Oita Soho Indawo Yokudlela YaseJapane Yesimanje ngu-Mika Kanayama

Umdwebo Oita Soho Indawo Yokudlela YaseJapane Yesimanje ngu-Mika Kanayama ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2024 Umklomelo Wesiliva we-A' Design Award Esigabeni Somncintiswano se-Ukudizayina Ingaphakathi.

IsilivaIngaphakathi· 2024

Oita Soho Indawo Yokudlela YaseJapane Yesimanje

ngu Mika Kanayama

Iklayenti: Muzo

Umnqobi we-Umklomelo Wesiliva we-A' Design Award Esigabeni se-Ingaphakathi

23,656

Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#151700

Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-Oita Soho Indawo Yokudlela YaseJapane Yesimanje

I-Oita Soho yakhelwe ukudala isikhala esihlakaniphile, esiphumuzayo esinomthelela waseJapane futhi esithwele ingxenye yobunikazi obasungulwa endaweni yokuqala yokudlela ye-Oita, engekho semthethweni futhi eluhlaza ngezitshalo kuyo yonke indawo. Lesi sikhala sasidinga okungaphezu kwezindlela ezivamile zokuklama kwaseJapane kwesimanje okuncane ukuze sinikeze umuzwa ohlukile, omangalisayo oyinhlanganisela yezinto zobuhle namasiko. Umsebenzi waphefumulelwa yi-eseyi kaTanizaki ethi "Ekudumiseni Amathunzi" exoxa ngokusetshenziswa, incazelo nobuhle bobumnyama namathunzi kubuciko baseJapane, ukuklama nokwakhiwo.

Ukuqashelwa

Mayelana ne-Umklomelo Wesiliva we-A' Design Award

Oita Soho Indawo Yokudlela YaseJapane Yesimanje iwinile uMklomelo Wesiliva we-A' Design Award, ukwaziswa okuhloniphekile ngokungajwayelekile okunikezwa imiklamo esezingeni eliphezulu, ebukekayo nethinta kakhulu. Abawinile beSiliva yimisebenzi egqamile kakhulu nedala kakhulu ebonisa ubungcweti obuphawulekayo, italente nobuhlakani babaklami babo. Oita Soho Indawo Yokudlela YaseJapane Yesimanje ilindeleke ukuba ibe ngumsebenzi omuhle wesibonelo, onobungcweti obuphawulekayo nezinto ezintsha ezijulile. Lo mklamo owinile uMklomelo Wesiliva we-A' Design Award uyinto entsha ebonakala kakhulu nethakazelisayo esiza futhi isunduza imingcele yobuciko, isayensi, ukuklama nobuchwepheshe. Oita Soho Indawo Yokudlela YaseJapane Yesimanje iyinto enomhawu omkhulu kuyo evusa izifiso, ilethe imizwa emihle futhi ivuse ukumangala nokuxakeka.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: It was designed to create a sophisticated, relaxing space with Japanese influences, and carrying some of the identity established in Oita's first restaurant, informal and verdant with plants throughout the space. The space required more than the conventional approaches of minimalistic modern Japanese design to deliver a distinct, remarkable experience that is a synthesis of aesthetic and cultural elements.

The space required more than the conventional approaches of minimalistic modern Japanese design, to deliver a distinct, remarkable experience that is a synthesis of aesthetic and cultural elements.Backlit paper parasols are placed overlapping in a flowing pattern that follows the stairs creating a feature wall to surprise and delight leading visitors to the upper level. The warm light of the parasols is accentuated in the dark. Lighting is careful and muted throughout relying on position and shades. Two mirrors placed parallel in opposite directions reflect the lights infinitely in their depths, adding to the glow and mystery of the space.
Izilinganiso Nokupakisha: The area of project is
Ground Floor - 67sqm
First Floor - 69sqm
Amathegi: Japanese restaurant design, muzo, Oita, interior design, restaurant design, Japanese design, chinatown
Ubuchwepheshe Bokukhiqiza: Grade II Listed Building
Material: Fire retardant timber & veneered oak MDF throughout.
Inselele Yokudweba: As it was a Grade II listed building, the history of the premises was researched in depth prior to work. Great consideration was given at design stage and fit-out work was carried out carefully. Any finishes that needed repairing was matched to the original finish.
Ucwaningo: The space is abundant with plants and botanical imagery bringing a sense of exotic night garden or conservatory. Artworks by Imao Keinen featuring birds in seasonal settings with plants and flowers feature throughout, furthering the theme, Keinen’s masterful use of colours is utilised to play with the décor palette introducing flashes of bright colour that are echoed elsewhere, harmonising with the greenery and midnight shades to effect a unique, spectral contrast. The effect has almost the feeling of Japanese lacquerware artwork made real where living forms are presented luminously against the deep dark of lacquer surfaces.
Ugqozi: The work was inspired by the Tanizaki essay 'In Praise of Shadows' which discusses the use, meaning and aesthetics of darkness and shadows in Japanese art, design and architecture.
Ubude Bephrojekthi: The project was completed in January 2023 in London.
Ukuhamba Kokusebenza: Backlit paper parasols are placed overlapping in a flowing pattern that follows the stairs creating a feature wall to surprise and delight leading visitors to the upper level. The warm light of the parasols is accentuated in the dark.
Lighting is careful and muted throughout relying on position and shades.
Two mirrors placed parallel in opposite directions reflect the lights infinitely in their depths, adding to the glow and mystery of the space.
Amapathenti: Copyrights belong to Muzo, 2023
Amakhredithi Ezithombe: Image #1: Photographer Sara Hibbert
Image #2: Photographer Sara Hibbert
Image #3: Photographer Sara Hibbert
Image #4: Photographer Sara Hibbert
Image #5: Photographer Sara Hibbert