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Weixian He and Baoyang Wei 的作品 The Land of Rocks 展位设计

设计师 Weixian He and Baoyang Wei 的作品 The Land of Rocks 展位设计 荣获了极具声望的 2023 A' Design Award 银奖,竞赛类别为展会建筑、室内与展陈设计。


银展会· 2023

The Land of Rocks 展位设计

设计师: Weixian He and Baoyang Wei

客户: Wise Space Aesthetics

展会类别A' Design Award 银奖获奖者

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验证 #139921 的获奖状态

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设计作品

关于 The Land of Rocks 展位设计

《岩石之境》是2020年广州设计周期间为一岩板品牌打造的临时展示空间,展位面积180平方米。半围合、半开放的空间布局引导观众沿着富于变化的动线参观,错落墙体上开凿的洞口令岩板纹理在内外皆可观赏。舞台中央矗立着名为"岩花"的曲面结构。该设计将岩板、居住与城市之间的关系可视化,使之易于感知与体验。

荣誉认可

关于A' Design Award 银奖

The Land of Rocks 展位设计是 A' Design Award 银奖得主,这是授予顶级、华美而令人印象深刻的设计的极为崇高的认可。银奖得主是极其卓越、极具创造力的作品,展现出其设计师杰出的专业技能、才华与敏锐。预计The Land of Rocks 展位设计将成为一件出色的典范之作,兼具非凡的专业性与深刻的创新性。这件赢得 A' Design Award 银奖的设计是一项备受瞩目、令人钦佩的发明,造福并拓展艺术、科学、设计和技术的边界。The Land of Rocks 展位设计是一件令人羡慕的创作,它唤起渴望,带来积极的情感,并激发惊叹与赞叹。

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由设计师提供的致谢、团队成员及技术详情。

独特属性
"Custom, high-end, professional brand essence" given to show the space inside and outside.The main products combined with the brand culture are displayed in front of the public through a variety of aesthetic forms to create a visual, sensory and experiential immersive experience place.The purpose is not only to express exhibitionality and artistry, but also to attract the attention of designers and professionals and create conditions for brand communication and brand appreciation.
尺寸与包装
180sqm
标签
Brand exhibition, temporary exhibition, ceramic tile, sintered stone, Guangzhou
生产技术
Arrangement and encircle do not cause closure or isolation. On the contrary, through special arrangement and cut crevices, one can see the beautiful and varied posture of the stone patterns from the outside to the inside. Or watching people from the inside out as they move and stare curiously at them.
设计挑战
The huge theme of the relationship between sintered stone, habitation and city is challenging to express through a limited space in a limited time period. We have a primary and secondary layout of a spatial structure, giving full consideration to the design aesthetic feeling and functionality, semi-enclosed and semi-open structure to create a dynamic visiting line. Visitors can control the rhythm of moving and static, fast and slow, so that visitors have a sense of immersion.
研究
From the point of view of the brand, while fully displaying the advantages of the product, we need to express the deeper cultural connotation, that is, to make the relationship between sintered stone, habitation and city visible, palpable and experiential, which is the focus of our design. This relationship is not straightforward, but requires people to place themselves in the space, heart feeling. So when we design, we need to consider how to make the visitors have a more delicate touch point - Architecture should become more open in the city, both formally and emotionally.
灵感
What is the relationship between sintered stone, habitation and city? One lives in the city, moving between different buildings and staying sometimes. This exhibition space is like the epitome of urban architecture. The sintered stone and its application products are integrated into the space, and the building will no longer be a "shelter" without emotion. Endowed with the soul of nature, the architecture has more flexibility and is infinitely close to people's hearts.
项目周期
The project was constructed and completed in Guangzhou in December 2020, and was exhibited at Pavilion 2C06, Hall 2, Guangzhou Design Week from December 3 to December 6, 2020.
操作流程
To meet the requirements of semi-open interaction, the entrance presents the characteristics of rigid and flexible sintered stone in two ways. Symmetric and asymmetric docking - Together. The flexibility and suppleness of sintered stone as the first impression to attract the attention of visitors. The "Rock flower" structure stands in the center of the stage as the protagonist, with graceful curves extending upward. When you sit on the bench and look up, the clouds glow implicitly, like a dream.
团队成员
Chief Designer: Weixian He
Designer: Baoyang Wei
Designer: Fengming Tang
图片版权
Image #1, 2, 3, 4, 5: Photographer Zhuoquan Wu
Video shooting and editing: Zhuoquan Wu

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