Past at Last Imfashini Esimeme ngu-Tihana Miksa

Umdwebo Past at Last Imfashini Esimeme ngu-Tihana Miksa ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2021 Umklomelo Wesiliva we-A' Design Award Esigabeni Somncintiswano se-Ukudizayina Imfashini.

IsilivaImfashini· 2021

Past at Last Imfashini Esimeme

ngu Tihana Miksa

Iklayenti: Tihana Mikša

Umnqobi we-Umklomelo Wesiliva we-A' Design Award Esigabeni se-Imfashini

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Umnqobi Womklomelo Oqinisekisiwe

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Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-Past at Last Imfashini Esimeme

Ukugcizelela ekuhlanganiseni kwezingubo kukwizakhiwo ezicebile nezidlalayo kanye nombala ongalingani. Ngenxa yalokho, izingubo uqobo lwazo zilinganisiwe, zilula futhi zingamafomu avaliwe ngaphandle kwanoma yikuphi ukuhlanganyela okunzima esakhiweni. Lezi zinto zihlola isici sokubonakalayo, ukuthinteka, ubunjalo bendaba, ukunyakaza okuphilayo kanye nokwakhiwa kwendwangu. Imibala inomfutho omncane futhi ayinambala, ngaphandle kobomvu obushaya ngaphakathi kulolu hlu olumpofu.

Ukuqashelwa

Mayelana ne-Umklomelo Wesiliva we-A' Design Award

Past at Last Imfashini Esimeme iwinile uMklomelo Wesiliva we-A' Design Award, ukwaziswa okuhloniphekile ngokungajwayelekile okunikezwa imiklamo esezingeni eliphezulu, ebukekayo nethinta kakhulu. Abawinile beSiliva yimisebenzi egqamile kakhulu nedala kakhulu ebonisa ubungcweti obuphawulekayo, italente nobuhlakani babaklami babo. Past at Last Imfashini Esimeme ilindeleke ukuba ibe ngumsebenzi omuhle wesibonelo, onobungcweti obuphawulekayo nezinto ezintsha ezijulile. Lo mklamo owinile uMklomelo Wesiliva we-A' Design Award uyinto entsha ebonakala kakhulu nethakazelisayo esiza futhi isunduza imingcele yobuciko, isayensi, ukuklama nobuchwepheshe. Past at Last Imfashini Esimeme iyinto enomhawu omkhulu kuyo evusa izifiso, ilethe imizwa emihle futhi ivuse ukumangala nokuxakeka.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Amathegi: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Ubuchwepheshe Bokukhiqiza: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Inselele Yokudweba: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Ugqozi: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Ubude Bephrojekthi: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Amakhredithi Ezithombe: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.