Life Forms of Colors Ubuciko Bedijithali ngu-Yuko Suzuki

Umdwebo Life Forms of Colors Ubuciko Bedijithali ngu-Yuko Suzuki ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2025 Umklomelo Wesiliva we-A' Design Award Esigabeni Somncintiswano se-Okuzenzakalelayo.

IsilivaOkuzenzakalelayo· 2025

Life Forms of Colors Ubuciko Bedijithali

ngu Yuko Suzuki

Iklayenti: Civic Creative Base Tokyo (CCBT)

Umnqobi we-Umklomelo Wesiliva we-A' Design Award Esigabeni se-Okuzenzakalelayo

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Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#170854

Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-Life Forms of Colors Ubuciko Bedijithali

Lo msebenzi uwuhlelo lokuhambisa izithombe olubonisa ngokubukeka inqubo yokuthi ama-pixels aphulwa bese akhiwa kabusha. Umqondo walomsebenzi waqala lapho umculi, owayengumshicileli wobuciko, efuna ukudala ukuphrinta isidweba sendawo futhi ezibuza ukuthi angakwazi yini ukufinyelela ekwahlukanisweni kwemibala ngokubhala ikhodi. Ama-pixels abonakala njengazaseli, ehamba aze akhe izimo ezintsha nemibala emisha, eveza imiqondo yaseJapan ye-Kasane (ukwengeza izendlalelo) ne-Zurashi (ukushintsha). Aphinde amele izinguquko ezihlukahlukene umuntu angahambisana nazo, eveza ukuhlukahluka nokushintsha kalula kuwo wonke umsebenzi, futhi kubonisa ukuhlangana kwamasiko nobuchwepheshe.

Ukuqashelwa

Mayelana ne-Umklomelo Wesiliva we-A' Design Award

Life Forms of Colors Ubuciko Bedijithali iwinile uMklomelo Wesiliva we-A' Design Award, ukwaziswa okuhloniphekile ngokungajwayelekile okunikezwa imiklamo esezingeni eliphezulu, ebukekayo nethinta kakhulu. Abawinile beSiliva yimisebenzi egqamile kakhulu nedala kakhulu ebonisa ubungcweti obuphawulekayo, italente nobuhlakani babaklami babo. Life Forms of Colors Ubuciko Bedijithali ilindeleke ukuba ibe ngumsebenzi omuhle wesibonelo, onobungcweti obuphawulekayo nezinto ezintsha ezijulile. Lo mklamo owinile uMklomelo Wesiliva we-A' Design Award uyinto entsha ebonakala kakhulu nethakazelisayo esiza futhi isunduza imingcele yobuciko, isayensi, ukuklama nobuchwepheshe. Life Forms of Colors Ubuciko Bedijithali iyinto enomhawu omkhulu kuyo evusa izifiso, ilethe imizwa emihle futhi ivuse ukumangala nokuxakeka.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: This animation breaks down an image into pixels, reconstructing and transforming them repeatedly. The pixels emerge like cells, moving and forming new shapes and colors, embodying the Japanese concepts of "Kasane (layering)" and "Zurashi (shifting)." This reflects how living beings shape the world, either by choice or by following the flow. The ever-changing forms symbolize human transformation and the cycle of life and death.
Izilinganiso Nokupakisha: LED screen 4m × 4m, 10 minutes 30 seconds
Amathegi: Generative Art, Coding
Ubuchwepheshe Bokukhiqiza: This work was created entirely in a programming language called Processing.
It is made up of multiple animations that change from one shape to the next, linked together.
Inselele Yokudweba: The most difficult and exciting part was figuring out how to connect all of the different shapes through coding.
It was impossible to create all of the animations in one document, so I divided the whole thing into four scenes, created the animation, and connected them using video editing software.
Ucwaningo: This design research explores an animation technique that uses coding to break down and reconstruct pixels.
Through this process, the artist began to feel as if the pixels symbolized the workings of humans and the world. The pixels are like cells, but at the same time, they also seem like the individual people that make up the world. This created a sense of moving between the micro and macro worlds.
Through the use of digital technology, this research offers new methods of visual expression in art, business and society, and suggests the possibility of redefining cultural value.
Ugqozi: The impetus for creating this work began when the artist, a printmaker, wanted to create a landscape print, and wondered whether it would be possible to achieve color separation through coding. This was the beginning of an attempt to incorporate the physical acts of producing a multi-color woodblock print - "color separation of the print," "overprinting, " and "rolling the paper" - into code, and it developed into the more abstract idea of "creating a three-dimensional print."
Ubude Bephrojekthi: This work was exhibited as part of the CCBT x Yebisu International Festival for Art and Alternative Visions 2024 "Poems in Code: Generative Art Today and Programming Generated Moving Image" project held in Tokyo in February 2024.
Ukuhamba Kokusebenza: This work is an animation that depicts the process of pixels being broken down and reconstructed. As you watch, the pixels move and transform, creating new shapes. The changes in the pixels symbolize the potential for people to transform in various ways, and this diversity and fluidity is expressed throughout the work.
Amakhredithi Ezithombe: Image #1: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Photo courtesy Civic Creative Base Tokyo [CCBT].
Image #2: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Photo courtesy Civic Creative Base Tokyo [CCBT].
Video Credits: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Video courtesy Civic Creative Base Tokyo [CCBT].