Trenta Àga Ìsinmi Aláfẹ̀yìntì láti ọwọ́ Ibanez Razzera and Lorenzo Razzera jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.
FàdákàOhun-èlò Ilé· 2026
Trenta Àga Ìsinmi Aláfẹ̀yìntì
látọ̀wọ́ Ibanez Razzera and Lorenzo Razzera
Oníbàárà: Razzera
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #181457Àpẹrẹ Náà
Nípa Trenta Àga Ìsinmi Aláfẹ̀yìntì
Trenta jẹ́ àga ìsinmi aláfẹ̀yìntì tí a lè ṣàtúnṣe ẹ̀yìn rẹ̀. Ẹ̀rọ irin kan ní ẹ̀yìn rẹ̀ ń ṣètò igun ìfẹ̀yìntì mẹ́ta, nítorí náà ìjókòó náà bá ìjíròrò tàbí ìsinmi mu. Wọ́n fi igi Tauri aláwọ̀ tí a mú láti inú iṣẹ́ ìgbìn-igbó-padà ṣe ìpìlẹ̀ rẹ̀, ìkarahun inú rẹ̀ sì ń lo pákó plywood tí ó bá ìrísí ara mu. Wọ́n fi ẹ̀rọ CNC tí ó péye gíga gé àwọn apá onígi rẹ̀, nígbà tí wọ́n fi ọwọ́ ṣe aṣọ awọ ara àdánidá tí ó bò ó. Àwọn apá irin rẹ̀ gba ìbòjú electrostatic. Àwọn ìlà oníkọ̀rọ̀ tí ó tẹ̀síwájú àti àwọn ìyípadà dídán ń fún àga náà ní ìrísí bí ère gbígbẹ́. Àpótí ìtẹ̀sẹ̀ (ottoman) tí ó bá a mu ló parí ẹ̀kúnrẹ́rẹ́ rẹ̀.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Trenta Àga Ìsinmi Aláfẹ̀yìntì jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Trenta Àga Ìsinmi Aláfẹ̀yìntì yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Trenta Àga Ìsinmi Aláfẹ̀yìntì jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The design stands out for its innovative backrest adjustment system, offering three distinct comfort levels via a metallic mechanism on the rear. Its aesthetic is marked by high-complexity wood machining, featuring continuous curved lines and fluid transitions. Reconciling ergonomic excellence with a sculptural form, the chair adapts for both social interaction and deep relaxation, showcasing a sophisticated balance between technology and craftsmanship.
- Ìwọ̀n àti Àpò
- Armchair: Width 790mm x Depth 1040mm x Height 860mm. Ottoman (Puff): Width 620mm x Depth 500mm x Height 370mm. Primary Materials: Tauri Wood, Natural Leather, and Carbon Steel. The design integrates an internal anatomical plywood shell and a stained solid wood base.
- Àwọn Àkọlé
- Armchair, Trenta, Wood, Organic
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The production combines high-precision CNC machining for the wooden components with artisanal upholstery. The base is crafted from reforestation Tauri wood with a stained finish, while the internal structure features anatomical plywood. Metallic parts receive a durable electrostatic coating. This synergy between advanced automation and reforestation wood sourcing ensures structural integrity and environmental responsibility for the high-end market.
- Ìpèníjà Àpèsè
- The main technological challenge was reconciling the organic, fluid lines of the original sketch with the constraints of industrial production. Executing the complex wood machining required significant software optimization and a high degree of technical synergy with the manufacturing chain. Developing the integrated metal adjustment system within a wooden structure also demanded meticulous engineering to maintain structural durability without compromising the sculptural silhouette.
- Ìwádìí
- This applied research bridges artistic sketching with industrial precision to achieve fluid forms and elevate the regional furniture cluster's potential. Using iterative 3D modeling and CNC optimization via CAD/CAM tools, designers worked with machine programmers and Italian consultants. Results include an innovative reclining system and complex joinery, proving that design complexity and reforestation sourcing drive regional technological growth and luxury business value.
- Ìmísí
- The inspiration stems from the desire to transform wood into a fluid language, where sinuous curves challenge the boundary between creative manual sketches and precision engineering. This project invites the viewer to explore its tridimensional details, offering a sensory journey through natural materials and high-end manufacturing.
- Àkókò Iṣẹ́ Àkànṣe
- The armchair was developed in 2021 (or late 2020) as part of a commemorative collection in Brazil.
It was officially launched on the market in early 2022. It was one of the highlights at ABIMAD'33 (Brazilian Furniture and High Decoration Accessories Fair), which took place between February 1st and 4th, 2022, in São Paulo. - Ìlànà Ìṣiṣẹ́
- The user interacts with the piece through a manual adjustment system located on the backrest. By operating the metallic mechanism, the chair reclines into three specific comfort angles. This feature allows for a personalized experience, transforming the object from a standard armchair into a lounging piece. The transition is smooth and intuitive, emphasizing user-centric design and functional versatility.
- Àwọn Ọmọ Ẹgbẹ́
- Ibanez Razzera
Lorenzo Razzera - Ìfọwọ́sí Àwòrán
- Photographer Roberto Majola, Main image, 2022
Photographer Roberto Majola, Optional Image #1, 2022
Photographer Roberto Majola, Optional Image #2, 2022
Photographer Roberto Majola, Optional Image #3, 2022
Photographer Roberto Majola, Optional Image #4, 2022
Video Credits Roberto Majola, 2022
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