Myriad Circles Àgbékalẹ̀ Inú Ilé Gbígbé láti ọwọ́ Xishun Tan jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
WúràInú Ilé· 2026
Myriad Circles Àgbékalẹ̀ Inú Ilé Gbígbé
látọ̀wọ́ Xishun Tan
Oníbàárà: Vanke
Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #180277Àpẹrẹ Náà
Nípa Myriad Circles Àgbékalẹ̀ Inú Ilé Gbígbé
Myriad Circles jẹ́ àgbékalẹ̀ inú ilé gbígbé tí a parí ní Sichuan, orílẹ̀-èdè Ṣáínà. Ìtòlẹ́sẹẹsẹ rẹ̀ gba ìmísí láti ibùgbé Linpan ti Ìwọ̀-oòrùn Sichuan àti àwọn ìkọ́lé igi Chuandou ìbílẹ̀ wọn. Iṣẹ́ ìsopọ̀ igi wọ́línọ́ọ̀tì ilẹ̀ Amẹ́ríkà tí a ṣe ní pàtàkì tún ṣàlàyé àwọn ọgbọ́n ìdìmú-pọ̀ àti ìnàró-lọ́fẹ̀ẹ́ ti àwọn ìkọ́lé wọ̀nyí ní ọ̀nà tuntun. Àwọn irin agbára tí a fi pamọ́ sínú iṣẹ́ ìsopọ̀ náà ń gbé ìwúwo àkójọpọ̀ àwọn àwòṣe dúró. A da irin àìlèèpàtà àti gíláàsì pọ̀ mọ́ igi náà. Àwọn ẹ̀yà wọ́línọ́ọ̀tì tí ó dúró ṣinṣin fún inú ilé náà ní ìjìnlẹ̀ àṣà, nígbà tí àwọn ẹ̀yà tí ó lè yí padà jẹ́ kí àyè náà lè sìn fún àwọn ìlò tí ń yí padà.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award
Myriad Circles Àgbékalẹ̀ Inú Ilé Gbígbé jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Myriad Circles Àgbékalẹ̀ Inú Ilé Gbígbé yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Myriad Circles Àgbékalẹ̀ Inú Ilé Gbígbé ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Echoing the structural elegance of "Linpan" architecture in Western Sichuan, China, this design distills traditional "Chuandou" timber systems into a contemporary narrative. Custom walnut joinery abstracts ancient cantilever techniques, creating a sculptural framework for the client’s "Retro-Futurist" collection. The space bridges eras, merging the precision of heritage carpentry with the playful spirit of the digital age to form a deeply personalized, culturally anchored sanctuary.
- Àwọn Àkọlé
- Retro-Futurism, Mid-Century Modern, Linpan Architecture, Residential Interior Design, Collector Workspace, Eclectic Luxury, Custom Joinery, Sichuan Vernacular, Chuandou Structure
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- To resurrect the essence of traditional "Linpan" settlements, we utilized contemporary fabrication techniques. The design synthesizes American Walnut—a nod to vernacular timber—with modern industrial materials like stainless steel and glass. By embedding concealed steel reinforcements within the joinery, we achieved the iconic "Chuandou" interlocking aesthetic without traditional limitations. This application of modern material science allows the ancient architectural form to be reborn within a "Retro-Futurist" context.
- Ìpèníjà Àpèsè
- The primary challenge lay in reconciling the solemnity of vernacular "Linpan" architecture with the vibrancy of a "Retro-Futurist" toy collection. Visually, preventing this eclectic mix from appearing chaotic required rigorous curation to balance historical weight with pop-culture playfulness. Structurally, mimicking the lightweight aesthetic of traditional "Chuandou" cantilevers while supporting heavy die-cast models imposed engineering constraints, necessitating a concealed steel skeleton within the walnut joinery.
- Ìwádìí
- This project is grounded in applied design research that decodes the vernacular "Linpan" settlements of Sichuan. We sought to translate their core principles of community, organic hierarchy, and material authenticity into a contemporary urban residence. Our methodology combined ethnographic field observation, spatial analysis of traditional "Chuandou" timber structures, and material prototyping. We engaged local craftsmen and used 3D scanning alongside digital and physical modeling to test modern interpretations of joinery. A key insight emerged: the "Chuandou" system functions as a "social scaffold," organizing life through a gradient of spaces from public to private. This research directly generated the project's central "permanent-temporary" framework. Its impact is threefold: it provides business value through deep cultural narrative, offers society a model for fostering neighborhood belonging in dense cities, and advances design practice by demonstrating a rigorous methodology for systemic vernacular translation, moving beyond superficial aesthetic reference.
- Ìmísí
- A chance journey through Western Sichuan introduced me to the mesmerizing "Linpan" settlements. This experience deeply resonated with me, and by a stroke of serendipity, I was soon commissioned for this Chengdu residence. Inspired to bring this local spirit indoors, I reinterpreted the region's traditional "Chuandou" timber structures. The design translates these ancient interlocking techniques into modern walnut joinery, grounding the space in its cultural roots.
- Àkókò Iṣẹ́ Àkànṣe
- The project started in April 2024 in China and finished in August 2025 in Sichuan China.
- Ìlànà Ìṣiṣẹ́
- The space guides visitors on a narrative journey, from the symbolic "Tree of Light" entrance into the intimate, wood-clad "Study Box." Interaction is encouraged through integrated zones where children's play is visible to adults, fostering natural community connection. Its strength lies in a "permanent-temporary" framework: the fixed walnut architecture provides cultural depth, while flexible elements allow the space to transform from a sales gallery into an active community hub. This creates not just a functional space, but one that actively builds and sustains relationships.
- Àwọn Ọmọ Ẹgbẹ́
- Design Director：FIONA LIU and Project Director：TIM TAN
- Ìfọwọ́sí Àwòrán
- Photographer：Kong studio
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