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Where The Root Is Iṣẹ́ Àpẹrẹ Inú Ọ́fíìsì láti ọwọ́ Carlie Ling - K.D Hsu

Where The Root Is Iṣẹ́ Àpẹrẹ Inú Ọ́fíìsì láti ọwọ́ Carlie Ling - K.D Hsu jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.


FàdákàInú Ilé· 2020

Where The Root Is Iṣẹ́ Àpẹrẹ Inú Ọ́fíìsì

látọ̀wọ́ Carlie Ling - K.D Hsu

Oníbàárà: Design Onboard

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Inú Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #92875

Àwọ̀

Àpẹrẹ Náà

Nípa Where The Root Is Iṣẹ́ Àpẹrẹ Inú Ọ́fíìsì

Ibi Tí Gbòǹgbò Wà jẹ́ àpẹrẹ inú ọ́fíìsì tí ó wà nínú ilé àtijọ́ kan ní àárín ìlú Shanghai. Gbòǹgbò igi ni ó jẹ́ ọkàn èròǹgbà àpẹrẹ náà. Àwọn ìlà igi walnut dúdú kọjá orí àjà tí ó tẹ́jú láti ṣàfihàn àwọn gbòǹgbò tí ó kún ara wọn. Ilẹ̀ igi tí ó ní àwòrán àti àwọn ìdìí ọ̀nà igi ṣàmì sí ìrìn kiri àti lílò, nígbà tí àwọn ìdìí ọ̀nà tí ó ṣí sílẹ̀ ń jẹ́ kí ìmọ́lẹ̀ àti afẹ́fẹ́ kọjá. Agbègbè ìkíni tíì kí àwọn àlejò àti alábàáṣiṣẹ́pọ̀ ọ̀mọ̀ràn. Kápẹ́ẹ̀tì aláwọ̀ eérú àti aṣọ owú tí ó bo ògiri fún agbègbè iṣẹ́ ní ohùn ìdákẹ́jẹ́ẹ́, wọ́n sì yà ọ́fíìsì olùdarí sọ́tọ̀ láti rí i dájú pé ìkọ̀kọ̀ wà.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Where The Root Is Iṣẹ́ Àpẹrẹ Inú Ọ́fíìsì jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Where The Root Is Iṣẹ́ Àpẹrẹ Inú Ọ́fíìsì yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Where The Root Is Iṣẹ́ Àpẹrẹ Inú Ọ́fíìsì jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
The client of this project is a high-achieving young entrepreneur with great strategic view from Shanghai. He Choose the HsingKuo Building, in the center of Shanghai City, to be the location of the headquarter, situated in a historic building imbued with dark walnut-texture design vocabulary so that all guests and employees can be greeted with a traditional Chinese tea-style reception, so that all professional partners can have a relaxing tea-tasting space for interaction.
Ìwọ̀n àti Àpò
The interior was planned to accommodate guest reception and office usage, with the open-plan layout for the interactive domain when visitors arrived, as the aroma of quality tea inundated the interior made of widely-used walnut texture and color, as well on screens styled based on classic Chinese window lattices while the transparency afforded by the screen providing good ventilation and light penetration.
Àwọn Àkọlé
Chinese Tea Art, Office, Wooden Screen,Walnut Timber,Grey Color, High-Tech Woven Fabric
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
With Circular Sky and Square Earth as the design core which borrowed from the ancient Chinese concept of Round Sky as Roof over the Grid of Earth, the flat ceiling intersected with timber line work to manifest the interwoven roots of Trees, an enriched image of premium spatial quality, while patterned timber flooring and wooden grille screen outline circulation and usage demarcation in a subtle yet connective fashion.
Ìpèníjà Àpèsè
With such old building in Shanghai, the lack of ceiling height, and of column interval, the design featured lightweight ceiling work and darkened walnut flooring so as to connect with repetitive storage volumes that extends the overall spatial-visual, while the timber grille screen brings transparency and layered quality from different angles, as the open and flexible screen also skillfully divided yet casually connected each sub-spaces.
Ìwádìí
Around the project site, there are many old trees with winding branches and roots framed by black metal window frames, as the exterior greenery was brought into the interior, permeating through glass partitions before forming an array of layered visuals of light, shadow, and trees. As much the interior was given a consistent warmth, it has also become a space for gathering and consolidation via interaction, epitomized by the interwoven eastern ambiance with western simple line work.
Ìmísí
With the unique urban qualities of Shanghai that epitomizes the intersection of East and West, this project is located in a residential building of western-influenced exterior and the old Shanghai-styling interior, a unique elegance in itself. The design team utilized the Root as the core design concept, and dark walnut-texture symbolizing Trees and its steadiness, all of which articulated the stern quality the corporation represents.
Àkókò Iṣẹ́ Àkànṣe
The project was completed in May 2019 in Shanghai.
Ìlànà Ìṣiṣẹ́
As the office was treated with grey-color carpet and wool wall carpet for a pure and elegant office ambiance, the office of the supervisor was well concealed and separated from the other open spaces, along with its own tea-tasting room furniture by humble chairs and wooden tables from Ming Dynasty, to ensure privacy, while the back of the room was treated with grey tiles covered by high-tech woven fabric, reminiscence of the traditional Chinese wisdom re-interpreted with modern design vocabulary.
Àwọn Ọmọ Ẹgbẹ́
Kai Ning Ling
Kai Ti Hsu
Ìfọwọ́sí Àwòrán
Kai-Ti Hsu
Zhao Wu
(2019)

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