2025 Kaohsiung XR Dreamland Àgbékalẹ̀ Ìṣàfihàn láti ọwọ́ Fundesign.tv jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àjọ àti Ìṣẹ̀lẹ̀.
IrinÀjọ· 2026
2025 Kaohsiung XR Dreamland Àgbékalẹ̀ Ìṣàfihàn
látọ̀wọ́ Fundesign.tv
Oníbàárà: Kaohsiung film archive
Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Àjọ
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #180307Àpẹrẹ Náà
Nípa 2025 Kaohsiung XR Dreamland Àgbékalẹ̀ Ìṣàfihàn
2025 Kaohsiung XR Dreamland jẹ́ àgbékalẹ̀ ìṣàfihàn tí a ṣẹ̀dá fún ètò fíìmù ìrírí-jinlẹ̀ ní Kaohsiung, Taiwan. Ìtòlẹ́sẹẹsẹ rẹ̀ gba nǹkan bí ẹgbẹ̀rún kan (1,000) mítà onígun mẹ́rin, ó sì ní àwọn ibùdó ìrírí méjìlélógún (22) tí ọ̀kọ̀ọ̀kan wọn tó láti mítà onígun mẹ́rin mẹ́ta sí méjìlá. Ibùdó kọ̀ọ̀kan ń fa àkóónú fojúkojú ti ètò tirẹ̀ gùn sí ọ̀nà ti ara gidi, nígbà tí àkòrí ọjọ́-iwájú-àti-ìgbà-àtijọ́ tí gbogbo wọn jọ ní ń so àwọn ibùdó náà pọ̀ gẹ́gẹ́ bí àwọn gbọ̀ngàn sinimá ọ̀tọ̀ọ̀tọ̀. Àwọn ìtẹ̀ kọ́nà tí ó rọ̀ dáadáa, akiriliki tí ó dà bí dígí àti àwọn pánẹ́ẹ̀lì LED tí ó hàn kedere ni wọ́n ṣe ẹnu-ọ̀nà tí ń tàn yòò àti ibùdó tíkẹ́ẹ̀tì ti ìgbà àtijọ́. Ipa-ọ̀nà náà ń tọ́ àwọn àlejò lọ díẹ̀díẹ̀ láti ayé gidi sí àwọn ayé fojúkojú.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Irin A' Design Award
2025 Kaohsiung XR Dreamland Àgbékalẹ̀ Ìṣàfihàn jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé 2025 Kaohsiung XR Dreamland Àgbékalẹ̀ Ìṣàfihàn yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún 2025 Kaohsiung XR Dreamland Àgbékalẹ̀ Ìṣàfihàn nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Kaohsiung’s remarkable journey from a heavy-industry port city to Asia’s XR innovation hub is the core inspiration behind XR DREAMLAND. Since 2017, when the Kaohsiung Film Festival launched Taiwan’s first VR program, the city has embraced immersive storytelling with bold vision and passion. At the Pier-2 Art Center, it established the permanent VR FILM LAB, which has grown into one of the largest XR immersive platforms in Asia, shaping Kaohsiung’s cultural identity around creative technology.
- Ìwọ̀n àti Àpò
- Within an approximately 1,000-square-meter space, the exhibition features 22 XR experience booths, ranging from 3 to 12 square meters. Each booth is independently designed by physically extending its specific virtual XR content into the real world. Unified under a central Future Retro theater framework, these varied spatial installations are cohesively presented as individual cinema halls.
- Àwọn Àkọlé
- XR, DREAMLAND, Film Festival, Kaohsiung, Pier 2 Art Zone, VR, MR, AR, fundesign
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The design team employs immersive narrative to bring the Crossborder Reincarnation concept to life. Utilizing a Future Retro aesthetic, the spatial execution contrasts a nostalgic exterior—such as the vintage ticket booth—with avant-garde, high-tech exhibition interiors. By juxtaposing these distinct temporal elements, the architecture functions as a dimensional portal. This curated pacing guides visitors from reality into the XR realm, establishing design as a language of the future.
- Ìpèníjà Àpèsè
- The primary internal challenge was synthesizing diverse cultural perspectives into a unified Future Retro narrative. They addressed this through deep interviews, digital collaboration tools, and frequent meetings, ensuring local creative concepts were respected. Externally, technical hardware constraints were significant. They utilized 16-panel transparent LED arrays to create a ship bridge entrance. This achieved spatial permeability, allowing visitors to glimpse the XR realm while maintaining a high-tech aesthetic that balanced production limitations with immersive design.
- Ìwádìí
- Our research profiled Pier2 visitors and XR enthusiasts to design a seamless transition between realities. They employed trend analysis, benchmarking Tesla’s unique coffee shop for its blend of futuristic aesthetics and functionality. By observing visitor flows and preferences, They identified that a future retro style effectively lowers technological barriers. Results proved this design language invites exploration, turning space into a communal interface. This directly contributed to record-breaking attendance, validating that intuitive design makes complex tech accessible.
- Ìmísí
- Inspired by the concept of Future Vintage, the design reinterprets the romantic futurism of the 1950s to 1970s: streamlined curves, metallic gleam, and cosmic aspirations. From the glowing entrance to the dramatic ticket booth and screening area, nostalgia and avant-garde aesthetics intertwine. Grand light gates, retro sci-fi details, transparent LEDs, and mirrored acrylic create a theatrical atmosphere, while flowing pathways gradually blur the line between physical and virtual realms.
- Àkókò Iṣẹ́ Àkànṣe
- The Kaohsiung film festival xr dreamland exhibition was held at Warehouse P3 of the Pier-2 Art Center in Kaohsiung, Taiwan, from October 10 to October 26, 2025.
- Ìlànà Ìṣiṣẹ́
- To maximize physical presence, the design focused on creating a visually striking entrance and ticket booth. This strategic architectural attraction served as a high-conversion funnel, guiding visitors from curiosity to entry. As the primary touchpoint, the Future Retro facade’s captivating aesthetic drove foot traffic and directly translated visitor engagement into a record-breaking box office performance of over one million dollars, surpassing all previous festival records.
- Àwọn Ọmọ Ẹgbẹ́
- GM: Carrie Chang
Project Director: SK Chen
3D Designer: Peijou Wu
Coordinator: Esther Chen
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