设计师 Stepan Pianykh 的作品 Phoresy Pack 双肩背包荣获了极具声望的 2024 A' Design Award 铜奖，竞赛类别为生成式、算法、参数化与人工智能辅助设计。

铜生成式设计· 2024

Phoresy Pack 双肩背包

设计师： Stepan Pianykh

客户: Stepan Pianykh

生成式设计类别A' Design Award 铜奖获奖者

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关于 Phoresy Pack 双肩背包

Phoresy Pack 是一款具有独特可折叠结构的人体工学双肩背包设计。其结构由单张真皮制成，经过精密的CNC铣削与压折处理，形成一种可以展开或平整收缩的材料，从而调节背包的容量。尽管该项目的最终成果仅是一款背包，但项目的目标在于探索计算式设计与数字化制造原理在可定制时尚及工业设计领域中的应用。

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关于A' Design Award 铜奖

Phoresy Pack 双肩背包是 A' Design Award 铜奖得主，这是授予以创造力、独创性和敏锐见长的杰出设计的极具声望的认可。铜奖得主是技艺娴熟、创意惊人的作品，印证了其设计师丰富的经验、想象力与机智。预计Phoresy Pack 双肩背包将成为一件备受推崇、令人钦佩且被珍爱的物品，兼具显著的专业性与创新性。这件赢得 A' Design Award 铜奖的设计融入艺术、科学、设计和技术领域的最佳实践，并因注重细节而出类拔萃。Phoresy Pack 双肩背包出色地满足需求，触动渴望，迷住情感，并吸引好奇心。

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由设计师提供的致谢、团队成员及技术详情。

独特属性: Phoresy Pack Is an ergonomic backpack design based on a unique flexible tessellated material.

Produced from a single sheet of precisely CNC-milled and folded genuine leather, Phoresy Pack’s structure expands and shrinks flat based on the volume of its contents.

While the final outcome of the project is merely a backpack, the aim of the project was to explore applications of parametric design principles in the fields of fashion and industrial design.
尺寸与包装: This backpack is of average size, with approximate dimensions of 500 x 320 x 200 mm, offering a total volume of 15 liters.
When empty, the backpack compresses to a smaller, flatter size.
标签: Backpack, Fashion, Wearable, Computational Design, Leather
生产技术: The Phoresy Pack is crafted from various types of natural cowhide leather. The back shell is constructed using blue-dyed leather milled on a CNC router, creating a crease pattern for folding and subsequent stitching on the sides. To add elasticity and enable the bag to fold flat when not filled, a separate layer of Spandex is integrated into the shell.
The glossy finish on the leather is achieved through a special varnish, making it non-breathable and watertight. This varnish was crucial to ensure perfect adhesion of the leather sheet to the vacuum table during the milling process, preventing damage to the leather caused by gaps between the material and the table.
Initially considering plastic/rubber, we opted for leather due to its superior tactile properties. The front side of the backpack incorporates traditional leather-working techniques, including leather forming, die-cutting, and sewing, to enhance comfort against the user's body.
Design accessories like buckles are crafted from CNC-milled aluminum, while minor engravings on the bag's surface are created using a Laser Cutter. The cushioning on the front side is filled with soft cork pieces.
设计挑战: The most challenging aspects of the project involved the unconventional production techniques employed to bring it to fruition. While some leatherworking techniques adhered to traditional and well-documented craft methodologies, others, such as CNC milling cowhide leather, had to be developed during the project's evolution. One notable feature of the design, wherein the backside is crafted from a single sheet of leather, meant that any significant defect in the manufacturing stage required redoing an entire half of the backpack. This resulted in a highly iterative prototyping process.
Additional challenges, like mastering the appropriate software for the project—specifically, the parametric modeling tool called Grasshopper 3D—took considerable time but were not as arduous in comparison.
研究: This project combined design and market research to improve backpack functionality, emphasizing ergonomic principles and innovative materials. Utilizing literature reviews, user feedback, expert interviews, and iterative prototyping, it successfully implemented foldable tessellation patterns for adaptability and comfort. The impact reached exhibitions and publications, shaping societal perspectives on technology and craftsmanship in design.
灵感: The inspiration for this project came from the works of applied mathematicians like Ron Resch, who developed foldable tessellation patterns, and modern architects like Zaha Hadid, known for using computational design principles. The entire discipline of leatherworking and craftsmanship was a constant inspiration, guiding every detail. In terms of specific backpacks, I drew inspiration from the Meiosis backpack by Davidi Gilad and the Solid Gray backpack
项目周期: This project served as Stepan’s degree thesis, taking one semester for completion. Initiated in February 2015, it reached fruition by June of the same year. Following its completion, the Phoresy Pack made its debut at the degree show, the End of the Year exhibition at the British Higher School of Art and Design.
Subsequently, the design gained recognition through participation in multiple exhibitions, such as:
"Faces and Laces" 2015
"Uno" at Center MARS 2018
"Design Next" at the Central House of Artists 2018
Printed features included an appearance in Esquire Russia (July 2015 issue) and inclusion in the book "Ergonomics in Product Design" by SendPoints in 2018. Furthermore, the design has been showcased in various online publications, including YankoDesign, Designboom, and others."
操作流程: Despite its transformative properties, the backpack operates in a straightforward manner. It features a single large compartment that, thanks to the elastic properties of the backpack's shell, naturally expands and contracts to accommodate the volume of its contents.
图片版权: Image #1: Photographer Timofey Sherstennikov, 2015.
Image #2: Photographer Timofey Sherstennikov, 2015.
Image #3: Photographer Timofey Sherstennikov, 2015.
Image #4: Photographer Renata Garipova, 2015.
Image #5: Photographer Renata Garipova, 2015.