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Living Reef Àgbékalẹ̀ Ìfihàn láti ọwọ́ Daisuke Nagatomo and Minnie Jan

Living Reef Àgbékalẹ̀ Ìfihàn láti ọwọ́ Daisuke Nagatomo and Minnie Jan jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Àlàáfíà Ayé, Iṣẹ́ àti Àpẹẹrẹ Ewéko.


IrinOhun-èlò Àlàáfíà Ayé· 2026

Living Reef Àgbékalẹ̀ Ìfihàn

látọ̀wọ́ Daisuke Nagatomo and Minnie Jan

Oníbàárà: Misosoupdesign

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ohun-èlò Àlàáfíà Ayé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #180506

Àwọ̀

Àpẹrẹ Náà

Nípa Living Reef Àgbékalẹ̀ Ìfihàn

Living Reef jẹ́ ìfihàn gbogbogbò tí ó ṣàfihàn ìwádìí lórí àgbékalẹ̀ tí ó lè dúró pẹ́. Ìfihàn náà ṣàfihàn iṣẹ́ tí a ṣe pẹ̀lú ìtẹ̀wé onígbọ̀nwọ́ mẹ́ta ti Direct Ink Writing àti àwọn ohun èlò tí a lè tún lò, pẹ̀lú slurry tí a tún ṣe, símẹ́ntì tí kò ní carbon púpọ̀ àti amọ̀. Àwọn àpẹẹrẹ amọ̀ kékeré tí a sun àti àwọn ẹ̀yà títẹ̀ ńlá ni a gbé kalẹ̀ sórí àwọn pátákó ìgbékalẹ̀ àti nínú àwọn àpótí tí a bò. Ètò ìgbékalẹ̀ náà tẹ̀lé ọ̀nà tí ó yé ni, láti ìdàgbàsókè èrò àti àwòṣe oní-dígítà dé àwọn ìdánwò ohun èlò, ààlà iṣẹ́ ìkọ́lé àti àwọn àpẹẹrẹ ìkẹyìn. Ète rẹ̀ ni láti ṣàlàyé bí ẹ̀kọ́ àgbékalẹ̀ ṣe lè ṣe àtìlẹ́yìn fún lílo ohun èlò tí a lè tún lò àti ìmúpadàbọ̀sípò àwọn òkìtì coral inú omi.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

Living Reef Àgbékalẹ̀ Ìfihàn jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Living Reef Àgbékalẹ̀ Ìfihàn yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Living Reef Àgbékalẹ̀ Ìfihàn nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
LivingReef Exhibition is a public facing exhibition that documents and displays the outcomes of an international university initiative on sustainable design using Direct Ink Writing DIW 3D printing with circular materials. Instead of presenting only finished objects, the exhibition makes the full research and education workflow visible, from concept development and AI assisted modeling to material trials, fabrication constraints, iteration, and final prototypes.
Ìwọ̀n àti Àpò
The exhibition includes small scale fired clay prototypes and large scale printed components made with recycled materials. Forms emphasize porosity, modularity, and self supporting geometry. Objects are displayed on museum grade plinths and enclosed cabinets. All components are designed for safe transport, installation, and public viewing within a gallery environment.
Àwọn Àkọlé
Sustainable Design, Circular Materials, 3D Printing, Design Education, Coral Restoration, Digital Fabrication, University Collaboration
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
Direct Ink Writing DIW 3D printing, AI assisted 3D modeling, parametric design, digital fabrication, circular materials, recycled C Slurry, low carbon cement, clay based 3D printing, large scale additive manufacturing, sustainable design education
Ìpèníjà Àpèsè
The challenge was to convert a complex research program into an exhibition that is technically accurate, publicly accessible, and visually coherent. Circular materials behave unpredictably during printing, requiring repeated testing and geometry revision. The project also required integrating outcomes from multiple universities into one clear narrative while presenting both successes and failures as part of sustainable design learning.
Ìwádìí
LivingReef is an international research and education initiative exploring sustainable design through DIW 3D printing, circular materials, and AI assisted workflows. The exhibition presents physical outcomes and process documentation from cross university workshops, showing how waste derived materials can be transformed into functional prototypes. The project highlights design education as a driver of circular economy practices and environmental awareness.
Ìmísí
The exhibition is inspired by two parallel needs. First, coral reef systems are fragile and require new restoration approaches that can be locally adaptable. Second, higher education must respond to decarbonization and digital transformation by teaching designers to work with low waste processes and circular resources. LivingReef translates these needs into a tangible public narrative.
Àkókò Iṣẹ́ Àkànṣe
Project duration: 2025
Workshops: Fukuoka Japan and Tainan Taiwan
Exhibition dates: 2025 10 17 to 2025 10 20
Exhibition venue: NTNU Art Museum, Taipei, Taiwan
Ìlànà Ìṣiṣẹ́
The exhibition guides visitors through a clear narrative flow: project background, cross university collaboration, digital modeling, material testing, fabrication challenges, and final outcomes. Interaction is educational and visual, using physical prototypes, process images, and concise labels. Visitors learn how sustainable design evolves through iteration, material limits, and collaboration.
Àwọn Ọmọ Ẹgbẹ́
Shuenn-Ren Liou
Kazuya Saito

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