Samantha Chijona Garcia and Vladimir Cuenca 的作品 The Armor 戏剧服装

设计师 Samantha Chijona Garcia and Vladimir Cuenca 的作品 The Armor 戏剧服装荣获了极具声望的 2020 A' Design Award 银奖，竞赛类别为表演艺术、舞台、风格与布景设计。

银表演艺术· 2020

The Armor 戏剧服装

设计师： Samantha Chijona Garcia and Vladimir Cuenca

客户: Jazz Martinez Gamboa

表演艺术类别A' Design Award 银奖获奖者

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关于 The Armor 戏剧服装

《铠甲》是为莎士比亚戏剧舞台演出中理查三世这一角色所创作的戏剧服装。该服装由回收与废弃材料制成。金属线条缝制于斜纹布外套之上,层叠的皮质护腿则通过皮带与搭扣连接,形成独立的结构。锁子甲手套封闭袖口,内衬金属条的天鹅绒帽则充当头盔。这六个部件可随剧中角色的转变而随时增添或卸除。该设计既呈现了君王的威仪,也映照出其内心脆弱的凡人一面。

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关于A' Design Award 银奖

The Armor 戏剧服装是 A' Design Award 银奖得主，这是授予顶级、华美而令人印象深刻的设计的极为崇高的认可。银奖得主是极其卓越、极具创造力的作品，展现出其设计师杰出的专业技能、才华与敏锐。预计The Armor 戏剧服装将成为一件出色的典范之作，兼具非凡的专业性与深刻的创新性。这件赢得 A' Design Award 银奖的设计是一项备受瞩目、令人钦佩的发明，造福并拓展艺术、科学、设计和技术的边界。The Armor 戏剧服装是一件令人羡慕的创作，它唤起渴望，带来积极的情感，并激发惊叹与赞叹。

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由设计师提供的致谢、团队成员及技术详情。

独特属性: This armor, made with fully recycled materials, mixes metallic corset nerves referring to the classic western armor, topped by a butcher's chainmail glove that evokes the bloodthirsty of the character with leather leggings overlapping layers denoting the various faces assumed by the character during the plot. From a modernist vision in terms of fabric, overlapping and weaving of pieces the structure refers to the vulnerability of the King and the man who lives at the same time in Richard III.
尺寸与包装: Armor- 45cmx30cmx55cm
Helmet- diameter:57cm High: 23cm
标签: Costume design, Shakespeare, Richard III, Armor, theater, cuban designer, Samantha Chijona Design, schijonag.
生产技术: The armor is compound by 6 pieces. 1: The metal structure, it is metal lines sewn on a twill weave jerkin jacket, 2: the leather armor, leather gaiters overlapping forms an independent structure that joins the rest of the set with leather straps closed by buckles, 3: The metal glove, a chainmail glove closes the cuff to give the sleeve a shot, 4: The helmet,
a velvet hat lined with metal strips works as an armor helmet 5: The pants, a black twill pants and finally 6: Black leather boots to the knees.
设计挑战: The development of the piece became a challenge, I wanted to do something great for the character but working in Cuba is always difficult due to the lack of resources, so while researching, I also located materials. Looking in an antique warehouse I found these old pieces of unused corsets bones and leather leggings and decided to use them. With only one month to prepare the entire theater play with more than 16 characters we were detained in this armor for a week, assembling, testing and sewing piece by piece in search of achieving an attractive but useful result.
研究: My research flew over two essential aspects, the historical and the technical. After having studied for years Western and Japanese armors, the challenge of creating one was wonderful. I had to solve how I should use the historical engineering structures in those garments with the modern materials I had in hand. I read and compiled images and information, of the western armor, I appropriated the metal and the order of the parts while from the Japanese I took overlays of leather pieces sewn with cord. The result was a very visual and modern armor that keeps its basic function, protection.
灵感: Having studied for years structures that we use when dressing and that have protected and distancing ourselves from the real world I choose one of my favorite, the armor. I took advantage of the study of Western and Japanese war pieces and modernized it with the use of materials and disused pieces. The text of Shakespeare's play emphasizes the two faces and the physical problem of the character I used it as inspiration to separate and show the two parts of Richard III.
项目周期: The project started in June 2018 in Havana, Cuba and ended in September 2018 in Havana, Cuba.
操作流程: The piece is compound by 6 small parts, the main three, armor jacket, pant and boots are easy to put, also it has another leather structure which should be placed with buckles while the hat and the glove are closed by an elastic piece. the interaction between the actor and the piece is determined for the modular form of the main piece, the person can take off the leather part, the helmet, the glove and keep only the base jacket, pants and boots, in the same way he can add more pieces throught the evolution of the character inside the theater play.
专利: Copyrights belong to Chijona, Samantha, 2018
团队成员: Designer and Creative Director: Samantha Chijona
Designer: Vladimir Cuenca
图片版权: Image 1,2,3,4,5: Samantha Chijona Photographer/ Samantha Chijona Designer /Richard III/ The Armor /Model: Maria Gabriela Sanchez, 2018