Yusuke Kamiyama 的作品 Cadence of the Spiral 动态装置

设计师 Yusuke Kamiyama 的作品 Cadence of the Spiral 动态装置荣获了极具声望的 2026 A' Design Award 银奖，竞赛类别为美术与艺术装置设计。

银美术· 2026

Cadence of the Spiral 动态装置

设计师： Yusuke Kamiyama

客户: Spline Design Hub Inc.

美术类别A' Design Award 银奖获奖者

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验证 #182460 的获奖状态

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设计作品

关于 Cadence of the Spiral 动态装置

《螺旋的韵律》将时间探索为一种富有弹性、相互关联且充满生命力的存在。一条不锈钢弹簧钢带被三十只机械臂塑造成不断演变的形态。这些机械臂以微妙而相位错落的节奏运动。当螺旋呼吸、扭转并重组自身时，没有任何两个瞬间是完全相同的。作品的灵感源自机械腕表的主发条，将盘卷的金属重新诠释为储存能量与时间流动的载体。这种运动并非重复，而是通过受控的变化来展现演变。时间不是被测量的，而是被感知的。

荣誉认可

关于A' Design Award 银奖

Cadence of the Spiral 动态装置是 A' Design Award 银奖得主，这是授予顶级、华美而令人印象深刻的设计的极为崇高的认可。银奖得主是极其卓越、极具创造力的作品，展现出其设计师杰出的专业技能、才华与敏锐。预计Cadence of the Spiral 动态装置将成为一件出色的典范之作，兼具非凡的专业性与深刻的创新性。这件赢得 A' Design Award 银奖的设计是一项备受瞩目、令人钦佩的发明，造福并拓展艺术、科学、设计和技术的边界。Cadence of the Spiral 动态装置是一件令人羡慕的创作，它唤起渴望，带来积极的情感，并激发惊叹与赞叹。

设计幕后

媒体资料包

由设计师提供的致谢、团队成员及技术详情。

独特属性: A long stainless-steel spiral is dynamically deformed by independently actuated arms, generating continuous reorganization through tension and release. Unlike static sculpture, the form never settles; it is constantly restructured into shifting orders. The spiral functions as a physical model of time—elastic, unstable, and relational. Controlled irregularity replaces mechanical uniformity, allowing viewers to perceive time not as measurement, but as a living and evolving order.
尺寸与包装: Material: Blast-finished stainless spring steel (0.3 mm thickness, 80 mm width)
Spiral pitch: 100 mm
Number of turns: 10
Control: PC-based control system
Installation footprint: Approx. 2000 mm × 2000 mm × 2000 mm
Power: AC 100–240 V
标签: Kinetic art, Spiral structure, Time perception, Mechanical rhythm, Parametric design, Stainless steel sculpture, Dynamic installation, Temporal form
生产技术: A custom-fabricated stainless-steel spiral plate forms the core structure, paired with a bespoke linear actuation system developed for this work. Most mechanical components—including joints, mounts, and structural interfaces—were custom-designed to enable precise distributed deformation. Motion is coordinated through a PC-based control architecture enabling synchronized, phase-shifted oscillations. Parametric modeling and simulation optimized stress distribution and torsional balance.
设计挑战: The primary challenge was balancing structural stability with expressive flexibility. The spiral required sufficient rigidity to maintain form, yet enough elasticity to allow dynamic deformation. Managing distributed mechanical stress while achieving organic motion demanded extensive iteration. Technological constraints of synchronized actuation and material fatigue also required innovative solutions to preserve both safety and poetic integrity.
研究: This practice-based design research explores time as a spatial and kinetic phenomenon. Through iterative prototyping combining mechanical engineering and artistic experimentation, parametric modeling, structural simulation, and motion analysis were employed. Audience observation during exhibitions informed the study. The research identified perceptual shifts generated by micro-irregular motion, demonstrating how controlled instability enhances emotional engagement and contributes to contemporary kinetic art and experiential design.
灵感: Inspired by the mainspring of a mechanical watch, Cadence of the Spiral reconsiders the spiral beyond its functional role. The tightly wound strip of metal appeared as a vessel containing latent energy and rhythm of time itself. When gently lifted, it responded with subtle motion, as if about to begin a heartbeat. The spiral thus emerged not as an object, but as a physical manifestation of invisible time—an embodiment of tension and release within temporal experience.
项目周期: The project began in Tokyo in March 2025 and was completed in November 2025. Prototyping and structural validation were conducted in Tokyo. Developed in collaboration with Seiko Watch Corporation to explore the cultural and mechanical heritage of horology, the work was exhibited in Japan and is currently being prepared for international presentation.
操作流程: The spiral slowly shifts between tension and release. As the supporting arms extend and retract, the form breathes, twists, and reorganizes itself. There is no fixed choreography; instead, subtle variations create moments of alignment and misalignment. Viewers experience a continuous transformation—sometimes synchronized, sometimes slightly off—evoking the sensation of time that never fully repeats yet always returns.
专利: Copyrights belong to Spline Design Hub Inc., 2025.
团队成员: Yusuke Kamiyama
Shin Sakamoto
Kaku Murayama
Fumiya Nakano
图片版权: IMAGE CREDITS: Daisuke Ohki