrán tí ń yí padà sí orí àwọn ojú inú ilé. Ìkójọpọ̀ gbígbẹ náà ń dáàbò bo àwọn bíríkì ẹlẹgẹ́, ó ń dín lílo omi kù, ó sì ń jẹ́ kí a lè tú u ká lẹ́yìn ọjọ́. Iṣẹ́ àgbékalẹ̀ yìí tún lo ohun èlò ogún àṣà gẹ́gẹ́ bí ohun èlò ìkọ́lé tí ó ń ṣiṣẹ́ lọ́wọ́.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Red Brick Àpẹrẹ Inú Ilé Hotẹ́ẹ̀lì jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Red Brick Àpẹrẹ Inú Ilé Hotẹ́ẹ̀lì yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Red Brick Àpẹrẹ Inú Ilé Hotẹ́ẹ̀lì jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Situated at Qinglong Mountain, Red Brick executes a radical adaptive reuse of an ancient wharf. Its defining property is the deconstructive treatment of millenary red bricks. Rather than traditional preservation, the masonry is re-engineered into a dynamic, light-permeable membrane. Through precise suspension and perforation, the facade acts as a filter, sculpting daylight into rhythmic interior patterns. This approach dissolves the visual weight of history, creating a dialogue between heavy heritage and contemporary ethereality. Guests experience a tactile narrative where time is materialized through shifting shadows and textured surfaces. The project sets a new benchmark for sustainable hospitality, proving that historical fragments can be revitalized as active architectural elements.
- Ìwọ̀n àti Àpò
- Material: Reclaimed red clay brick, Stainless Steel 304, Local Timber. Facade Height: 3000 mm to 6000 mm. Brick Module: 240 mm x 115 mm x 53 mm. Aperture Diameter: 20 mm to 50 mm. Total Surface Area: 450 sqm. Load Capacity: 120 kg per sqm. Finish: Natural unglazed brick with clear protective coating. System Weight: 120 kg/sqm. Structural Anchor: Concealed SS Rods.
- Àwọn Àkọlé
- Red Brick, Adaptive Reuse, Hotel Design, Heritage, Light Wall, Sustainable, Interior, Renovation, Culture, Facade
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Ancient red bricks were sourced locally and cleaned. A custom steel system holds bricks without visible mortar. Precision drilling made holes for light. Bricks are stacked without bearing load. They are fixed to the structure with hidden steel rods. This ensures safety and gives a floating look. Techniques include dry stacking and tension assembly. No wet mortar was used on the facade. This method protects the old bricks from damage.This dry method cuts water use and lets future workers take parts apart easily. It turns old waste into a safe, modern skin that breathes with the building.
- Ìpèníjà Àpèsè
- The main challenge was fixing fragile old bricks without breaking them. Modern rules required strong safety proofs. Old bricks vary in strength and crack easily. Drilling deep holes was risky. Mortar would block light. We solved this by making a special clamp system. It holds bricks gently and spreads weight evenly. We did not drill deep. Also, brick colors varied wildly. We solved this by mapping colors and arranging them in a gradient. This turned a flaw into a feature. We met all safety laws and kept the design light.
- Ìwádìí
- Type: Experimental Architecture. Objectives: To optimize light in old bricks safely. Methodology: Simulation and physical testing. Tools: Rhino 3D, Grasshopper, Load Rigs. Participants: 3 architects, 2 engineers, local masons. Results: Perforated bricks improved light by 40 percent. Load capacity reached 120 kg per sqm. Insights: Old bricks can filter light dynamically. Impacts: This cuts carbon footprint by 40 percent. It proves heritage materials fit modern needs. It offers a green model for preserving history.
- Ìmísí
- The design stems from a philosophical re-examination of the red brick. It transforms the brick from a structural barrier into a permeable vessel of light and memory. Inspired by historical masonry, the project dissolves boundaries between past and present. The motive was to revitalize the tactile warmth of aged bricks using contemporary techniques. Daylight filters through the material itself, not just the surface. This creates a dialogue where history breathes within a modern context.
- Àkókò Iṣẹ́ Àkànṣe
- The project started in January 2023 in Qinglong Mountain and finished in February 2025 in Wuhan. The design was completed for the 2025 hospitality season.
- Ìlànà Ìṣiṣẹ́
- The space guides guests from a busy street into a quiet sanctuary. Interaction happens naturally: as users step forward, the pattern of light and shadow on the ground changes, acting as a silent guide. The walls breathe; they are not solid barriers but soft filters that let light in while keeping heat and noise out. Key moments include entering the lobby where the ceiling seems to float and touching the warm, aged bricks. This setup deals a better result by calming the mind instantly without needing technology, proving that old materials can create a superior, peaceful modern experience.
- Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
- Copyrights belong to Gong Xu, 2025.
- Ìfọwọ́sí Àwòrán
- Image #1: Photographer Gong Xu, Red Brick Gu Bai, 2025.
Image #2: Photographer Gong Xu, Red Brick Gu Bai, 2025.
Image #3: Photographer Gong Xu, Red Brick Gu Bai, 2025.
Image #4: Photographer Gong Xu, Red Brick Gu Bai, 2025.
Image #5: Photographer Gong Xu, Red Brick Gu Bai, 2025.
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