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Balanco Ijoko Sofa láti ọwọ́ Daniel Coutinho

Balanco Ijoko Sofa láti ọwọ́ Daniel Coutinho jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.


FàdákàOhun-èlò Ilé· 2026

Balanco Ijoko Sofa

látọ̀wọ́ Daniel Coutinho

Oníbàárà: Daniel Coutinho Estudio

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé

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Àwọ̀

Àpẹrẹ Náà

Nípa Balanco Ijoko Sofa

Balanco jẹ́ sofa alápapọ̀ tí a ṣe àgbékalẹ̀ rẹ̀ fún inú ilé ìgbàlódé. Orúkọ náà ń tọ́ka sí cantilever, ìlànà ìkọ́lé tí a lò láti dín ìwúwo tí ojú rí ti ohun èlò náà kù. Balanco ṣe àpapọ̀ ìsàlẹ̀ aláṣọ tí ó rọ̀ sókè, ẹ̀yìn ìjókòó igi líle àti tábìlì ẹ̀gbẹ́ òkúta àdánidá tí a so mọ́ ọn lórí atìlẹ́yìn irin. A dín àwọn ibi ìtìlẹ́yìn tí ojú lè rí kù gan-an, nítorí náà ìwọ̀n ńlá náà dàbí èyí tí ó fúyẹ́. Igi líle, idẹ, òkúta, aṣọ línẹ́nì, awọ àti aṣọ fẹ́lífẹ́tì dá ìyàtọ̀ sílẹ̀ láàárín kíki ohun èlò àti ìfúyẹ́ ojú. Gígùn rẹ̀ lápapọ̀ jẹ́ mílímítà 3500.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Balanco Ijoko Sofa jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Balanco Ijoko Sofa yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Balanco Ijoko Sofa jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
The structure was conceived to minimize visible support points, reducing the perception of weight in a large-scale piece. The contrast between dense materials and the resulting formal lightness establishes a distinctive structural language. The intentional misalignment reinforces its identity, while the cantilevered side table, supported by a metal base, enhances the sense of suspension and lightness.
Ìwọ̀n àti Àpò
Modular system composed of a suspended upholstered base, structural solid wood backrest, and integrated natural stone side table with metal support.
Total length: 3500mm Depth: 920mm Seat height: 430mm Total height: 665mm Side table: Total length 700mm:Depth: 700mm
Àwọn Àkọlé
structural lightness, contemporary furniture, Brazilian design, modular sofa, noble materials, structural cantilever, sophistication, authorial design, material contrast, elegance
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
The structure was designed with strategic load distribution and visually minimized support points, allowing the suspension effect while maintaining structural integrity. The upholstery uses multi-density foams and coverings in linen, leather, and velvet, applied using advanced upholstery techniques. The combination of structural engineering and construction precision transforms high-density materials into a visually light and continuous expression.
Ìpèníjà Àpèsè
The challenge was to transform a large-scale piece into a visually lightweight volume, requiring structural refi nement, iterative prototyping, and precise control of proportions and materials. The result demonstrates how engineering and design work together to redefi ne structural perception in contemporary furniture.
Ìwádìí
Applied research in furniture design focused on the relationship between structure, materiality, and visual perception. The objective was to investigate how structural cantilever and material combinations could reduce the perceived weight of upholstered pieces. The methodology included formal analysis, material experimentation, 3D modeling, and prototyping. The results show that balancing structure and materials redefi nes visual perception, contributing to new approaches in contemporary design.
Ìmísí
Architectural and structural references guided the development of a solution that explores visual suspension as a design language. Throughout the process, the investigation of the interaction between solid wood, brass, stone, linen, leather, and velvet guided the search for material balance, where the contrast between physical density and visual lightness defi nes the expression and identity of the piece.
Àkókò Iṣẹ́ Àkànṣe
The project was developed over two months at the brand’s studio in Sao Paulo, Brazil. The process involved conceptual investigation, structural development, and material experimentation, focusing on the integration of visual lightness, stability, and balance between different materials, resulting in a solution that combines technical rigor and contemporary expression.
Ìlànà Ìṣiṣẹ́
The sofa integrates the seat and side table into a continuous composition, where the cantilevered element expands its functionality without compromising visual lightness. The structure was conceived to reduce the perception of weight, creating a sense of suspension. Unlike conventional solutions, the solid wood backrest is treated as an essential part of the design, allowing the piece to be freely positioned and appreciated from all angles within the space.
Ìfọwọ́sí Àwòrán
Image 1: photographer: Fernando Crescente Fotografia, Balanco, 2026, Image 2: photographer: Fernando Crescente Fotografia, Balanco, 2026, Image 3: photographer: Fernando Crescente Fotografia, Balanco, 2026, Image 4: photographer: Fernando Crescente Fotografia, Balanco, 2026.
Video: Fernando Crescente Fotografia, Balanco, 2026.

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