Umdwebo Matsu Biennial 2023 Umcimbi Wobuciko ngu-Chun Ming Wang, Hou ching Lee and Han Wu ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2024 Umklomelo Wensimbi we-A' Design Award Esigabeni Somncintiswano se-Umcimbi.
InsimbiUmcimbi· 2024
Matsu Biennial 2023 Umcimbi Wobuciko
ngu Chun Ming Wang, Hou ching Lee and Han Wu
Iklayenti: Lienchiang County Government and The General Association of Chinese Culture
Umnqobi we-Umklomelo Wensimbi we-A' Design Award Esigabeni se-Umcimbi
Umnqobi Womklomelo Oqinisekisiwe
Qinisekisa Isimo Somklomelo se-#155697Ukuklama
Mayelana ne-Matsu Biennial 2023 Umcimbi Wobuciko
I-Matsu Biennial iwuhlelo olunethemba lweminyaka eyi-10, izingxenye ezi-5 zokuhlinzeka ngezisekelo ezizoma zomklamo wezenhlalo. Imisebenzi yayo engama-70 yobuciko bamakhono axubene kanye nokudala kwezifundo ezixubene kuwo onke amaphrojekthi asithoba okuqondiswa kobuciko ibhekana nezinselele zokuthuthukiswa kwesifunda esizinzile. Imigede ye-Matsu yesikhathi seMpi Ebandayo, ama-akhayivu endawo yempi, isiko le-Eastern Min, ukwakhiwa, kanye nolimi kubona imindeni engama-200 eyenza isiko lokwenza iwayini, okukhuthaza itimu ethi Ruby Red After Summer. Le Biennial iguqula ubuciko lube imvubelo yokuvusa amazwi acindezelwe futhi yenze i-Matsu ibe isisekelo sobuciko nomklamo.
Ukuqashelwa
Mayelana ne-Umklomelo Wensimbi we-A' Design Award
Matsu Biennial 2023 Umcimbi Wobuciko iwinile uMklomelo Wensimbi we-A' Design Award, ukwaziswa okuhloniphekile okunikezwa imiklamo emihle ehlangabezana nezidingo zobungcweti nezemboni ezilindelekile ezimpahleni ezihlelwe kahle. Abawinile beNsimbi babonisa ikhono elikhulu, ubungcweti obuphezulu, ukuqonda kochwepheshe namandla okudala abadali babo. Matsu Biennial 2023 Umcimbi Wobuciko ilindeleke ukuba ibe yinto exatshwa kakhulu, edunyiswayo nethandwayo esebenzayo nenezinto ezintsha. Lo mklamo owinile uMklomelo Wensimbi we-A' Design Award uhlanganisa izindlela ezinhle kakhulu zemboni futhi unezimfanelo zobuchwepheshe ezifanelekile ezihlanganiswe nolwazi nethalente. Matsu Biennial 2023 Umcimbi Wobuciko iyahlonishwa ngenxa yokucophelela kwayo futhi ihlelelwe ukulethela izinguquko zomgangatho wempilo ezisiza ukwenza umhlaba ube yindawo engcono.
Ngemuva Kokuklama
Iphakheji Yabezindaba
Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.
- Izici Ezihlukile
- Matsu Biennial restores the suppressed voices and self-evident culture of Matsu's unique Cold-War heritage and war zone administration period. Unlike typical art festivals, the Biennial is a 10-year project across 5 planned biennials to involve experts and provide integrated design solutions.
Cultural governance and design thinking are made part of policymaking to advance art and education. The Biennial is a long-term cultural movement through site translation, cultural tours, and co-creation. - Izilinganiso Nokupakisha
- Exhibition grounds spanning the 4 townships and 5 islands of Matsu under a framework of 9 curatorial projects, comprised of 70 works spanning 4 areas of art design, landscape architecture, culinary art, and performance. Exhibition venues across a range of public spaces such as beaches, strategic intersections, plazas, military sites, private houses, cafes, and museums. 12 co-curators and 80 artist groups, including 13 local artists and 7 visiting artists from 5 countries.
- Amathegi
- Matsu Biennial, art festival, cultural heritage, Cold War, public branding, community design, social design, design education
- Ubuchwepheshe Bokukhiqiza
- Based on past studies of Matsu's military and cultural heritage, the Biennial invites locals and experts to co-create 70 works across 9 curation projects of architecture, art, food, and performance. Crossing contemporary mediums with traditional arts, it connects and revitalizes local traditions. Highlights include Underwater Lab and The Island Scene, featuring technology art, video, sculpture, traditional papercutting art, and military site installations, creating key landscapes on the island.
- Inselele Yokudweba
- The goal of the Biennial is to revive tangible/intangible heritage. Winemaking became the theme to resonate culturally and military sites have been revitalized. The challenge is to instill cultural identification locally, preserving and innovating with experts to increase local participation and communications by social design. As a cultural movement, the Biennial engages with residents, delivering posters to 3800 households and embedding its processes in art curriculums and development workshops.
- Ucwaningo
- The Matsu Biennial 2023 is based on past surveys of local heritage. Its theme Ruby Red After Summer honors the tradition of winemaking in Matsu to "ferment art". In 2007, a comprehensive survey of the islands recorded 146 military installations. In 2019, 13 military sites were selected for revitalization studies. Surveys on local contexts, archives, and interviews collected local issues and cultural highlights of Matsu’s sites including crafts, and food, forming the basis for the Biennial.
- Ugqozi
- UNESCO Universal Declaration on Cultural Diversity considers cultural diversity as legacy, promoting peace through dialog. Villages and towns nowadays host large-scale art festivals to revitalize local industries and culture, driving local participation and bolstering the regional brand. Accordingly, Matsu Biennial adopts the core concept of "social design", creating public branding for sustainable governance and using art curation to highlight the significance of Matsu's Cold-War heritage.
- Ubude Bephrojekthi
- The 2nd Matsu Biennial "Ruby Red After Summer" opens from Sept. 23 to Nov. 12,2023 at the 4 townships and 5 islands of Matsu. In 2007, a comprehensive survey of Matsu's local heritage and cultural landscape was initiated. In 2019, planning for the 1st Matsu Biennial started, and in 2020, a stronghold redesign campaign movement was launched, leading up to the opening of 2 military sites for the 2nd Matsu Biennial.
- Ukuhamba Kokusebenza
- Addressing issues through social design, the Biennial adopts 5 principal designs of engagement—creating dialogue with the community and developing local characteristics; sustainability—design with a 10-year vision; planning—continued concern for society through art practice; spatial governance—design on the scale of architectural contexts; and culture—design to transform organizational cultures and create an environment conducive to art and design.
- Amapathenti
- Copyrights belong to Matsu Biennial
- Amalungu Eqembu
- Co-organizers: Chung-Ming Wang, Hou-ching Lee, Jing-hui Huang, Xiao-Yun Wu
Marketing Coordinator: Ayu Cheng
Chief of Operations: Hui-Ting Liu
Curatorial team: Lee Ro-Mei, Chao Kai-Chih, Eric Chen, Eva Lin, Chang Cheng-Yu, Chang Kuang-Yi, Nakaw Putun, Han Wu, Hung Yu-Cheng, Ella Jheng, Liu Mei-Yu, Tammy Yu-Ting Hsieh, Pilar Tsai, Li-Wei Hou, Liting Liu, Hsieh Shu-Ching, Wang Shih-Yu, Wilma Ku, Yu-Zheng Ye - Amakhredithi Ezithombe
- Matsu Biennial
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