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Absolute Nature Ìṣàpẹẹrẹ Abẹ́lé ti Ilé Ìgbé láti ọwọ́ Li Hsu Tsai

Absolute Nature Ìṣàpẹẹrẹ Abẹ́lé ti Ilé Ìgbé láti ọwọ́ Li Hsu Tsai jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.


IdẹInú Ilé· 2020

Absolute Nature Ìṣàpẹẹrẹ Abẹ́lé ti Ilé Ìgbé

látọ̀wọ́ Li Hsu Tsai

Oníbàárà: Tsong Yo Interior Design

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #88794

Àwọ̀

Àpẹrẹ Náà

Nípa Absolute Nature Ìṣàpẹẹrẹ Abẹ́lé ti Ilé Ìgbé

Absolute Nature jẹ́ ìṣàpẹẹrẹ abẹ́lé ilé fún ilé àwọn ilẹ̀kẹrin ní Ìlú Pingtung, Taiwan. Gbogbo àyè náà jẹ́ mítà 245 níwọ̀n, tí ó ní àgbàlá ọgbà ìta nínú. Àpẹẹrẹ yìí ti mú ìmísí láti orí ilé òkúta ìbílẹ̀ àti láti iṣẹ́ ọnà àti iṣẹ́ ọwọ́ àwọn ọmọ ìbílẹ̀ agbègbè náà. Àwọn fèrèsé kékeré ìpilẹ̀ṣẹ̀ ni a fi ògiri gíláàsì rọ́pò, a sì fi ojú-ọ̀run gíláàsì àti òrùlé gíga kún un. A wó àtẹ̀gùn àárín gbùngbùn tí a sì tún un kọ́ gẹ́gẹ́ bí àtẹ̀gùn ọ̀nà-kan ní ìpẹ̀kun ilé náà láti ṣẹ̀dá ìtòlẹ́sẹẹsẹ tí ó ṣí sílẹ̀. Símẹ́ntì, gíláàsì, igi tí omi ń gbé kiri, àwọn àpáta àti igi àtúnlò ni a lò.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Absolute Nature Ìṣàpẹẹrẹ Abẹ́lé ti Ilé Ìgbé jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Absolute Nature Ìṣàpẹẹrẹ Abẹ́lé ti Ilé Ìgbé yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Absolute Nature Ìṣàpẹẹrẹ Abẹ́lé ti Ilé Ìgbé ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
The project restores its original beauty, at the same time incorporate recyclable materials to reduce waste and save energy. Open plan layout introduces natural lighting and ventilation, complimented with garden pool landscaping and greeneries to resemble immortality. A wide variety of handicrafts is utilized to reactivate the space and act as a presentation of life style. The project tends to integrate natural ecology with arts and humanities while promoting a healthy lifestyle environment.
Ìwọ̀n àti Àpò
It is a four-story building with a total area of 245 square meters including the outdoor garden. The interior spaces are mainly comprised of living room, dining room and kitchen on the first floor, reading area and multi-purpose room on the second floor, studio and lounge with storeroom on the third floor, and bedroom, washroom, steam room, etc. on the fourth floor.
Àwọn Àkọlé
Reformation of old building, aboriginal arts, natural habitat, sustainable design, residential design
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
Cement, Glass, driftwood, Terracotta tiles, Ceramic Tiles, Metal pieces, Wood crafts
Ìpèníjà Àpèsè
The casting of the cement walls is a major challenge during the construction process. As the overall space has to maintain the original appearance of the cement mortar, the casting needs to be completed in very limited time and parts of the wall surface that contain totem design with lines and uneven corners have all increased the difficulty of the application.
Ìwádìí
The facade of the old building is covered with traditional, non porous iron gates and iron windows. Openings on both the front and rear sides of the building are increase ventilation, while introducing greeneries to regulate microclimate. The reconstruction and design have revolved around the existing building structures which reflect local culture and respond to the surrounding context. The use of raw materials for decorations and recycled waste timber made furniture revitalize the old space.
Ìmísí
The site is situated in Hengchun Peninsula in Southern Taiwan which is rich in verdant scenery and aboriginal settlement. Since the client is involved in the creation of aboriginal arts and crafts, the initial concept of the spatial characters is hence inspired by the stone slab house and the ecological characteristic, utilized sustainable materials and construction methods to sustain the architecture, while integrating aboriginal cultures and arts elements into the design.
Àkókò Iṣẹ́ Àkànṣe
The project is completed in June, 2018 in Pingtung City, Taiwan.
Ìlànà Ìṣiṣẹ́
The original windows are too small, and the stairs located in the center of the house leads to poor internal ventilation and insufficient natural lighting. After the transformation, the original windows are replaced with glass walls and high-ceiling design and skylights are introduced. The interior staircase that obstructed the spatial connections and circulations is removed and replaced with a more porous, single stringer staircase at the end of the building to allow an open, unobstructed internal layout.
Àwọn Ọmọ Ẹgbẹ́
Designer: Tsai Li Hsu
Designer: Lin Cheng Chuan
Ìfọwọ́sí Àwòrán
image #1 : Mei De Advertisement Design Photography, 2019
image #2 : Mei De Advertisement Design Photography, 2019
image #3 : Mei De Advertisement Design Photography, 2019
image #4 : Mei De Advertisement Design Photography, 2019
image #5 : Mei De Advertisement Design Photography, 2019

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