Golden City Iṣẹ́ Ọnà Fífi Sori Ilẹ̀ láti ọwọ́ Arlene Sun jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ọnà Dídára àti Iṣẹ́ Ọnà Ìgbékalẹ̀.
IrinIṣẹ́ Ọnà Dídára· 2020
Golden City Iṣẹ́ Ọnà Fífi Sori Ilẹ̀
látọ̀wọ́ Arlene Sun
Oníbàárà: Spdl Design Lab
Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Iṣẹ́ Ọnà Dídára
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #96191Àpẹrẹ Náà
Nípa Golden City Iṣẹ́ Ọnà Fífi Sori Ilẹ̀
Golden City jẹ́ iṣẹ́ ọnà fífi sori ilẹ̀ tí a fi onírúurú ohun èlò ṣe, tí a dá láti inú àwọn ẹ̀yà kọ̀mpútà tí a ti ju nù. Iṣẹ́ náà ní ìwọ̀n ìnṣì mọ́kàndínlọ́gbọ̀n (30) sí ọgbọ̀n (30), ó sì so àwòrán akrílíìkì àbùmọ́ka lórí kánfáàsì pọ̀ mọ́ àkójọpọ̀ ìdọ̀tí ẹ̀rọ ẹ̀rọ-ìtanná, àwọn ìbora onífúró wúrà, ìmọ́lẹ̀, àti ẹ̀rọ ìdarí Arduino. A kó àwọn ẹ̀yà tí ó ti bàjẹ́ jọ láti orí àkójọpọ̀ ìdọ̀tí, a sì gbé wọn sí ipò tuntun dípò kí a tún wọn ṣe. Àwọn ojú-orí wúrà náà fún àwọn ẹ̀yà náà ní ẹ̀mí kejì, wọ́n sì sọ wọ́n di ohun àfiyèsí. Ìlépa iṣẹ́ náà ni láti gbé ìmọ̀ ga nípa ìdọ̀tí ẹ̀rọ-ìtanná àti láti bi ìbéèrè nípa bí a ṣe ń fi iye lé àwọn nǹkan.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Irin A' Design Award
Golden City Iṣẹ́ Ọnà Fífi Sori Ilẹ̀ jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Golden City Iṣẹ́ Ọnà Fífi Sori Ilẹ̀ yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Golden City Iṣẹ́ Ọnà Fífi Sori Ilẹ̀ nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- When new technology comes out we purchase the new and discard the old. What is the the value of those discarded technologies? Is it garbage? And should be buried in the landfill. Or does it still have value ? What is the environmental cost of land-filling those devices? These question inspired me to create Golden City with used land-filled computer parts. I want ignite people's environmental consciousness by given a new life to those discarded parts. The Golden Life.
- Ìwọ̀n àti Àpò
- Abstract acrylic and mixed media on canvas 30'' × 30''
- Àwọn Àkọlé
- Abstract Acrylic, Mixed Media, Installation Art, Exhibition, Sustainable Design, Electronic Wastes, Green Design, Golden City
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Acrylic, Electronic Waste, Metallic Coatings, Arduino, Lighting
- Ìpèníjà Àpèsè
- How can I use it to catch up all the attention from my audience? Is the project unique, creative and imaginative? Does it offer a new and ground-breaking value proposition in the social impact sector?
- Ìwádìí
- In this era of digitally, filled with virtual objects and digital models, we still hold the old commitment to things. This commitment is reflected in, for example, our preference for materializing concepts – whether it is an abstract theory, a comic character, or a digital image, we want to turn the abstract doctrine into a metal breast-pin on the chest, materializing the comic character into a doll, printing digital images into files or photos. In any case, we hope that we can turn non-objects into objects - those that can be grasped with and touchable by our hands. We believe that only the objected things are real - after all, from various aspects, we are also things – in one way or another, our attachments and detachments toward each other and the world will end up with things. Thus comes our pathological roots of fetishism.
In a world of things, people have long believed that the shape of things has a deeper meaning. This conviction gave birth to the so-called Metaphysics – just as in the long Neolithic era, people once had a superstitious obsession with the metal buried in the ground: people treated metal as another form of human being, and excavating them from the ground would interrupt the process of cocooning in the earth. A vast body of knowledge is built upon this belief - Alchemy. The alchemists' mission is not to extract gold from the metal, but to eventually combine the metal with the flesh, and to achieving the final refinement of Philosopher's Stone—the object that allows everything freely transforming its form through it.
Would art be the Philosopher’s Stone? Or would our computers and smartphones be? While there seems to be no conclusive answer for this pursuit, every device around us is transforming the form of some things in its way. This pursuit has expanded into a series of questions under the hands of the artist Arlene Sun: How to turn a panel painting into a sculpture- into a devise that phonate – into a device that interacts – into a device that acts. As she chooses to scavenge the damaged electronic components from the waste pile, these 'problematic' electronic components were fixed in her hands, not by repairing but shifting into a different context than they used to be located. The devices are transformed from e-wastes into vital parts of works. The value of these devices has grown a thousand folds simply because of relocating into a different context – isn't this a way of forging gold from metal?
At this moment, these electronic components are framed into the frame, turning into the target of our vision in this space. Their another layer of meaning has been excavated in such away. Doesn't our own meaning usually come from the things around us? When we talk about meaning, don’t things always be the strongest bonds between us and our destiny? So What is our commitment to things? What do we mean when we intervene the fate of things? Who is the strong definer of whose fate? Is there a deep oriental gesture embedded in this cherished of things? Artist Arlene Sun responds to these questions via the works exhibiting here. - Ìmísí
- How to understand Value? I thought the value generate only when you care about it. The thought related me to started to think about the Value between technology and ecology. Nowadays, AI already into our life everywhere, but we still need to evoke much more attentions on solution of the environment. In the future the smart life is not just wear a VR glasses to escape from the reality. We are not able to live in a virtual world with environmental pollution, electronic wastes, abandoned resource.How do we determine value?
- Àkókò Iṣẹ́ Àkànṣe
- The project started in December 2017 in New York and finished in April 2019 in New York, and was exhibited in Novado Gallery in April-May 2019.
- Ìlànà Ìṣiṣẹ́
- Curator: Dandi Gu, Academic Advisor: Zi
- Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
- Arlenesun Solo Mixed Media Art Exhibition
- Àwọn Ọmọ Ẹgbẹ́
- Curator: Dandi Gu Academic Advisor: Zi
- Ìfọwọ́sí Àwòrán
- Image / Photo: Echo, Dylan
Oníṣọwọ́
Ṣàwárí Ju Designers.org Lọ
Ṣàwárí àwọn ọjà, iṣẹ́ àti àǹfààní láti ọ̀dọ̀ àwọn alábàáṣe ìpolówó wa.
Díẹ̀ Síi Láti Ṣàwárí
Àwọn Àpẹrẹ Tó Jọra
Ṣàwárí àwọn àpẹrẹ mìíràn tó gba àmì ẹ̀yẹ nínú ẹ̀ka kan náà, tí a yàn nípasẹ̀ ìyege.
