Edoardo Milesi - Archos srl 嘅作品 The Inhabited Roccolo 私人住宅

由設計師 Edoardo Milesi - Archos srl 創作嘅 The Inhabited Roccolo 私人住宅係備受推崇嘅 2021 A' Design Award 銀獎得獎作品，獲獎類別為建築、樓宇及結構設計。

銀建築· 2021

The Inhabited Roccolo 私人住宅

由 Edoardo Milesi - Archos srl

客戶: Edoardo Milesi - Archos srl

建築類別嘅 A' Design Award 銀獎得獎者

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設計

關於 The Inhabited Roccolo 私人住宅

The Inhabited Roccolo係一座座落喺倫巴第阿爾卑斯山景觀入面嘅私人住宅。設計以當代形式重新演繹roccolo——一種傳統嘅捕鳥小屋。呢座住宅佔地面積112.32平方米，喺四層樓入面提供332.13平方米嘅居住空間。結構由鋼筋混凝土同木材構成，而外覆層則採用天然木材、耐候鋼同鈦鋅板。立面結合咗突出嘅體量同埋隨每種物料而變化嘅開口。簡潔嘅形態同天然嘅物料，令人將注意力集中喺周圍嘅自然環境之上。

榮譽認可

關於A' Design Award 銀獎

The Inhabited Roccolo 私人住宅是 A' Design Award 銀獎得主，這是授予頂級、華美而令人印象深刻的設計的極為崇高的認可。銀獎得主是極其卓越、極具創造力的作品，展現出其設計師傑出的專業技能、才華與敏銳。預計The Inhabited Roccolo 私人住宅將成為一件出色的典範之作，兼具非凡的專業性與深刻的創新性。這件贏得 A' Design Award 銀獎的設計是一項備受矚目、令人欽佩的發明，造福並拓展藝術、科學、設計和技術的界限。The Inhabited Roccolo 私人住宅是一件令人羨慕的創作，它喚起渴望，帶來積極的情感，並激發驚嘆與讚嘆。

設計背後

新聞資料包

由設計師提供嘅製作人員名單、團隊成員同技術詳情。

獨特屬性: The Inhabited Roccolo is a fascinating contemporary reinterpretation of a typical building of the Lombard landscape, designed to escape the stress of the urban world, where aesthetic ideals are sublimated in the modesty of simple forms and natural materials, while leaving complexity to nature around us. A vertical place that connects the earth and the cosmos through our souls.
尺寸同包裝: The new building uses only 332.13 square meters of the 425.69 of the existing building: it occupies a coverage area of 112.32 square meters with a total residential area of 332.13 square meters distributed over 4 levels (ground floor 119.40 square meters; first floor 87.99 square meters; second floor 78.67 square meters; third floor attic 46.07 square meters). The remaining 93.56 square meters are used for the reconstruction of the ruin for use as a shelter for agricultural tools and for the maintenance of the lot.
標籤: home, clusone, italy, edoardo milesi, roccolo, clusone, home design
生產技術: Reinforced concrete and wood for the structures, natural wood, corten steel and titanium zinc for the coatings.
設計挑戰: A contemporary reinterpretation of a typical building of the Lombard landscape, designed to escape the stress of the urban world, where aesthetic ideals are sublimated in the modesty of simple forms and natural materials, while leaving complexity to nature around us. The project does not represent a simple mimetic operation, but a refined integration between the Roccolo and the surrounding territory.
研究: The project starts from the impossibility, for geological reasons, to preserve the existing building and from the awareness of the importance of maintaining the necessary human protection: we are in fact in the presence of a place where the landscape value is the result of a long work and constant in the application of the traditional art of gardening aimed at fowling.
The new construction is inspired by the "roccolo" typology, and is reinterpreted in a contemporary key: a typological reworking of the mountain bird catcher translated into home of holidays, which maintains the spatial setting at the center of the tree plant, created and modeled for fowling, but moved a few meters away from the existing block.
The new building appears as a fundamental part of the landscape recovery and a rural culture typical of the Lombard Alps and pre-Alps.
The project restores the physiognomic characteristic of the roccolo: a semicircle of hornbeams in a double row with a central corridor covered by the intertwining of the branches, which forms the supporting framework of the walls and roof. Inside the semicircle there is the so-called thrown, that is the set of plants on which the birds perch, to descend even lower attracted by the berries of the grove, formed by shrubs producing berries.
Clinging to the tower building that slightly overlooks the trees, is the toll booth, an overhanging volume, containing the various functions, where the winder houses and hides: on the ground floor the semi-dark shelter for decoy birds, just above the kitchen and bedrooms, at the top the windows from which to throw the bogies.
The toll booth, a construction of masonry and wood, is camouflaged by mixed climbers and ground coverings, ivy, wisteria and vines. The cracks in the toll booth, from which the movements of the birds are scrutinized, alternate with wider openings with different openings functional for hunting and birding.
The main feature of the toll booth is the morphological discontinuity of the fronts, made up of heterogeneous merged and projecting volumes, padded with different materials: concrete, larch wood left to natural oxidation, short steel and opaque and pre-oxidized zinc-titanium sheet.
The facades have different openings depending on the type of material with which they were made: horizontal cracks on the wooden ones, small square openings, partly glazed and partly closed by wooden anchors / stakes for climbing plants, on the exposed concrete, glass panes in the metal walls. All the glazed parts are suitably set back and shielded to avoid glare and reflections in the landscape and the fixtures are all positioned on the internal line of the perimeter walls with a retractable frame.
靈感: To live in a bird catcher hut means to know how to be amazed at nature, to love it and to learn to know it through the concept of emptiness. A formidable source of inspiration that combines tradition with a contemporary look to the future and reminds us of the transience of life.
項目時長: The design project started in January 2015 and finished in June 2016 with the start of construction, which is finished in December 2017.
操作流程: A place designed to escape the stress of the urban world, where aesthetic ideals are sublimated in the modesty of simple forms and natural materials, while leaving complexity to nature around us.
專利: Copyrights belong to Studio Edoardo Milesi & Archos S.r.l.
團隊成員: Arch. Edoardo Milesi - Design Director
Ing. Paolo Abbadini - Concept Design
Ing. Sebastiano Moioli - structures
Ing. Alessandro Nani - mechanical systems design
Marlegno s.r.l. - wooden structures
圖片來源: Image #1: Photographer Ezio Manciucca, East Elevation, 2018.
Optional image #2: Photographer Ezio Manciucca, Entrance and Dining room, 2018.
Optional image #3: Photographer Ezio Manciucca, Master Room, 2018.
Optional image #4: Photographer Ezio Manciucca, Kitchen, 2018.
Optional image #5: Photographer Ezio Manciucca, Attic Living, 2018