Umdwebo Penumbra Izithombe ngu-Maja Zinczuk ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2021 Umklomelo Wesiliva we-A' Design Award Esigabeni Somncintiswano se-Ukuthwebula Izithombe.

IsilivaUkuthwebula Izithombe· 2021

Penumbra Izithombe

ngu Maja Zinczuk

Iklayenti: Maya Zet

Umnqobi we-Umklomelo Wesiliva we-A' Design Award Esigabeni se-Ukuthwebula Izithombe

27,800

Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#123551

Funda Kabanzi Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Ukuklama

Mayelana ne-Penumbra Izithombe

Umklami wathatha izithombe ngesikhathi lapho ephuma endlini futhi ukuhlangana nabantu kwakuyinselele, okungukuthi ngesikhathi sobhubhane. Ukuhlala ekhaya isikhathi eside kwavusa ubuhlakani bombhali. Ngakho-ke izinto zansuku zonke ezitholakala endlini, njengezitsha zamanzi, izinto ezikhanyayo, amafasitela esakhiweni asetshenziselwa ukufanisa ukukhanya. Imisebenzi yakhe yathathwa ngombala kuqala, yashintshwa yaba mnyama nomhlophe. Konke kwenziwa ngedijithali. Isithombe esisodwa kuphela asithatha ngokukhanya kokwenziwa esibanini futhi isithombe somfana. Ama-silhouette avame ukuboniswa efihliwe.

Ukuqashelwa

Mayelana ne-Umklomelo Wesiliva we-A' Design Award

Penumbra Izithombe iwinile uMklomelo Wesiliva we-A' Design Award, ukwaziswa okuhloniphekile ngokungajwayelekile okunikezwa imiklamo esezingeni eliphezulu, ebukekayo nethinta kakhulu. Abawinile beSiliva yimisebenzi egqamile kakhulu nedala kakhulu ebonisa ubungcweti obuphawulekayo, italente nobuhlakani babaklami babo. Penumbra Izithombe ilindeleke ukuba ibe ngumsebenzi omuhle wesibonelo, onobungcweti obuphawulekayo nezinto ezintsha ezijulile. Lo mklamo owinile uMklomelo Wesiliva we-A' Design Award uyinto entsha ebonakala kakhulu nethakazelisayo esiza futhi isunduza imingcele yobuciko, isayensi, ukuklama nobuchwepheshe. Penumbra Izithombe iyinto enomhawu omkhulu kuyo evusa izifiso, ilethe imizwa emihle futhi ivuse ukumangala nokuxakeka.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: The photos were taken during the global pandemic. The most important challenge of this project was the limitations of leaving the house and meeting people.The point was to show, with minimal resources, what our life was like then.Everyday items were used for this photo session
Izilinganiso Nokupakisha: Nikon D800 camera, black and white mode for most of the photos. Some photos were taken in color, then changed to black and white.
Amathegi: contrast, light, chiaroscuro, black and white, mood, Poland, portraits
Ubuchwepheshe Bokukhiqiza: Fot photography were used various objects found in the house: bowls of water, reflective materials, decorative lamps, sometimes it was also the setting sun or elements of the architecture of buildings. These photos were taken in homes of photographed people or close to them.
Inselele Yokudweba: The biggest difficulty was the constraints of a global pandemic and finding the right means to tell a story when you are limited in moving.
Ucwaningo: Type of study was: how can you capture fleeting moments in our everyday life? When we stop for a moment and start looking more closely. We can then notice things that we have missed so far.When you look at these photos, you will see not only light contrasts, but that opposites attract.
Ugqozi: Caravaggio's paintings were the inspiration for these photos. Especially his passion for sharp contrasts and sharp chiaroscuro. In his paintings, many things remained in the dark, but nevertheless revealed what was most important. He modeled the silhouettes in a theatrical way, giving them a slightly religious expression.The clash of reality and spirituality was the most important. These were main subjects when shooting.People around the photographer were also an inspiration.These are the people she knows well.During the shooting, she was able to show some of the nature of the photographed people, their interests and feelings that accompanied them at that time.
Ubude Bephrojekthi: The works were photographed in 2019 in Białystok Poland.The most common places were the homes of the photographed people and their surroundings.
Ukuhamba Kokusebenza: It was a big challenge to wait for the right moment during the day to capture the right light.
Amakhredithi Ezithombe: Image#1:Białystok,Poland,Joanna in her studio, 2019
Image#2:Białystok,Poland,Singer,2019
Image#3:Białystok,Poland,My son,2019
Image#4:Białystok,Poland,Paulina in garden,2019
Image#5:Białystok,Poland,Cecylia,2019