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Wave Table láti ọwọ́ Attila Stromajer

Wave Table láti ọwọ́ Attila Stromajer jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2017 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.


WúràOhun-èlò Ilé· 2017

Wave Table

látọ̀wọ́ Attila Stromajer

Oníbàárà: Stroo Design, Attila Stromajer

Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé

36,104

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #50937

Àpẹrẹ Náà

Nípa Wave Table

Wave is a coffee table made of ash wood. It combines opposites in many ways. The shape of the table resembles the stairs of the pyramids and the form of waves. So, it displays man-made and natural forms at the same time. The softness of the wave counterparts the angularity of the structure. Beside being a static object, it also gives the impression of dynamic motion by the fan-like rotation of the parts. Wave provides a new visual sight from every angle. By this it symbolizes the variety of nature. Wave does not contain any fittings or stiffeners. It holds itself.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award

Wave Table jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Wave Table yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Wave Table ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
The shape of the table resembles the stairs of the pyramids or the form of waves. Beside being a static object, it also gives us the impression of dynamic motion by the fan-like rotation of the parts. It provides a new visual experience from every different angle. Another unique attribute of the piece is that it does not contain any fittings or stiffenings. It holds itself. It unites angularity and softness. The sights of this table is different from every pespective symbolize varied of nature.
Ìwọ̀n àti Àpò
Size: Width 1500 mm x Depth 780 mm x Height 360 mm
Àwọn Àkọlé
Wave, stairs, pyramids, table, airiness, dynamism, rotation, stability, natural
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
The table was made of ash wood. Natural colour varnish was applied on the surface. The wooden structure and the large tempered glass top meet only on a thin surface. It was made without the use of any fittings or stiffenings. The structure holds itself. It gives stability and at the same time strengthens its lightness and airiness. The bright natural colouring gives the structure lightness, which balances the stability and rigidness of the angular forms.
Ìpèníjà Àpèsè
Only two materials, wood and glass are used. To create an airy and natural effect we had to avoid using any supporters or mounts. Finding the precise joining points and the object’s fulcrum was also challenging. Besides, we had to find the ideal size and place the glass top exactly horizontally. We needed to find the balance between the angular shapes and the lightness of the object to reach its harmony.
Ìwádìí
I have done some research in modular, modularity design and paper (pop) up, paper folding techniques. As for design techniques I've tried to experiment a lot with modularity in design technique and read many articles about it. I tried to use smaller parts, modules or skids to create a more multiple and novel object. I experimented with many shapes and sizes of simple moduls, units and then I multiplied and rotated them in several ways. I always experimented with the paper folding techniques in asimilar way.
Ìmísí
I was inspired by the architecture of pyramid stairs and the movement of the waves. I wanted to create interesting and original 3D structures by using simple geometric forms. I multiplied and then rotated the frames. My objective was to build a static object in which the steps of transformation can be traced so that it incorporates and expresses the dynamism of change. I was also inspired by organic principles that can be static and dynamic at the same time, like water.
Àkókò Iṣẹ́ Àkànṣe
The project started in February 2016 in Budapest and finished in September 2016 in Budapest.
Ìlànà Ìṣiṣẹ́
This is a table around which people can gather and enjoy themselves while appreciating the sight of it. You can put all sorts of objects on or in it, e.g. magazines, newspapers, cups, glasses, etc. I think what particularly distinguishes this table from other tables is the intresting, suprising perspective, the technical solutions, background work, process of the design, the quality of the ash wood and the execution.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
Patent, copyright No.
Àwọn Ọmọ Ẹgbẹ́
Designer: Attila Stromajer
Joiner, constructor: Miklós Sárácz
Asistant, coordinator, adviser: Melinda Kalcsó
Ìfọwọ́sí Àwòrán
All images: Photographer Marcell Mizik, Norbert Szilas, Wave, 2016.

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