Industrial Bank Ìṣàpẹ̀rẹ́ Inú Ilé Báńkì láti ọwọ́ Qinyin Tan jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
FàdákàInú Ilé· 2020
Industrial Bank Ìṣàpẹ̀rẹ́ Inú Ilé Báńkì
látọ̀wọ́ Qinyin Tan
Oníbàárà: JianFeng Construction & Interior Decoration Group
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #96906Àpẹrẹ Náà
Nípa Industrial Bank Ìṣàpẹ̀rẹ́ Inú Ilé Báńkì
Industrial Bank jẹ́ ìṣàpẹ̀rẹ́ inú ilé báńkì kan tí ó gba mítà onígun mẹrin 890 ní Changchun. Èròngbà náà mú ìmọ́lẹ̀ láti inú àwòrán ilẹ̀-ayé àkókò Ìjọba Song, a sì fi àwọn ìtọ́kasí àṣà ìbílẹ̀ Ṣáínà hàn nípasẹ̀ àwọn ìlà, àwọ̀, àpẹrẹ àti ọ̀nà kúkúrú dípò ọ̀ṣọ́ tí ó dán mọ́rán. Àwọn àwọ̀ tí ó rọ̀gbọ̀kú bí funfun ìtànṣán òṣùpá, funfun tíì àti eérú ìrẹsì ń ṣẹ̀dá àyíká ìdákẹ́jẹ́ẹ́, pẹ̀lú àfikún àwọ̀ búlúù dúdú àti àwọ̀ atalẹ̀. A dá tábìlì iwájú náà nípasẹ̀ ìsopọ̀ tí ó rọrùn, àwọn ohun àfikún kéékèèké sì pín àwọn òpó àti ògiri. A rọ àdúgbò ìkọ̀wé aláwòwú àti tíì tí ó ṣí sílẹ̀ ní ìdajì nípasẹ̀ ìtànṣán ìmọ́lẹ̀ oníhà.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Industrial Bank Ìṣàpẹ̀rẹ́ Inú Ilé Báńkì jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Industrial Bank Ìṣàpẹ̀rẹ́ Inú Ilé Báńkì yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Industrial Bank Ìṣàpẹ̀rẹ́ Inú Ilé Báńkì jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- In this case, the designer deliberately played down the impression of traditional cultural symbols and conveyed the historical and cultural connotation through lines, colors, forms and textures. The combination of traditional Chinese element symbols and highly modern materials, combined with modern furniture craftsmanship, makes the shape and quality of different times seamlessly integrated, which not only inherits the classical ancient style, but also carries forward the innovation of art.
- Ìwọ̀n àti Àpò
- The project covers a total of 890 square meters. The negotiation area organically combines the traditional and modern, simple and elegant aesthetic tastes to create a pleasant space atmosphere. The calligraphy and tea drinking area further soften the boundary of the edge by using smooth line lighting. Semi-open layout allows customers to enjoy the surrounding scenery while waiting.
- Àwọn Àkọlé
- Interior, Bank, Office, Oriental Elements, Natural, Elegant, Cultural
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The front desk abandons too many complicated decorations and creates a sense of end-view hierarchy with simple and intuitive splicing. The application of niche elements makes space division for some columns and walls. Under the conversion of light, it weakens the compression caused by stone materials, breaks the dull and serious atmosphere, and gives people a new and fresh experience.
- Ìpèníjà Àpèsè
- The designer has made a new interpretation of the dignity and elegance of Chinese-style furniture, the calligraphy and painting tea room creates the oriental charm with the aesthetic needs of modern people, chooses the clear-cut and simplified wood lines to replace the complex carving patterns and ornaments, and combines the simple and comfortable cotton and linen, fashionable and personalized leather, elegant and gorgeous silk and other materials to improve the collocation of style.
- Ìwádìí
- This case is located in Changchun City, Jilin Province, which is known as the "spring city of the northern kingdom", the mountain shadow here is muddy and heavy, and the pine and turbulent waves everywhere. You can hear pleasant sing from the birds. It has the quiet and gentle feeling of Chinese landscape painting. Through the level cooperation between regional forms, the modern Oriental aesthetic attitude is expressed in a progressive and backward way.
- Ìmísí
- With the concept of "the landscape painting of Xuanhe Palace in Song Dynasty", designer takes the landscape as the place of feeling and integrates it into the dominant atmosphere of modernism, applies more diversified design language to have a dialogue with the space, and then transforms the abstract artistic expression into the perceptible space image, striving to create the harmonious beauty of tradition and modernity.
- Àkókò Iṣẹ́ Àkànṣe
- The project started in December 2018 in Changchun and finished in April 2019 in Changchun.
- Ìlànà Ìṣiṣẹ́
- The so-called "painting leaves three spaces, and the vitality follows". The appropriate blank space in the corridor area creates a comfortable space atmosphere, simple art ornaments and hanging paintings elaborate the meaning of luxury in a graceful way, so that the thin space is filled with rich rhythm and rhythm.
- Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
- Copyrights belong to Qinyin Tan, 2019.
- Àwọn Ọmọ Ẹgbẹ́
- Qinyin Tan
- Ìfọwọ́sí Àwòrán
- Image #1: Photographer Qinyin Tan, Negotiation Area, 2019.
Image #2: Photographer Qinyin Tan, Reception Hall, 2019.
Image #3: Photographer Qinyin Tan, Tea Room, 2019.
Image #4: Photographer Qinyin Tan, Bar, 2019.
Image #5: Photographer Qinyin Tan, Financial Room, 2019.
Oníṣọwọ́
Ṣàwárí Ju Designers.org Lọ
Ṣàwárí àwọn ọjà, iṣẹ́ àti àǹfààní láti ọ̀dọ̀ àwọn alábàáṣe ìpolówó wa.
Díẹ̀ Síi Láti Ṣàwárí
Àwọn Àpẹrẹ Tó Jọra
Ṣàwárí àwọn àpẹrẹ mìíràn tó gba àmì ẹ̀yẹ nínú ẹ̀ka kan náà, tí a yàn nípasẹ̀ ìyege.
