Malware 数字绘画

设计师： Maheen Sana

客户: Maheen Sana

美术类别A' Design Award 铜奖获奖者

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关于 Malware 数字绘画

恶意软件完全使用 Photoshop 和绘图板以数字方式制作，显示了关系解除的结果。绘画中的对比是基于自然界的二元性概念，即幸福与悲伤的对比。黑白的运用，混乱的前景和平静的背景，刚柔相济，营造出一种浪漫而又忧郁的情绪，表达分手后的忧郁。

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关于A' Design Award 铜奖

Malware 数字绘画是 A' Design Award 铜奖得主，这是授予以创造力、独创性和敏锐见长的杰出设计的极具声望的认可。铜奖得主是技艺娴熟、创意惊人的作品，印证了其设计师丰富的经验、想象力与机智。预计Malware 数字绘画将成为一件备受推崇、令人钦佩且被珍爱的物品，兼具显著的专业性与创新性。这件赢得 A' Design Award 铜奖的设计融入艺术、科学、设计和技术领域的最佳实践，并因注重细节而出类拔萃。Malware 数字绘画出色地满足需求，触动渴望，迷住情感，并吸引好奇心。

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由设计师提供的致谢、团队成员及技术详情。

独特属性: Everyone copes with heartbreak in their own way. The idea and execution give Malware its unique essence. There's duality in nature. You can't know happiness without sadness. Malware translates this concept with various contrasting features. The use of black and white, chaotic foreground and calm background, hardness and softness. All create a romantic, yet sombre atmosphere. There's just something very profound about creating beauty out of sorrow.
尺寸与包装: This is a 1270 by 1066 mm digital painting. The entire painting was made using a brush tool in Adobe Photoshop. I used the Mechanical Pencil brush tool to achieve the rough graphite texture. To finish the painting off, I added the noise filter in photoshop to create a film grain texture.
标签: Malware, Heart Break, Love, Renegade, Trojan Horse, Virus, Minecraft, Digital Painting, Binary, Binary Sea, Machine, Venice, Italy, Zeppelin, Dark Side of the Moon, Music
生产技术: I used Adobe Photoshop and a Wacom graphics tablet to create this digital painting. I initially intended for the drawing to be made against a white background. However, upon experimenting with different colors, I realized that my idea was portrayed better with darker tones. I used a Mechanical Pencil brush in Photoshop to achieve the rough graphite texture. In addition, I used the noise filter to create a film grain finish to the painting.
设计挑战: Working on a detailed piece with a mechanical pencil is definitely challenging and occasionally, you'll find yourself on the verge of abandoning the piece altogether. Fortunately, with Malware I had this urgency of getting it out there in the world. The hardest part for me was painting something so exposing while living in a society that thrives on shaming people for showing emotional vulnerability.
研究: Due to the nature of this artwork, most of the material that I required was available to me from my personal experience. However, I still had to research a couple of things. Deciding the part of Venice I wanted to display, reading the story behind Daleks, Trojan Horse and the Roman betrayal. I chose the digital medium for this painting because I find it to be very efficient and flexible, which made it perfect for this spontaneous project.
灵感: Malware was born out of my first encounter with heartbreak. And while I realize that this encounter might not have a whole lot of significance in the grand scheme of things, I think it was valuable nonetheless because every painful experience teaches you something. I did not create this painting to come off as bitter. I felt like for the sake of my sanity, I had to take the heartache from that particular experience and transform it into a work of art which exhibits all the events of that time and you can take a look at all the relics with a melancholic familiarity.
项目周期: This project started on July 9th, 2019 from the comfort of my home and was finished and uploaded on January 26th, 2020.
操作流程: Oddly, our difficult times connect us with other human beings more deeply than anything else. I hope that Malware can evoke a sense of melancholic familiarity within the audience. Even if it is just an audience of one.