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Floating Light Àkọ́kọ́ Iṣẹ́: Àpẹẹrẹ Inú Ilé Ibùgbé láti ọwọ́ George PC Kao

Floating Light Àkọ́kọ́ Iṣẹ́: Àpẹẹrẹ Inú Ilé Ibùgbé láti ọwọ́ George PC Kao jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.


FàdákàInú Ilé· 2020

Floating Light Àkọ́kọ́ Iṣẹ́: Àpẹẹrẹ Inú Ilé Ibùgbé

látọ̀wọ́ George PC Kao

Oníbàárà: ACG Design International

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Inú Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #92848

Àwọ̀

Àpẹrẹ Náà

Nípa Floating Light Àkọ́kọ́ Iṣẹ́: Àpẹẹrẹ Inú Ilé Ibùgbé

Floating Light jẹ́ àpẹẹrẹ inú ilé ibùgbé kan tí ó wà ní ilé alájà mẹ́rin kan ní Ìlú Taichung, Taiwan. A parí ilé ibùgbé náà ní oṣù Kẹfà ọdún 2019. Àtrium kan mú ìmọ́lẹ̀ àdánidá wọ inú àyè tí ó dúró ṣánṣán, ó sì tọ́ ìṣàn ìrìnàjò láàrin àwọn ipele. Àwọn ògiri tí a ṣe pẹ̀lú kìkì àwọ̀ tí ó jẹ́ ti òkúta ń fi àwọn àpẹẹrẹ ìmọ́lẹ̀ àti òjìji tí ń yí padà han jákèjádò ọjọ́. Òkúta àdánidá, mábù, awọ igi àti irin tí a fi àwọ̀ kùn ń dá ìsà tí ó rọrùn tí ó sì ń tún ara rẹ̀ ṣe. Ìtòlẹ́sẹẹ̀sẹ náà ń dá agbègbè àjọpín kan tí ìdílé lè kójọ tí wọ́n sì lè bára wọn sọ̀rọ̀.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Floating Light Àkọ́kọ́ Iṣẹ́: Àpẹẹrẹ Inú Ilé Ibùgbé jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Floating Light Àkọ́kọ́ Iṣẹ́: Àpẹẹrẹ Inú Ilé Ibùgbé yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Floating Light Àkọ́kọ́ Iṣẹ́: Àpẹẹrẹ Inú Ilé Ibùgbé jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
Under the shuttling light, shadow and line work, an avantgarde design vocabulary were adopted to create strong contrast with materials while creating visual harmony under conflicting perception, in wholistically conveying the time and space concepts of the designers. As the designers adopted light and shadow for the ongoing narrative of each space, minimal, rational, geometric, linear and the original material texture are the core visual focus for a design theme of a connecting Floating Light.
Ìwọ̀n àti Àpò
With a predominant usage of mineral paint as the compositional base for the overall interior, a simple repetitive spatial texture created a visual rhythm. So apart from light and shadow, another inspiration from the classic game of Snake, time was brought into the spatial configuration as another ongoing connection and continuation, as it traverses freely in the interior in providing sufficient and free-willed lighting whilst providing a guide of spatiality and subtle demarcation.
Àwọn Àkọlé
Atrium, Marble, Painted Metalwork, Imported Italian Tiles, Ultra Scratchproof Flooring, Special Glass, Imported Special Paints, Stucco, Genuine Timber Veneer
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
As this residence is situated in a 15-year-old four-story residential building in Taichung City, it added diffuculty to the vertical spatial demarcation, circulation and light guidance. Large use of imported natural masonry materials and mineral paints became the creative foundation of the interior, as the unprocessed materiality conveyed a simple, repetitive yet rythmic spatial quality of a pure and enriched internal experiences, realized by natural elements and design techniques.
Ìpèníjà Àpèsè
Having spent 2 to 3 months in communicating with the client on concepts and requirements, on top of on-site research and evaluations in search of other possibilities, the design team has synergized the actual functions and inner sentiments in realizing them through natural elements and design techniques. During the construction process, whenever there were 2 or more materials coming into a junction, with essential consideration of chromatic fluidity, and understanding of materials.
Ìwádìí
While the Floating Light design was being developed, the original daytime light of the sky was also preserved. The design team transformed the exquisite pond, no matter how minute compared to the external world, in reflecting the light and cloud in the sky with glamor and energy which was translated to a transcending sense of extension within a limited interior area.
Ìmísí
Having originated from the many-year friendship with, and understanding of, the client, the design was to create a domain for the family to congregate and interact, given the long duration of absence of the client from the family, while solidifying the fatherly presence of the client for the children, inspired by the work of a famous poet, X. Sung, of Sung Dynasty, where the design speaks of the eternal loving bond between the father and the children.
Àkókò Iṣẹ́ Àkànṣe
The project was finished in June, 2019 in Taichung City, Taiwan.
Ìlànà Ìṣiṣẹ́
With the atrium design that brings in ample natural light in forming dramatic changes at different times, such as light and shadow patterns formed on walls treated with mineral paint, much like a naturally-formed flowing textured pattern which re-defined lighting design by seemingly consolidating all large volumes such as sofa and staircase that lightened the previously heavy and conventional spatial ideology by creating a light touch of spatial ambiance and visual tension.
Àwọn Ọmọ Ẹgbẹ́
George PC Kao
Hsin I Lin
Ìfọwọ́sí Àwòrán
Squid Image Studio

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