设计师 Hugo Ferreira 的作品 Terra 动画短片荣获了极具声望的 2025 A' Design Award 银奖，竞赛类别为计算机图形、三维建模、纹理与渲染设计。

银计算机图形· 2025

Terra 动画短片

设计师： Hugo Ferreira

客户: Okdraw

计算机图形类别A' Design Award 银奖获奖者

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关于 Terra 动画短片

《Terra》是一部以尘埃、重力与人造废墟为主要表现对象的动画短片。影片时长约五分钟,采用2.35:1的画幅比例,配乐为乐队Muay的曲目《E2》。《Terra》是向建筑、科技、科幻电影与音乐致敬的作品。该作品使用3ds Max与Corona Renderer制作完成,并在Adobe软件中进行剪辑与调色。动画、镜头运动与灯光均为手工制作,而碰撞、爆炸与裂缝则通过插件进行模拟。粗野主义的形态语言主导了整体视觉方向。

荣誉认可

关于A' Design Award 银奖

Terra 动画短片是 A' Design Award 银奖得主，这是授予顶级、华美而令人印象深刻的设计的极为崇高的认可。银奖得主是极其卓越、极具创造力的作品，展现出其设计师杰出的专业技能、才华与敏锐。预计Terra 动画短片将成为一件出色的典范之作，兼具非凡的专业性与深刻的创新性。这件赢得 A' Design Award 银奖的设计是一项备受瞩目、令人钦佩的发明，造福并拓展艺术、科学、设计和技术的边界。Terra 动画短片是一件令人羡慕的创作，它唤起渴望，带来积极的情感，并激发惊叹与赞叹。

设计幕后

媒体资料包

由设计师提供的致谢、团队成员及技术详情。

独特属性: Terra is a short animation film, based on a what if kind of story, where, dust, gravity, and man made ruins are the protagonists.
Terra was written for the music E 2 of the band Muay - a music written inicialy for the live Soundtrack for the movie Earth (Terra), of Aleksandr Dovzhenko.
Terra attempts to be an honest homage to architecture, technology, sci-fi movies, and music.
尺寸与包装: Length: 5.20 min
Type of film: CG Animation
Aspect Ratio: 2.35:1
Music: E2 by Muay
标签: music, video, short film, brutalism
生产技术: We wanted to implement as much of our daily work flow as possible, so our setup did not deviate much from the industry standard. We used 3ds Max with Corona Renderer, and
Adobe After Effects and Premiere for editing and color correction.
Our approach was straightforward, with us solving problems as we encountered them and
embracing limitations as part of the creative process. We were more concerned with the results than with realistic physics – if it looked good, me would move on. All the animation, camera work, and lighting were done by hand. The only exceptions were the rock collisions, explosions, and cracks, for which we used the Phoenix FD plugin and tyFlow to simulate various effects.
设计挑战: Curiously enough, the most difficult part was probably working free from the constraints of a client: with endless possibilities, it is hard to establish boundaries. Between the music, story, and visuals, it was not easy to strike the right balance. Occasionally, we went too far while experimenting and had to dial it down a notch.
研究: Terra finds its primary inspiration in a fusion of Sci-Fi movies, utopian ideals and stories, music, ancient machines, the solidity of rocks, and the aesthetic of brutalism.As we were not used to work with this aesthetic, we submerged ourselves in movies like 'The
Tragedy of Macbeth, Lighthouse, and Sin City. We also consulted the photography of Saul Leiter
and Sebasião Salgado. All of these references helped us to understand how, in the absence of
color, we can use contrast as a shaping, and eye-guiding tool. Consequently, lighting direction,
camera movement, and post-production went hand in hand at all times.
灵感: Terra finds its primary inspiration in a fusion of Sci-Fi movies, utopian ideals and stories, music, ancient machines, the solidity of rocks, and the aesthetic of brutalism. Examples:
项目周期: This project started in August 2022 and was finished in February 2023. Was writen, directed and produce on our studio, with the help of Rebus Farm.
操作流程: Watch it and listen to it.
专利: Copyrights belong to Okdraw, 2025.
图片版权: Written, Directed and Produced by: Okdraw
Music by: Muay