设计师 Yiru Wang 的作品 Elysium Echoes 可移动当代艺术装置荣获了极具声望的 2025 A' Design Award 铜奖，竞赛类别为美术与艺术装置设计。

铜美术· 2025

Elysium Echoes 可移动当代艺术装置

设计师： Yiru Wang

客户: SaturnVII Studio

美术类别A' Design Award 铜奖获奖者

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关于 Elysium Echoes 可移动当代艺术装置

《极乐回响》是一件旋转式艺术装置,探索环境变迁与人类生存之间的关系。作品以树脂、金属与亚克力制成,配以三维打印部件及旋转马达,尺寸为45×45×50厘米。三个部分分别代表人类形态、过渡形态与后人类形态。持续的旋转不断打破并重组这些阶段,以此暗示演化的转变。该装置引发人们对技术、生态与人类未来的思考。

荣誉认可

关于A' Design Award 铜奖

Elysium Echoes 可移动当代艺术装置是 A' Design Award 铜奖得主，这是授予以创造力、独创性和敏锐见长的杰出设计的极具声望的认可。铜奖得主是技艺娴熟、创意惊人的作品，印证了其设计师丰富的经验、想象力与机智。预计Elysium Echoes 可移动当代艺术装置将成为一件备受推崇、令人钦佩且被珍爱的物品，兼具显著的专业性与创新性。这件赢得 A' Design Award 铜奖的设计融入艺术、科学、设计和技术领域的最佳实践，并因注重细节而出类拔萃。Elysium Echoes 可移动当代艺术装置出色地满足需求，触动渴望，迷住情感，并吸引好奇心。

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由设计师提供的致谢、团队成员及技术详情。

独特属性: Elysium Echoes explores the complex relationship between environmental change and human survival in a post-humanist era. It examines how humanity's evolving bond with the environment is influenced by the balance between technological progress and ecological sustainability.
尺寸与包装: 45*45*50cm
标签: 3D Printing, Art Installation, Interdisciplinary Art, FutureEcology, ContemporaryTechArt
生产技术: Rotating Motor, 3D Printing, Resin, Metal, Acrylic
设计挑战: Elysium Echoes deconstructs the complex bond between humans and nature, prompting reflection on technological progress and its impact on life and evolution. As humanity's influence grows, a crucial question arises: should we reshape nature in the name of technology? Though the "post-human era" remains uncertain, it echoes a warning—our pursuit to replace the Creator may not unfold as envisioned.
研究: This research uses a speculative, practice-led approach to explore how technological progress reshapes humanity’s relationship with nature in the Anthropocene. Grounded in post-humanist theory, it critiques ethical ambiguities of ecological intervention and envisions alternative evolutionary paths. Through immersive installation art, kinetic prototyping, and participatory observation, a rotating structure (human/transitional/post-human) simulates evolutionary disruption. Data from 87 interviews, audience analytics, and impact simulations reveal a tension between techno-optimism and ecological humility, with 73% reconsidering humanity’s stewardship. The work advocates for ethical, interdisciplinary governance and positions design as a mediator between science and societal values.
灵感: In the post-human era, I explore how shifting environments and productivity levels shape human gene selection. Technological progress aids adaptation, yet sudden ecological upheaval risks collapsing our systems, regressing productivity and forcing genetic adaptation to dominate survival. Here, mutation emerges as life’s most reliable tool.
项目周期: London Design Week 14–21 September 2024
Dutch Design Week 19–27 October 2024
操作流程: This dynamic installation explores biodiversity and evolution in the transition from humans to post-humans. Comprising three parts—human, transitional forms, and post-human—it rotates continuously, disrupting and recombining stages to simulate evolutionary shifts and new species. The work challenges biological boundaries and provokes thought on evolution, technology, and humanity’s future.
团队成员: YIRU WANG