Great Blue Hole Ẹ̀gbà Ọrùn láti ọwọ́ Jung Ki Min

Great Blue Hole Ẹ̀gbà Ọrùn láti ọwọ́ Jung Ki Min jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun Ọ̀ṣọ́ Ara.

IdẹOhun Ọ̀ṣọ́ Ara· 2026

Great Blue Hole Ẹ̀gbà Ọrùn

látọ̀wọ́ Jung Ki Min

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ohun Ọ̀ṣọ́ Ara

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #182523

Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Great Blue Hole Ẹ̀gbà Ọrùn

Great Blue Hole jẹ́ ẹ̀gbà ọrùn tí a rí ìmísí rẹ̀ láti inú kòtò ńlá abẹ́ omi òkun tí ó ní orúkọ kan náà ní orílẹ̀-èdè Belize. Àgbékalẹ̀ ẹ̀dá yìí yí ìran àdánidá ńlá padà sí ère aláwòrán tí a lè wọ̀. Àwọn ẹ̀yà irin tí a to lọ́wọ̀ọ̀wọ́ ni a gbé sókè lórí àwọn okun waya tí gígùn wọn yàtọ̀ síra láti ṣẹ̀dá ìwọ̀n onípele àti ìjìnlẹ̀. Rírẹ́ pẹ̀lú ayùn, dídà, ṣíṣe ẹnamẹ́lì, gbígbé òkúta iyebíye sínú irin, fífín àti gbígbé àwòrán jáde lára irin ni a lò láti kọ́ àwọn ìrísí àti àwọn ìlẹ̀mọ́lẹ̀ orí rẹ̀. Ẹ̀gbà ọrùn náà jẹ́ mílímítà 130 ní ìbú, mílímítà 15 ní ìjìnlẹ̀ àti mílímítà 75 ní gíga, pẹ̀lú okùn péálì tí ó jẹ́ mílímítà 450. Ìṣíṣẹ́ ara máa ń yí ìmọ́lẹ̀ ká lórí àwọn ìpele náà.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Great Blue Hole Ẹ̀gbà Ọrùn jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Great Blue Hole Ẹ̀gbà Ọrùn yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Great Blue Hole Ẹ̀gbà Ọrùn ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: This piece reinterprets a monumental marine formation as a wearable sculptural structure through layered metal construction and dimensional assembly. Its distinction lies in translating vast geological space into an intimate bodily dimension, where organic irregularity is balanced with controlled craftsmanship to create a tactile landscape experience.
Ìwọ̀n àti Àpò: Width 130 mm x Depth 15 mm x Height 75 mm
Pearl string length 450 mm
Àwọn Àkọlé: silver, necklace, jewelry, natural
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: This work involved selecting materials corresponding to the site's visual and spatial characteristics and conducting extensive texture studies. Test pieces were produced to experiment with varied surface treatments and forms. To achieve the desired atmosphere within a limited scale, appropriate techniques were carefully selected. In addition to piecing and sawing, casting, enameling, stone setting, chasing, and repousse were employed. Components were elevated using wires of varying lengths to create dimensional volume and layered depth.
Ìpèníjà Àpèsè: The primary challenge was developing a structural system capable of integrating diverse elements into a cohesive form. To achieve the intended atmosphere, careful planning was required for stone placement, setting techniques, and layering. Establishing the correct order of fabrication was critical. Through extensive trial and error, I refined the composition so that each element could coexist harmoniously while retaining its individual presence.
Ìwádìí: This project represents a research process aimed at translating distinctive natural landscapes and geological formations into the form of jewelry. Through the harmonious arrangement of diverse materials and techniques, I experimented to determine the optimal color relationships, proportions, and structural balance that could effectively convey the site's atmosphere and defining characteristics. The research also explored multiple approaches to articulating organic forms within a controlled metal framework, seeking methods to express natural irregularity with clarity and precision.
Ìmísí: Inspired by the Great Blue Hole in Belize, I was drawn to its ultramarine depth and the diverse ecosystems surrounding it. Through visual research and material experimentation, I sought not only to extract its visual characteristics but also to convey the site's atmosphere and sense of mystery. By combining various materials and metalworking techniques, I harmoniously translated a distant, life filled marine environment into an intimate wearable scale.
Àkókò Iṣẹ́ Àkànṣe: The project started in August 2018 in New York, USA, and was completed in May 2019.
Ìlànà Ìṣiṣẹ́: Due to its layered colors and condensed elements, the piece offers tactile detail and visual richness to both wearer and viewer. As the body moves, shifting light and depth create subtle variations in perception, inviting closer observation. By bringing a distant landscape into intimate proximity, the work provides a subtle sense of refreshment.
Ìfọwọ́sí Àwòrán: Image #1: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #2: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #3: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #4: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #5: Photographer Jung Ki Min, Great Blue Hole, 2019.