Kinetic Chinese Characters Iṣe Alakọbẹrẹ: Kinetic Typography (Ọ̀nà Ìkọ̀wé Aláyípo) láti ọwọ́ Li Xinlin

Kinetic Chinese Characters Iṣe Alakọbẹrẹ: Kinetic Typography (Ọ̀nà Ìkọ̀wé Aláyípo) láti ọwọ́ Li Xinlin jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìpilẹ̀ṣẹ̀, Àlgọ́rídímù, Párámétrìkì àti Àtìlẹ́yìn-AI.

IrinÌpilẹ̀ṣẹ̀· 2020

Kinetic Chinese Characters Iṣe Alakọbẹrẹ: Kinetic Typography (Ọ̀nà Ìkọ̀wé Aláyípo)

látọ̀wọ́ Li Xinlin

Oníbàárà: Li Xinlin

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìpilẹ̀ṣẹ̀

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #96658

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Kinetic Chinese Characters Iṣe Alakọbẹrẹ: Kinetic Typography (Ọ̀nà Ìkọ̀wé Aláyípo)

Ọ̀rọ̀ Ìwé: Kinetic Chinese Characters jẹ́ àkójọpọ̀ àwọn iṣẹ́ ọ̀nà kinetic typography mẹ́rìndínlógún tí ó dá lórí àwọn ẹ̀yà tí ó para pọ̀ mọ́ àwọn àmì-ìkọ̀wé Ṣáínà. Iṣẹ́ kọ̀ọ̀kan ní kókó-ọ̀rọ̀ tirẹ̀, tí a sì ṣe pátápátá nípasẹ̀ ìṣàkóso kọ̀mpútà àti àwọn algorithm, ní lílo Processing. Ìfikún ìmọ̀-ẹ̀rọ generative mú kí àkókò tí ó ti wà pẹ́ títí fún àwọn àmì-ìkọ̀wé náà di ìyípadà, tí àbájáde rẹ̀ sì di ohun tí a kò lè sọ tẹ́lẹ̀. Àpilẹ̀kọ ìmọrírì kúkurú kan tẹ̀lé iṣẹ́ kọ̀ọ̀kan, ní títẹ̀lé àṣà Asia ti fífihàn ewì àti àwòrán papọ̀. Àkójọpọ̀ iṣẹ́ yìí fi hàn bí a ṣe lè fi ọ̀nà ìṣàpẹẹrẹ kinetic sílò sí àwọn àmì-ìkọ̀wé Ṣáínà.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

Kinetic Chinese Characters Iṣe Alakọbẹrẹ: Kinetic Typography (Ọ̀nà Ìkọ̀wé Aláyípo) jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Kinetic Chinese Characters Iṣe Alakọbẹrẹ: Kinetic Typography (Ọ̀nà Ìkọ̀wé Aláyípo) yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Kinetic Chinese Characters Iṣe Alakọbẹrẹ: Kinetic Typography (Ọ̀nà Ìkọ̀wé Aláyípo) nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: In this project, integration of code to type and typography revealed that the originally fixed or invariable timeline has changed. Addition of the generative technology resulted in more rich work content and changed it to become unpredictable. With this, the creative technique of kinetic typography can be applied to Chinese characters and the kinetic design integrated with the characteristics of Chinese characters holds unlimited potential.
Ìwọ̀n àti Àpò: Media & Print matter
Àwọn Àkọlé: Kinetic , Typography , Generative , Chinese Characters
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: Processing and based on openprocessing.org
Ìpèníjà Àpèsè: All Asian designers face the common question of how such theories can take root and become fruitful in the East. As an Asian artist, the author of this study attempted a method of converging computer programming technology and traditional Chinese characters with a focus on the potential of Chinese characters.
Ìwádìí: Expression of Meaning of Kinetic Chinese Characters using Computer Programming Techniques.
16 works were created based on the components of Chinese characters. The subjects of these works were all different and were made purely through computer programming and algorithms.
Ìmísí: The field of kinetic Chinese character design is currently expanding steadily, but the field is yet vague and without a clear definition. However, the everlasting Eastern culture and abundant perspective in search of beauty can become the basis for converging new technologies and new design so that the kinetic Chinese character design can definitely become a new trend that leads the advancement of future design.
Àkókò Iṣẹ́ Àkànṣe: 2019, College of Fine Arts, Seoul National University.
Ìlànà Ìṣiṣẹ́: 16 works were created based on the components of Chinese characters. The subjects of these works were all different and were made purely through computer programming and algorithms. Additionally, work appreciation essays were added to each work and this was derived from the Western culture where work appreciation essays are occasionally used for interaction and communication with the audience and the concept of “poetry and paintings having the same source” in Asian traditional art that presents poetry and paintings together.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀: LI XINLIN
Àwọn Ọmọ Ẹgbẹ́: LI XINLIN
Ìfọwọ́sí Àwòrán: LI XINLIN