Bean Dolls of the Old Trades 腕托 by Jesvin Yeo

Bean Dolls of the Old Trades 腕托 by Jesvin Yeo is a highly esteemed winner of the very prestigious 2021 A' Design Award 铁奖 in 礼品设计 Competition Category.

铁礼品· 2021

Bean Dolls of the Old Trades 腕托

by Jesvin Yeo

Client: Designing Cultures Studio

A' Design Award 铁奖 Winner in 礼品 Category

31,057

Verified Award Winner

Verify Award Status for #106288

Visit Site View at A' Design Award Press Release Award Badge

Colors

The Design

About Bean Dolls of the Old Trades 腕托

豆娃娃采用干豆芽皮的传统方法制作，以新加坡旧唐人街的四个象征人物为特色：Towkay、Kopi叔叔、Samsui女人和Majie。他们分别通过创造就业机会、提供舒适的茶饮、建设基础设施和提供托儿服务，帮助建设了旧新加坡。在现在唐人街老人的努力下，豆娃娃被设计成腕托、可爱的玩具或旧行业的纪念品。它旨在成为发现当地历史的缪斯，并鼓励年轻一代进一步探索他们的文化。

The Recognition

About the A' Design Award 铁奖

Bean Dolls of the Old Trades 腕托是 A' Design Award 铁奖得主，这是授予满足人们对设计精良的创作所期待的专业与工业要求的优良设计的声望认可。铁奖得主展现出其创作者的高超技艺、高度专业化、专家级的理解力和创造能力。预计Bean Dolls of the Old Trades 腕托将成为一件备受推崇、令人钦佩且被珍爱的创作，既实用又创新。这件赢得 A' Design Award 铁奖的设计整合了行业最佳实践，并拥有与专业知识和才华相结合的称职技术特性。Bean Dolls of the Old Trades 腕托因其严谨而受到尊重，旨在提供有助于让世界变得更美好的生活品质改善。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Hand-sewn and filled with dried bean sprout husks, the Bean Dolls of four symbolic figures of Singapore old Chinatown are designed as a wrist rest, a plushie, or a memento of the early trades of Singapore. The design is a combined effort of the designer and the elderly of current Chinatown who used the traditional method of making bean husk pillows. The design seeks to raise public awareness and serve as a muse for the younger generations to discover local history, culture and heritage.
Dimensions & Packaging: 120 mm x 60 mm x 270 mm
Estimated dimensions as the size of the hand-sewn bean dolls may vary slightly.
Tags: Traditional Occupations, Old Trades, Cultural Heritage, Bean Doll, Wrist Rest
Production Technology: The making of the bean dolls was a community effort. With help from the elderly of Kreta Ayer Senior Activity Centre, sacks of bean sprout husks were collected from neighbours, washed and dried in the sun till the husks are dried and solidified. The dried husks were then left in a cool, dry place and carefully handpicked for production. Illustrations of the figures were printed on organic textiles using digital textile printing, which is an eco-friendly process. Next, the elderly cut and stitched the fabric, stuffed them with bean sprout husks, cotton and gave shape to a nice and firm bean doll.
Design Challenge: The challenge was to interview the remaining trade people as they:
i) only speak dialects which lead to some difficulty in understanding
ii) are too old to be interviewed
iii) feel ashamed of their ex-job
iv) are the only survivor of their trade (Samsui woman and Majie) and has been interviewed too many times before.
Samsui woman, dressed in blue samfoos and a red headgear, is a construction worker who fetches building materials. Majie, dressed in black and white samfoos, dedicate their lives to servanthood with unwavering loyalty.
Research: The project employed Cultural Design Studies method to explore the culture of old trades and occupations of Chinatown from 1950 to1970. Desk research and empirical data from scholars and trade people were collected and analyzed to envisages the culture through the perspective of visual communication and to shape multiple conceptions of place and identity. The design outputs are functional mementoes that aim to promote the values and appreciative awareness of Asian cultures and history. Commission by the Singapore Chinatown Association and funded by the National Heritage Board.
Inspiration: The project was inspired by the small bean husks pillow used by Chinese Singaporeans to give a sense of security and cushions any sudden noises that may shock their babies. Relating jobs with security. The initial idea was to introduce exciting occupations in the 1950s, such as gangsters of secret societies and coolie, laborer from China. However, the client rejected the unglamorous occupations to avoid any touchy subject. Eventually, the design focused on people who help built Singapore.
Project Duration: The project started in May 2010 and finished and launched in January 2012 in Singapore.
Operation Flow: The design is multifunctional as it can be used a wrist rest or played as a comfort stuffed toy. Importantly, it is also a memento of the old trade of Singapore Chinatown, which supported the critical period of the development and independence of Singapore. Through interaction, the design seeks to raise public interests and encourage the younger generations to probe further into our culture and heritage.
Patents: Copyrights belong to Jesvin Yeo, 2012-2020
Team Members: Jesvin Yeo
Alvin Ng
Image Credits: Image #1: Designer Jesvin Yeo, Bean dolls old trades_Main, 2012
Image #2: Designer Jesvin Yeo, Bean dolls old trades_01, 2012
Image #3: Designer Jesvin Yeo, Bean dolls old trades_02, 2012
Image #4: Designer Jesvin Yeo, Bean dolls old trades_03, 2012
Image #5: Designer Jesvin Yeo, Bean dolls old trades_04, 2012