由設計師 Pei-Yu Yen 創作嘅 Revival 咖啡館係備受推崇嘅 2020 A' Design Award 銅獎得獎作品，獲獎類別為室內空間及展覽設計。

銅室內· 2020

Revival 咖啡館

由 Pei-Yu Yen

客戶: Tetto Creative Design Co.,Ltd.

室內類別嘅 A' Design Award 銅獎得獎者

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經驗證嘅獲獎者

驗證設計 #103919 嘅獲獎狀態

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色彩

設計

關於 Revival 咖啡館

復興咖啡廳位於台灣台南美術館。它所佔據的空間在日本殖民時期曾是台南總警察局，由於其歷史意義以及折衷主義和裝飾藝術等各種建築風格和元素的獨特結合，現在被指定為城市遺產。咖啡館繼承了遺產的實驗精神，展示了新舊如何和諧地互動的現代案例。參觀者還可以享用咖啡，並開始與建築的過去進行對話。

榮譽認可

關於A' Design Award 銅獎

Revival 咖啡館是 A' Design Award 銅獎得主，這是授予以創造力、獨創性和敏銳見長的傑出設計的極具聲望的認可。銅獎得主是技藝嫻熟、創意驚人的作品，印證了其設計師豐富的經驗、想像力與機智。預計Revival 咖啡館將成為一件備受推崇、令人欽佩且被珍愛的物品，兼具顯著的專業性與創新性。這件贏得 A' Design Award 銅獎的設計融入藝術、科學、設計和技術領域的最佳實踐，並因注重細節而出類拔萃。Revival 咖啡館出色地滿足需求，觸動渴望，迷住情感，並吸引好奇心。

設計背後

新聞資料包

由設計師提供嘅製作人員名單、團隊成員同技術詳情。

獨特屬性: This project is an embodiment of the emerging enthusiasm for heritage reuse. The main building was established in 1931, serving as the Tainan Police Station during the Japanese colonial period. It is now designated as a heritage by Tainan city, and becomes part of Tainan Art Museum.
The cafe is located at the intersection between the old building and the new extension. The cafe therefore exhibits how the past and future can inspire each other.
尺寸同包裝: Curved chairs 1 (6 persons each side): height (cushion included) 50 cm, length 8 m, radius 4 m
Curved chairs 2 (5 persons each side): height (cushion included) 50 cm, length 6.5 m, radius 3.8 m
Curved chairs 3 (3 persons each side): height (cushion included) 50 cm, length 4.5 m, radius 2.5 m
Curved chairs 4 (2 persons each side): height (cushion included) 50 cm, length 3 m, radius 1.5 m
標籤: Cafe, heritage, eclecticism, museum
生產技術: Due to the regulations of heritage protection, there were a number of challenges during the completion of the project. For example, all of the tables and chairs must be pre-made in the factory before they were installed in the cafe. Another challenge came from the wavy design of the chairs for the cafe and the uneven ground of the building itself – the installation required cautious measurement and adjustment to make sure all of the pieces were in order.
設計挑戰: The most challenging part of the project is related to its heritage status. Due to the regulations in Taiwan, all of the main structure of a heritage should not be altered this includes the ceiling, floor, and the wall. Besides, the irregular shape of the space also creates extra challenge to the project.

To overcome these challenges, extensive research on the history of the building and the architectural style during the colonial period was conducting. Eventually, the space becomes a highly flexible commercial space which brings the best out of the buildings singular design.
研究: The research of the interior design of the cafe mainly focuses on the Japanese architecture style after Meiji revolution, especially the style employed by Japanese architects working in Taiwan during the colonial period.
靈感: The design is inspired by the talented Japanese architects bold design and experimental spirit. The Tainan Police Station was an interesting attempt of eclecticism, which brought in influence of Art Deco style and local materials in a unique way that was not let any particular architectural style dominate the dialogue.
Echoing the idea of eclecticism and the colonial past, the interior design is featured by curves to connect the whole space and old-fashioned velvet green embellished with bronze gold, presenting a harmonic fusion of the new and the old.
項目時長: December 2018, Initial design and planning
March 2019, renovation of the space began
June 2019, formal operation of the cafe

Location: Tainan, Taiwan
操作流程: The space utilised by the cafe used to be a detention centre. Coldness was the very first impression this space gives to its visitor.

To bring in the warmth to transform the chilly past of the space, the design emphasises on enhancing the interaction with the greenery outside of the cafe.
團隊成員: Yen Pei-Yu
圖片來源: Main image is Image #1: Photographer Rondo Wei, 2019.
Image #2: Photographer Rondo Wei, 2019.
Image #3: Photographer Rondo Wei, 2019.
Image #4: Photographer Rondo Wei, 2019.
Image #5: Photographer Peggy Yen, 2020.