Three States of Home Gazing Isisebenzi Esiyinhloko: Uhlelo Lokusebenza Lwe-Augmented Reality ngu-Hsin-Chien Huang

Umdwebo Three States of Home Gazing Isisebenzi Esiyinhloko: Uhlelo Lokusebenza Lwe-Augmented Reality ngu-Hsin-Chien Huang ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2021 Umklomelo Wensimbi we-A' Design Award Esigabeni Somncintiswano se-Abezindaba.

InsimbiAbezindaba· 2021

Three States of Home Gazing Isisebenzi Esiyinhloko: Uhlelo Lokusebenza Lwe-Augmented Reality

ngu Hsin-Chien Huang

Iklayenti: Oready Innovation Lab

Umnqobi we-Umklomelo Wensimbi we-A' Design Award Esigabeni se-Abezindaba

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Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#120342

Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-Three States of Home Gazing Isisebenzi Esiyinhloko: Uhlelo Lokusebenza Lwe-Augmented Reality

Umbhalo Wencwadi: Izimo Ezintathu Zokubuka Ikhaya luhlelo lokusebenza lwe-augmented reality oludalelwe izivakashi zomnyuziyamu. Lolu hlelo lokusebenza luletha impilo esithombeni-mdwebo esithi Festival on South Street (1930) esadwetshwa ngumdwebi wase-Taiwan uKuo Hsueh-hu. Ababukayo bangasifunda ngokujulile isithombe-mdwebo besekhaya noma emnyuziyamu. Lolu lwazi futhi luvumela abasebenzisi ukuthi bangene endaweni yaseDadaocheng eTaipei njengoba yayibukeka ngonyaka we-1930. Imibhalo engezansi enezilimi ezimbili, isiShayina nesiNgisi, isekela ukusetshenziswa okuvela ngokwemvelo. Lolu hlelo lokusebenza luyatholakala kumadivayisi e-iOS ne-Android. Inhloso ukuvuselela ukuvakasha emnyuziyamu nokwabelana ngomlando namasiko endawo.

Ukuqashelwa

Mayelana ne-Umklomelo Wensimbi we-A' Design Award

Three States of Home Gazing Isisebenzi Esiyinhloko: Uhlelo Lokusebenza Lwe-Augmented Reality iwinile uMklomelo Wensimbi we-A' Design Award, ukwaziswa okuhloniphekile okunikezwa imiklamo emihle ehlangabezana nezidingo zobungcweti nezemboni ezilindelekile ezimpahleni ezihlelwe kahle. Abawinile beNsimbi babonisa ikhono elikhulu, ubungcweti obuphezulu, ukuqonda kochwepheshe namandla okudala abadali babo. Three States of Home Gazing Isisebenzi Esiyinhloko: Uhlelo Lokusebenza Lwe-Augmented Reality ilindeleke ukuba ibe yinto exatshwa kakhulu, edunyiswayo nethandwayo esebenzayo nenezinto ezintsha. Lo mklamo owinile uMklomelo Wensimbi we-A' Design Award uhlanganisa izindlela ezinhle kakhulu zemboni futhi unezimfanelo zobuchwepheshe ezifanelekile ezihlanganiswe nolwazi nethalente. Three States of Home Gazing Isisebenzi Esiyinhloko: Uhlelo Lokusebenza Lwe-Augmented Reality iyahlonishwa ngenxa yokucophelela kwayo futhi ihlelelwe ukulethela izinguquko zomgangatho wempilo ezisiza ukwenza umhlaba ube yindawo engcono.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: Through AR technology, we are able to bring Kuo’s work, Festival on South Street(1930), to life. The viewer can take a closer look at the painting whether at home or at the museum. It is even possible to walk into the Taipei Dadaocheng area in 1930 from the painting in the virtual reality. The experience is different from the usual AR technology application, creating a brand new combination between AR and art show.
Izilinganiso Nokupakisha: This AR experience could download with IOS(Apple Store) and Andriod (Google Store).
Amathegi: Taiwan, Taipei, Localization, Taiwan Painting, Kuo Hsueh-Hu
Ubuchwepheshe Bokukhiqiza: As a cultural experience design, utilizing VR to alternate the viewer’s timeline meets the criteria for this project. AR extends and brings scenes and elements of the past into reality right in front of our eyes like a city landscape. With the use of relevant technology linking places and locations with memories is made possible, and is the highlight of this cultural service design. On the subject matter, the emotional appeal of this work and the local artists‘ brushworks records the era of their times and the sentimentality of the people.
Inselele Yokudweba: Kuo Hsueh-hu’s artworks depict the early era of Taiwan. The cultural and historical scenes of Dadaocheng are preserved through his paintings to this day. The core of this project is to see the development of art and culture intertwined through the perspective of Kuo Hsueh-hu. This project not only changes the museum experience but also reproduces the historical and cultural scene, taking the viewers back in time to experience the everyday scenery, as well as, creating opportunities to empathize with the cultural sentiments of the generation.
Ucwaningo: It is expected that the impact of this project will extend to the inheritance of local culture and the re-creation of the museum experience. The representational history of Taiwan is reproduced through the brushworks of Taiwanese artists. This project will contribute to local cultural tourism, creating social welfare, giving ethnic groups a sense of belonging and identity. Despite the viewers having different ethnic backgrounds, this installation can still let the users experience the layers of cultural richness. Using local cultural experiential design as the focus , create culturally synchronized sensory experiential designs.
Ugqozi: This AR experience design intends to reproduce the historical period illustrated by the artist Kuo Hsueh-hu. Providing an alternative approach to a two-dimensional viewing of museums artworks, through interaction with illustrations in immersive and expansive environments, enhancing the overall museum experience. Kuo Hsueh-Hu is the most important glue color painting artist in Taiwan. This AR experience is a returned journey to his hometown of his spirit and imagination.
Ubude Bephrojekthi: The project started in 2019 and finished in 2020 in Taipei,
Ukuhamba Kokusebenza: It contributed interesting aspects to the exhibition and is suitable for every visitor. Immersive virtual reality and highly interactive extended reality, plus bilingual subtitles in Chinese and English, all work together for the users to easily understand and have an intuitive experience. So far, many users have participated in this cultural experiential exhibition. The result of this project not only reflects the overall museum experience, but also made the possibility of historical and cultural education.
Amapathenti: Copyrights belong to Oready Innovation Lab, Virtual and Physical Media Integration Association of Taiwan and Kuo Hsueh-Hu Foundation, 2021.
Amalungu Eqembu: Director: Hsin-Chien Huang, Wen-Chieh Chang
Producer: Chiung-Yi Hsieh
Co-Producer: Saiau-Yue Tsau
Amakhredithi Ezithombe: https://www.dropbox.com/sh/zgehpybcbxvoqnv/AAAY7f2DZChmPXM_euXQ6zbpa?dl=0