Uni Uni 边几 by Xubai Li is a highly esteemed winner of the very prestigious 2026 A' Design Award 铜奖 in 家具设计 Competition Category.

铜家具· 2026

Uni Uni 边几

by Xubai Li

Client: Xubai Li

A' Design Award 铜奖 Winner in 家具 Category

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The Design

About Uni Uni 边几

Uni 将内外表面融为一体，创造出不拘一格的形态。受折纸艺术与负空间的启发，李虚白通过将一块平整的铝板塑造成立体造型来进行设计。从十六分之一的模型逐步放大至原尺寸样品，它凭借基于折叠的几何结构实现稳定性。Uni 专为都市环境而设计，既可作为桌子，又可作为独立的物件，为现代工作室生活提供通透的负空间与移动便利性，同时保持低调含蓄的外观。

The Recognition

About the A' Design Award 铜奖

Uni Uni 边几是 A' Design Award 铜奖得主，这是授予以创造力、独创性和敏锐见长的杰出设计的极具声望的认可。铜奖得主是技艺娴熟、创意惊人的作品，印证了其设计师丰富的经验、想象力与机智。预计Uni Uni 边几将成为一件备受推崇、令人钦佩且被珍爱的物品，兼具显著的专业性与创新性。这件赢得 A' Design Award 铜奖的设计融入艺术、科学、设计和技术领域的最佳实践，并因注重细节而出类拔萃。Uni Uni 边几出色地满足需求，触动渴望，迷住情感，并吸引好奇心。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Uni is a singular, continuous form that transmutes a flat aluminum sheet into a sophisticated, freestanding volume. By blurring the line between interior and exterior, the design achieves a structural duality where the tabletop and base exist as one uninterrupted gesture. Its innovation lies in this seamless geometry, offering a sculptural aesthetic that redefines traditional furniture assembly through minimalist rationale. This piece was designed by Xubai Li and manufactured by Bestcase in New York, United States, in a collaboration program, led by Rhode Island School of Design.
Dimensions & Packaging: 533 mm × 508 mm × 457 mm
Tags: industrial decor, aluminum furniture, minimalist design, side table, sheet metal, sculptural furniture, origami
Production Technology: Uni is made with 5052 Aluminum sheet in .25-inch thickness. The process can be divided into three simple stages: 1. Roller Bending and Brake Press Bending 2. Edge Welding 3. Sand and Standard Waxed Finish to preserve the original aesthetic of the raw material.
Design Challenge: The main challenge was finding a form that elegantly embodies the essence of origami while adapting to harsh sheet metal processes. Every additional pressed piece introduced unwanted aesthetic noise. To solve this, we minimized assembly to a singular, continuous form. We also bypassed standard industry powder coating; instead, a simple waxed finish preserved the aluminum's subtle shine, reducing maintenance while celebrating the material's raw, industrial elegance.
Research: The research for Uni was a hybrid of theoretical exploration and material investigation. The primary objective was to subvert traditional expectations of furniture by blurring the boundaries between interior and exterior spaces. The study sought to translate the philosophical principles of origami—transforming a flat, meaningless plane into a meaningful 3D volume—into a functional furniture silhouette.

The methodology employed a "form-from-flatness" approach, utilizing comparative analysis of contemporary sheet metal furniture and traditional origami techniques. Data collection included a literature review of origami philosophy and an analysis of Asian aesthetic principles regarding "negative space" as a poetic element. Additionally, market data from furniture e-commerce platforms was analyzed to identify consumer trends in urban high-density housing.

Technical feasibility was established through consultations with manufacturing specialists to define production constraints. Physical experimentation involved a rigorous iterative prototyping process:

Initial Phase: One-sixteenth and one-quarter scale models were used to test folding geometry.

Testing Phase: Full-scale models were constructed from plastic and strength-enhanced corrugated boards (0.25-inch thickness) to simulate final material behavior.

Review Phase: Interviews with design professionals were conducted to evaluate the aesthetic impact and functional utility of the prototypes.

The research revealed a market gap for pieces that balance "visual openness" with sculptural presence. A key insight was that studio and condo dwellers increasingly prioritize furniture that provides "breathing room" through negative space without sacrificing artistic permanence. Uni impacts the design field by offering a dual-purpose solution: a minimalist utility surface and a monumental sculpture. By utilizing blank space as a functional element, the design addresses the need for openness in small architectural footprints.
Inspiration: Inspired by origami, Uni explores the transformation of a two-dimensional aluminum plane into a self-supporting, multi-dimensional volume. The design utilizes fundamental roller bending techniques to transform a single sheet into a sophisticated, freestanding object. By eliminating traditional joinery in favor of a singular, continuous gesture, Uni achieves structural integrity.
Project Duration: The project started its design process in February 2024 in Providence, Rhode Island, United States, and finished its first edition for manufacturing in May 2025 in New York, United States, and was first exhibited in International Contemporary Furniture Fair 2025 in New York City, United States, and the Convention Center in the same month, in Rhode Island, United States.
Operation Flow: Uni isn't just a table; it's functional art. You interact with it by placing items on its surface or simply admiring it. As you walk around the room, its folded metal design visually transforms from a solid block into an airy, open sculpture. It performs better than standard furniture because it serves dual purposes: it provides a handy resting spot for everyday objects while elevating your space as a beautiful, free-floating centerpiece that doesn't need to be hidden away.
Image Credits: Image #1: Photographer Jonah Takagi, Uni, 2025.
Image #2: Creator Xubai Li, Uni, 2025.
Image #3: Creator Xubai Li, Uni, 2025.
Image #4: Creator Xubai Li, Uni, 2025.
Image #5: Creator Xubai Li, Uni, 2025.