Poem Sapce Ingubo Encike Kancane Emanyala ngu-Bonan Li

Umdwebo Poem Sapce Ingubo Encike Kancane Emanyala ngu-Bonan Li ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2025 Umklomelo Webhulonzi we-A' Design Award Esigabeni Somncintiswano se-Ukudizayina Imfashini.

IbhulonziImfashini· 2025

Poem Sapce Ingubo Encike Kancane Emanyala

ngu Bonan Li

Iklayenti: Bonan Li Studio

Umnqobi we-Umklomelo Webhulonzi we-A' Design Award Esigabeni se-Imfashini

75,622

Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#169597

Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-Poem Sapce Ingubo Encike Kancane Emanyala

Poem Sapce iyingubo encike kancane emanyala ehlanganisa indlela yokusonta entsha nokusika okungekho manyala. Ingubo yenziwe ngamalensi elukiwe ngezandla akhiqizwa ngababazi bendabuko kuzindawo ezahlukene, egcina izindlela zokwelukwa zendabuko. Ukushwabana kwendwangu okusheshiswe endaweni ethile kwakha indwangu, kwakhiwa amasondo aphakathi anesimo esiphakathi kunokusika into iphelele. Isikhundla sesonto ngasinye sifakwa ngesandla futhi sidwetshwe ku-cardboard ukuthola inqubo yokukhiqizwa kwesikhathi esincane. Amasondo abunjelwe ngobuciko ahamba ngokuhambisana nomzimba futhi anikeza ukukhululeka nokwakheka kwesitayela sokugcina.

Ukuqashelwa

Mayelana ne-Umklomelo Webhulonzi we-A' Design Award

Poem Sapce Ingubo Encike Kancane Emanyala iwinile uMklomelo Webhulonzi we-A' Design Award, ukwaziswa okuhloniphekile kakhulu okunikezwa imiklamo ephawulekayo eyehlukaniswa ukudala, ubuhlakani nobukhali bengqondo. Abawinile beBhulonzi yimisebenzi enobuchule obukhulu nedala ngokumangalisayo eqinisekisa isipiliyoni esibanzi, umcabango nobuhlakani babaklami babo. Poem Sapce Ingubo Encike Kancane Emanyala ilindeleke ukuba ibe yinto exatshwa kakhulu, edunyiswayo nethandwayo, enobungcweti obuphawulekayo nezinto ezintsha. Lo mklamo owinile uMklomelo Webhulonzi we-A' Design Award uhlanganisa izindlela ezinhle kakhulu ebuciko, esayensi, ekuklameni nasebuchwepheshe futhi uhamba phambili ngenxa yokunaka kwawo imininingwane. Poem Sapce Ingubo Encike Kancane Emanyala iyanelisa izidingo ngokumangalisayo, ithinta izifiso, iheha imizwa futhi ikhanga ukufuna ukwazi.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: The Shrink Pleat Minimal Waste Dress redefines sustainable fashion by integrating innovative pleating techniques with zero-waste cutting. Crafted from locally handwoven fabrics sourced globally, this design preserves traditional craftsmanship while reducing energy consumption. By harnessing localized fabric shrinkage, it forms organic, three-dimensional silhouettes with minimal material waste.
Izilinganiso Nokupakisha: Length: 1500 mm x Width: 800 mm x Thickness: 50 mm
Amathegi: sustainable fashion, zero-waste design, innovative pleating, fabric shrinkage technique, handwoven textiles, three-dimensional garment, traditional craftsmanship, small-batch production, sculptural fashion, eco-conscious design
Ubuchwepheshe Bokukhiqiza: The design employs zero-waste cutting and an innovative pleating technique that utilizes localized fabric shrinkage to create organic, three-dimensional forms. Each pleat position is meticulously hand-fixed and mapped onto cardboard for small-batch production, ensuring precision and minimizing waste in the manufacturing process.
Inselele Yokudweba: The most challenging aspect of this project was balancing sustainability with structural innovation. Achieving precise pleat placement through fabric shrinkage required extensive testing, as different textiles reacted unpredictably. Additionally, sourcing ethically handwoven fabrics while maintaining production feasibility posed logistical challenges. Overcoming these obstacles involved iterative experimentation, collaboration with artisans, and refining techniques to ensure both aesthetic integrity and minimal waste.
Ucwaningo: This research explores sustainable garment construction through fabric behavior analysis and zero-waste design. The objective was to develop an innovative pleating method that minimizes waste while enhancing three-dimensionality. Using an experimental approach, I tested localized fabric shrinkage and pleat fixation techniques, documenting results through draping, hand-marking, and pattern adjustments. Material tests were conducted to study fabric reactions, with findings informing a scalable, small-batch production model. The research promotes sustainability by reducing textile waste and preserving traditional weaving techniques.
Ugqozi: The intersection of traditional craftsmanship and contemporary sustainability inspired the Shrink Pleat Minimal Waste Dress. I sought to challenge conventional garment construction by exploring fabric behavior through pleating and shrinkage techniques. Drawing from research on localized textile manipulation, I developed a method to create dynamic, sculptural forms while minimizing waste. This project reflects my commitment to preserving heritage weaving techniques.
Ubude Bephrojekthi: This project was exhibited in Cave of the Day, Cave of the Night in Brooklyn, New York. It began in New York in 2013 and was completed in mid-2014 in New York.
Ukuhamba Kokusebenza: The Shrink Pleat Minimal Waste Dress transforms through a unique pleating method that shapes the fabric organically using controlled shrinkage. Instead of traditional cutting, the fabric naturally adjusts, creating sculptural folds that move with the body. Each pleat is carefully placed to enhance form and flexibility, offering comfort and structure. This approach reduces fabric waste while achieving a dynamic, flowing silhouette that feels effortless yet meticulously crafted.
Amakhredithi Ezithombe: Photographer Hao Zeng