Clay Moulded Ukwakhiwa Kwangaphakathi Kwethiyetha ngu-Marius Mateika

Umdwebo Clay Moulded Ukwakhiwa Kwangaphakathi Kwethiyetha ngu-Marius Mateika ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2025 Umklomelo Wegolide we-A' Design Award Esigabeni Somncintiswano se-Ukudizayina Ingaphakathi.

IgolideIngaphakathi· 2025

Clay Moulded Ukwakhiwa Kwangaphakathi Kwethiyetha

ngu Marius Mateika

Iklayenti: Mama architects

Umnqobi we-Umklomelo Wegolide we-A' Design Award Esigabeni se-Ingaphakathi

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Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#171457

Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-Clay Moulded Ukwakhiwa Kwangaphakathi Kwethiyetha

Clay Moulded wumklamo wangaphakathi wethiyetha yomculo eKlaipeda, eLithuania. Ubumba lumboze izindonga nophahla, futhi ngaphezu kwamathani angama-30 alolu bumba afakwa ngezandla. Iphethini lehholo elikhulu liqhubekayo futhi lisuka ekugcineni okukodwa kwendawo liye kokunye. Kwathuthukiswa inqubo yokumboza enezigaba eziyisikhombisa yale projekthi, okuhlanganisa ukufafaza, ukwenza amaphethini, ukomisa, ukukhuhla, ukucwebezelisa nokulondoloza. Izindonga nophahla kungavuleka futhi kuvaleke ukuze kulawulwe ukuqhathwa komsindo, ngakho indawo iyazivumelanisa namakhonsathi, imidlalo yeshashalazi nemihlangano. Indawo yokubukela ihlala abantu abangama-700.

Ukuqashelwa

Mayelana ne-Umklomelo Wegolide we-A' Design Award

Clay Moulded Ukwakhiwa Kwangaphakathi Kwethiyetha iwinile uMklomelo Wegolide we-A' Design Award, ukwaziswa okuhloniphekile kakhulu okunikezwa imiklamo yeklasi yokuqala, emangalisayo nephawulekile. Abawinile beGolide yimiklamo emisha kakhulu, enombono ongaphambili futhi egqamile ebonisa ubuhlakani, ukuhlakanipha nobuchule babaklami babo. Clay Moulded Ukwakhiwa Kwangaphakathi Kwethiyetha ilindeleke ukuba ibe yinto entsha edunyiswe kakhulu, ebeka isitayela futhi ebalulekile elethe inani elingakaze libonwe. Lo mklamo owinile uMklomelo Wegolide we-A' Design Award ungumgomo omangalisayo nohlonishwayo osiza kakhulu futhi osunduza imingcele yobuciko, isayensi, ukuklama nobuchwepheshe. Clay Moulded Ukwakhiwa Kwangaphakathi Kwethiyetha idala imizwa ejulile yesifiso, ivuse intshiseko, ikhuthaze ukudala futhi iyasiheha.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Izilinganiso Nokupakisha: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Amathegi: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
Ubuchwepheshe Bokukhiqiza: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Inselele Yokudweba: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
Ucwaningo: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Ugqozi: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Ubude Bephrojekthi: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Ukuhamba Kokusebenza: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Amalungu Eqembu: Architects: Marius Mateika
Amakhredithi Ezithombe: Photographer: Leonas Garbačauskas